Edward Dimendberg is Professor of Humanities and European Languages at the University of California, Irvine. He is the principal of Dimendberg Consulting LLC.

The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture.

• Introduction: Edward Dimendberg Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana BrunoChapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch Bibliography of Writings by Anne Friedberg Contributor BiographiesIndex

Edward Dimendberg is Professor of Humanities and European Languages at the University of California, Irvine. He is the principal of Dimendberg Consulting LLC.

The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture.

• Introduction: Edward Dimendberg Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana BrunoChapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch Bibliography of Writings by Anne Friedberg Contributor BiographiesIndex

Edward Dimendberg is Professor of Humanities and European Languages at the University of California, Irvine. He is the principal of Dimendberg Consulting LLC.

The best kind of tribute to a lifework's of pathbreaking scholarship, The Moving Eye brings together brilliant essays that develop Anne Friedberg's interdisciplinary approach to cinema, media, architecture, and visual perception. Building on Friedberg's major contributions, this collection shows how her fascination with the history of screens, windows, and virtual mobility has become even more relevant in contemporary digital culture.

• Introduction: Edward Dimendberg Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana BrunoChapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch Bibliography of Writings by Anne Friedberg Contributor BiographiesIndex