Monique M. Ingalls is Assistant Professor of Music at Baylor University. Her work on music in Christian communities has been published in the fields of ethnomusicology, media studies, hymnology, and religious studies. She is Series Editor for Routledge's Congregational Music Studies book series and is co-founder and program chair of the biennial international conference "Christian Congregational Music: Local and Global Perspectives."

Monique Ingalls's Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community is a landmark publication, inviting vitally diverse readings.

• Acknowledgements List of Illustrations and Credits Introduction Contemporary Worship Music and Modes of Congregating within North American Evangelical Christianity Chapter 1 Making Jesus Famous: The Quest for an Authentic Worship Experience in the Concert Congregation Chapter 2 Singing Heaven Down to Earth: The Conference Congregation as Pilgrim Gathering and Eschatological Community Chapter 3 Finding the Church's Voice: Contemporary Worship as Musical Positioning in a Nashville Church Congregation Chapter 4 Bringing Worship to the Streets: The Praise March as Public Congregation Chapter 5 Worship on Screen: Building Networked Congregations Online and Offline through Audiovisual Worship Media Conclusion Worship Music on the Global Stage: The Mainstream Model and Its Alternatives Bibliography

Monique M. Ingalls is Assistant Professor of Music at Baylor University. Her work on music in Christian communities has been published in the fields of ethnomusicology, media studies, hymnology, and religious studies. She is Series Editor for Routledge's Congregational Music Studies book series and is co-founder and program chair of the biennial international conference "Christian Congregational Music: Local and Global Perspectives."

Monique Ingalls's Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community is a landmark publication, inviting vitally diverse readings.

• Acknowledgements List of Illustrations and Credits Introduction Contemporary Worship Music and Modes of Congregating within North American Evangelical Christianity Chapter 1 Making Jesus Famous: The Quest for an Authentic Worship Experience in the Concert Congregation Chapter 2 Singing Heaven Down to Earth: The Conference Congregation as Pilgrim Gathering and Eschatological Community Chapter 3 Finding the Church's Voice: Contemporary Worship as Musical Positioning in a Nashville Church Congregation Chapter 4 Bringing Worship to the Streets: The Praise March as Public Congregation Chapter 5 Worship on Screen: Building Networked Congregations Online and Offline through Audiovisual Worship Media Conclusion Worship Music on the Global Stage: The Mainstream Model and Its Alternatives Bibliography

Monique M. Ingalls is Assistant Professor of Music at Baylor University. Her work on music in Christian communities has been published in the fields of ethnomusicology, media studies, hymnology, and religious studies. She is Series Editor for Routledge's Congregational Music Studies book series and is co-founder and program chair of the biennial international conference "Christian Congregational Music: Local and Global Perspectives."

Monique Ingalls's Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community is a landmark publication, inviting vitally diverse readings.

• Acknowledgements List of Illustrations and Credits Introduction Contemporary Worship Music and Modes of Congregating within North American Evangelical Christianity Chapter 1 Making Jesus Famous: The Quest for an Authentic Worship Experience in the Concert Congregation Chapter 2 Singing Heaven Down to Earth: The Conference Congregation as Pilgrim Gathering and Eschatological Community Chapter 3 Finding the Church's Voice: Contemporary Worship as Musical Positioning in a Nashville Church Congregation Chapter 4 Bringing Worship to the Streets: The Praise March as Public Congregation Chapter 5 Worship on Screen: Building Networked Congregations Online and Offline through Audiovisual Worship Media Conclusion Worship Music on the Global Stage: The Mainstream Model and Its Alternatives Bibliography