Professor of Philosophy, CUNY Graduate Center. Author HUMOR: A Very Short Introduction (OUP 2014), ART IN THREE DIMENSIONS (OUP 2010), ENGAGING THE MOVING IMAGE (Yale 2003), A PHILOSOPHY OF MASS ART (OUP 1998), THE PHILOSOPHY OF MOTION PICTURES (Blackwell 2007)

• METAPHYSICSToward an Ontology of the Moving ImageThe Return of Medium Specificity Claims and the Evaluation of the Moving ImageMotion Picture Narration EPISTEMOLOGYMovie-Made PhilosophyPhilosophizing Through the Moving Image: The Case of Serene VelocityWarhol's Empire PHILOSOPHICAL PSYCHOLOGYCognitivism, Psychology, and Neuroscience: Moves as Attentional Engines (with William P. Seeley)Movies, Narrative, and Emotion ETHICSSubjectivity, the Emotions, and the MoviesMoral Change: Fiction, Film, and FamilyRough Heroes: A Response to A.W. EatonTalk to HerVertigo: The Impossible Love POLITICSScience Fiction, Philosophy and Politics: Planet of the Apes as a Thought ExperimentYvonne Rainer and the Recuperation of Everyday LifeAmy Schumer or the Incongruities PHILOSOPHIES OF THE ARTSThree Problems in the Philosophy of Movie Music (with Margaret Moore)Dogma Dance HISTORY OF THE PHILOSOPHY OF THE MOVING IMAGEBéla Balász: The Face of CinemaEisenstein's Philosophy of FilmRevisiting the World ViewedArthur Danto Goes to the Movies

Professor of Philosophy, CUNY Graduate Center. Author HUMOR: A Very Short Introduction (OUP 2014), ART IN THREE DIMENSIONS (OUP 2010), ENGAGING THE MOVING IMAGE (Yale 2003), A PHILOSOPHY OF MASS ART (OUP 1998), THE PHILOSOPHY OF MOTION PICTURES (Blackwell 2007)

• METAPHYSICSToward an Ontology of the Moving ImageThe Return of Medium Specificity Claims and the Evaluation of the Moving ImageMotion Picture Narration EPISTEMOLOGYMovie-Made PhilosophyPhilosophizing Through the Moving Image: The Case of Serene VelocityWarhol's Empire PHILOSOPHICAL PSYCHOLOGYCognitivism, Psychology, and Neuroscience: Moves as Attentional Engines (with William P. Seeley)Movies, Narrative, and Emotion ETHICSSubjectivity, the Emotions, and the MoviesMoral Change: Fiction, Film, and FamilyRough Heroes: A Response to A.W. EatonTalk to HerVertigo: The Impossible Love POLITICSScience Fiction, Philosophy and Politics: Planet of the Apes as a Thought ExperimentYvonne Rainer and the Recuperation of Everyday LifeAmy Schumer or the Incongruities PHILOSOPHIES OF THE ARTSThree Problems in the Philosophy of Movie Music (with Margaret Moore)Dogma Dance HISTORY OF THE PHILOSOPHY OF THE MOVING IMAGEBéla Balász: The Face of CinemaEisenstein's Philosophy of FilmRevisiting the World ViewedArthur Danto Goes to the Movies

Professor of Philosophy, CUNY Graduate Center. Author HUMOR: A Very Short Introduction (OUP 2014), ART IN THREE DIMENSIONS (OUP 2010), ENGAGING THE MOVING IMAGE (Yale 2003), A PHILOSOPHY OF MASS ART (OUP 1998), THE PHILOSOPHY OF MOTION PICTURES (Blackwell 2007)

• METAPHYSICSToward an Ontology of the Moving ImageThe Return of Medium Specificity Claims and the Evaluation of the Moving ImageMotion Picture Narration EPISTEMOLOGYMovie-Made PhilosophyPhilosophizing Through the Moving Image: The Case of Serene VelocityWarhol's Empire PHILOSOPHICAL PSYCHOLOGYCognitivism, Psychology, and Neuroscience: Moves as Attentional Engines (with William P. Seeley)Movies, Narrative, and Emotion ETHICSSubjectivity, the Emotions, and the MoviesMoral Change: Fiction, Film, and FamilyRough Heroes: A Response to A.W. EatonTalk to HerVertigo: The Impossible Love POLITICSScience Fiction, Philosophy and Politics: Planet of the Apes as a Thought ExperimentYvonne Rainer and the Recuperation of Everyday LifeAmy Schumer or the Incongruities PHILOSOPHIES OF THE ARTSThree Problems in the Philosophy of Movie Music (with Margaret Moore)Dogma Dance HISTORY OF THE PHILOSOPHY OF THE MOVING IMAGEBéla Balász: The Face of CinemaEisenstein's Philosophy of FilmRevisiting the World ViewedArthur Danto Goes to the Movies