Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (2006), as well as editor of two collections of essays on Joyce. Matt Eatough is a doctoral candidate in the English Department at Vanderbilt University.

a truly remarkable collection of interdisciplinary, scholarly essays that span the globe in reexamining, polemicizing, and generally expanding the critical concept of modernism.

• Introduction 3 ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. Th e Balkans Uncovered: Towards Historie Croisee of Modernism 25 ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary 48 ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories 81 ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American M odernismo : ; Dario's Bourgeois King 109 ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power , and Photographic ; Modernism 129 ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time 149 ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story 173 ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English 205 ; Jessica Berman ; 9. Modernism and African Literature 228 ; Neil Lazarus ; Part IV : Forms and Modes ; 10. <" Petro-Magic Realism>": Ben Okri's Infl ationary Modernism 249 ; Sarah L. Lincoln ; 11. Little Magazines, World Form 267 ; Eric Bulson ; 12. Poetry, Modernity, Globalization 288 ; Jahan Ramazani ; Part V : Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 313 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics 367 ; Ben Tran ; Part VI : Forms of Sociality ; 16. Cosmopolitanism and Modernism 387 ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual 413 ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe 433 ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms 461 ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous 478 ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity 499 ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the <"Other West>" 529 ; Nergis Erturk ; 23. M odernism's Translations 551 ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi 571 ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale 601 ; Miriam Bratu Hansen ; 26. V isions of Modernity in Colonial India: Cinema, ; Women, and the City 627 ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire 646 ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree 669 ; Laura Doyle ; Notes on Contributors 697 ; Index

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (2006), as well as editor of two collections of essays on Joyce. Matt Eatough is a doctoral candidate in the English Department at Vanderbilt University.

a truly remarkable collection of interdisciplinary, scholarly essays that span the globe in reexamining, polemicizing, and generally expanding the critical concept of modernism.

• Introduction 3 ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. Th e Balkans Uncovered: Towards Historie Croisee of Modernism 25 ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary 48 ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories 81 ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American M odernismo : ; Dario's Bourgeois King 109 ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power , and Photographic ; Modernism 129 ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time 149 ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story 173 ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English 205 ; Jessica Berman ; 9. Modernism and African Literature 228 ; Neil Lazarus ; Part IV : Forms and Modes ; 10. <" Petro-Magic Realism>": Ben Okri's Infl ationary Modernism 249 ; Sarah L. Lincoln ; 11. Little Magazines, World Form 267 ; Eric Bulson ; 12. Poetry, Modernity, Globalization 288 ; Jahan Ramazani ; Part V : Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 313 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics 367 ; Ben Tran ; Part VI : Forms of Sociality ; 16. Cosmopolitanism and Modernism 387 ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual 413 ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe 433 ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms 461 ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous 478 ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity 499 ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the <"Other West>" 529 ; Nergis Erturk ; 23. M odernism's Translations 551 ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi 571 ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale 601 ; Miriam Bratu Hansen ; 26. V isions of Modernity in Colonial India: Cinema, ; Women, and the City 627 ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire 646 ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree 669 ; Laura Doyle ; Notes on Contributors 697 ; Index

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (2006), as well as editor of two collections of essays on Joyce. Matt Eatough is a doctoral candidate in the English Department at Vanderbilt University.

a truly remarkable collection of interdisciplinary, scholarly essays that span the globe in reexamining, polemicizing, and generally expanding the critical concept of modernism.

• Introduction 3 ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. Th e Balkans Uncovered: Towards Historie Croisee of Modernism 25 ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary 48 ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories 81 ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American M odernismo : ; Dario's Bourgeois King 109 ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power , and Photographic ; Modernism 129 ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time 149 ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story 173 ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English 205 ; Jessica Berman ; 9. Modernism and African Literature 228 ; Neil Lazarus ; Part IV : Forms and Modes ; 10. <" Petro-Magic Realism>": Ben Okri's Infl ationary Modernism 249 ; Sarah L. Lincoln ; 11. Little Magazines, World Form 267 ; Eric Bulson ; 12. Poetry, Modernity, Globalization 288 ; Jahan Ramazani ; Part V : Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 313 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics 367 ; Ben Tran ; Part VI : Forms of Sociality ; 16. Cosmopolitanism and Modernism 387 ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual 413 ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe 433 ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms 461 ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous 478 ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity 499 ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the <"Other West>" 529 ; Nergis Erturk ; 23. M odernism's Translations 551 ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi 571 ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale 601 ; Miriam Bratu Hansen ; 26. V isions of Modernity in Colonial India: Cinema, ; Women, and the City 627 ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire 646 ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree 669 ; Laura Doyle ; Notes on Contributors 697 ; Index