Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945. Matt Eatough is Assistant Professor of English at Baruch College, City University of New York.

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• Introduction ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. The Balkans Uncovered: Towards Historie Croisee of Modernism ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American Modernismo : ; Dario's Bourgeois King ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power, and Photographic ; Modernism ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English ; Jessica Berman ; 9. Modernism and African Literature ; Neil Lazarus ; Part IV: Forms and Modes ; 10. " Petro-Magic Realism": Ben Okri's Infl ationary Modernism ; Sarah L. Lincoln ; 11. Little Magazines, World Form ; Eric Bulson ; 12. Poetry, Modernity, Globalization ; Jahan Ramazani ; Part V: Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics ; Ben Tran ; Part VI: Forms of Sociality ; 16. Cosmopolitanism and Modernism ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the "Other West" ; Nergis Erturk ; 23. Modernism's Translations ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale ; Miriam Bratu Hansen ; 26. Visions of Modernity in Colonial India: Cinema,Women, and the City ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree ; Laura Doyle ; Notes on Contributors ; Index

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945. Matt Eatough is Assistant Professor of English at Baruch College, City University of New York.

Select Guide Rating

• Introduction ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. The Balkans Uncovered: Towards Historie Croisee of Modernism ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American Modernismo : ; Dario's Bourgeois King ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power, and Photographic ; Modernism ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English ; Jessica Berman ; 9. Modernism and African Literature ; Neil Lazarus ; Part IV: Forms and Modes ; 10. " Petro-Magic Realism": Ben Okri's Infl ationary Modernism ; Sarah L. Lincoln ; 11. Little Magazines, World Form ; Eric Bulson ; 12. Poetry, Modernity, Globalization ; Jahan Ramazani ; Part V: Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics ; Ben Tran ; Part VI: Forms of Sociality ; 16. Cosmopolitanism and Modernism ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the "Other West" ; Nergis Erturk ; 23. Modernism's Translations ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale ; Miriam Bratu Hansen ; 26. Visions of Modernity in Colonial India: Cinema,Women, and the City ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree ; Laura Doyle ; Notes on Contributors ; Index

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945. Matt Eatough is Assistant Professor of English at Baruch College, City University of New York.

Select Guide Rating

• Introduction ; Mark Wollaeger ; Part I : Opening Places, Opening Methods ; 1. The Balkans Uncovered: Towards Historie Croisee of Modernism ; Sanja Bahun ; 2 . Caribbean Modernism: Plantation to Planetary ; Mary Lou Emery ; Part II : Temporality ; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist ; Trajectories ; Edwige Tamalet Talbayev ; 4. The Temporalities of Modernity in Spanish American Modernismo : ; Dario's Bourgeois King ; Gerard Aching ; 5. Nation Time: Richard Wright, Black Power, and Photographic ; Modernism ; Sara Blair ; 6. Chinese Modernism, Mimetic Desire, and European Time ; Eric Hayot ; Part III : Whose Modernism? ; 7. The Will to Allegory and the Origin of Chinese Modernism: ; Rereading Lu Xun's Ah Q-Th e Real Story ; Xudong Zhang ; 8. Neither Mirror nor Mimic: Transnational Reading and Indian ; Narratives in English ; Jessica Berman ; 9. Modernism and African Literature ; Neil Lazarus ; Part IV: Forms and Modes ; 10. " Petro-Magic Realism": Ben Okri's Infl ationary Modernism ; Sarah L. Lincoln ; 11. Little Magazines, World Form ; Eric Bulson ; 12. Poetry, Modernity, Globalization ; Jahan Ramazani ; Part V: Comparative Avant-Gardes ; 13. Futurist Geographies: Uneven Modernities and the Struggle for ; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914 ; Harsha Ram ; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's ; Avant-Gardes ; Vicky Unruh ; 15. Queer Internationalism and Modern Vietnamese Aesthetics ; Ben Tran ; Part VI: Forms of Sociality ; 16. Cosmopolitanism and Modernism ; Janet Lyon ; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual ; Peter Kalliney ; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish ; Modernism in Europe ; Shachar Pinsker ; Part VII : Locating the Transnational ; 19. Th e Circulation of Interwar Anglophone and Hispanic ; Modernisms ; Gayle Rogers ; 20. Scandinavian Modernism: Stories of the Transnational ; and the Discontinuous ; Anna Westerstahl Stenport ; 21. World Modernisms, World Literature, and Comparativity ; Susan Stanford Friedman ; Part VIII : Translation Zones: Culture, Language, Media ; 22. Modernism Disfi gured: Turkish Literature and the "Other West" ; Nergis Erturk ; 23. Modernism's Translations ; Rebecca Beasley ; 24. Japanese Modernism and "Cine-Text": Fragments and Flows at ; Empire's Edge in Kitagawa Fuyuhiko and Yokomitsu Riichi ; William O. Gardner ; Part IX : Film as Vernacular Modernism ; 25. T racking Cinema on a Global Scale ; Miriam Bratu Hansen ; 26. Visions of Modernity in Colonial India: Cinema,Women, and the City ; Manishita Dass ; 27. Vernacular Modernism and South African Cinema: Capitalism, ; Crime, and Styles of Desire ; Rosalind C. Morris ; Part X : Afterword ; 28. Modernist Studies and Inter-Imperiality in the Longue Duree ; Laura Doyle ; Notes on Contributors ; Index