Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

This vividly-written and strikingly original study shows how song could act as a crucial tool for individual and collective moral repair at a time when France was riven by war and religious dispute. Through a meticulously researched exploration of Stoic currents in musical culture, Latour convincingly argues that moral song became a significant mode of informal philosophy as early modern French people sought to live well, to cultivate virtue, and to face adversity.

• List of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography

Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

This vividly-written and strikingly original study shows how song could act as a crucial tool for individual and collective moral repair at a time when France was riven by war and religious dispute. Through a meticulously researched exploration of Stoic currents in musical culture, Latour convincingly argues that moral song became a significant mode of informal philosophy as early modern French people sought to live well, to cultivate virtue, and to face adversity.

• List of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography

Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

This vividly-written and strikingly original study shows how song could act as a crucial tool for individual and collective moral repair at a time when France was riven by war and religious dispute. Through a meticulously researched exploration of Stoic currents in musical culture, Latour convincingly argues that moral song became a significant mode of informal philosophy as early modern French people sought to live well, to cultivate virtue, and to face adversity.

• List of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography