`an illuminating study of the theatrical treatment of this theme in a number of "toga dramas", which shows how Quo Vadis? belonged very much to a genre'Allan Massie, Times Literary Supplement

• The music of toga drama, Katherine Preston; "Claudian", Henry Herman and W.G. Wills; "The last days of Pompeii", James Pain; "The sign of the Cross", Wilson Barrett; "Ben-Hur" (play), William Young; "The charioteers", Marshall Moore; "Ben-Hur" (film), the Kalem Company; "The barbarian Ingomar", D.W. Griffith.

`an illuminating study of the theatrical treatment of this theme in a number of "toga dramas", which shows how Quo Vadis? belonged very much to a genre'Allan Massie, Times Literary Supplement

• The music of toga drama, Katherine Preston; "Claudian", Henry Herman and W.G. Wills; "The last days of Pompeii", James Pain; "The sign of the Cross", Wilson Barrett; "Ben-Hur" (play), William Young; "The charioteers", Marshall Moore; "Ben-Hur" (film), the Kalem Company; "The barbarian Ingomar", D.W. Griffith.

`an illuminating study of the theatrical treatment of this theme in a number of "toga dramas", which shows how Quo Vadis? belonged very much to a genre'Allan Massie, Times Literary Supplement

• The music of toga drama, Katherine Preston; "Claudian", Henry Herman and W.G. Wills; "The last days of Pompeii", James Pain; "The sign of the Cross", Wilson Barrett; "Ben-Hur" (play), William Young; "The charioteers", Marshall Moore; "Ben-Hur" (film), the Kalem Company; "The barbarian Ingomar", D.W. Griffith.