Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• TWILIGHTS; MAKING IT NEW; MODES AND GENRES; SITES AND SPACES OF KNOWLEDGE; MINDS AND BODIES; POLITICAL AND SOCIAL SELVES; AUTHORSHIP, AESTHETICS, AND PRINT CULTURES; TECHNOLOGIES

Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• TWILIGHTS; MAKING IT NEW; MODES AND GENRES; SITES AND SPACES OF KNOWLEDGE; MINDS AND BODIES; POLITICAL AND SOCIAL SELVES; AUTHORSHIP, AESTHETICS, AND PRINT CULTURES; TECHNOLOGIES

Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• TWILIGHTS; MAKING IT NEW; MODES AND GENRES; SITES AND SPACES OF KNOWLEDGE; MINDS AND BODIES; POLITICAL AND SOCIAL SELVES; AUTHORSHIP, AESTHETICS, AND PRINT CULTURES; TECHNOLOGIES