Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007), Making Oscar Wilde (2018) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• Introduction Twilights 1: Marcus Waithe: Medievalism and Modernity 2: Jarad Zimbler: Mythology, Empire, and Narrative 3: Stefano Evangelista: Death Drives: Biology, Decadence, and Psychoanalysis 4: Daniel Williams: Celticism Making it New 5: Christos Hadjiyiannis: Cultures of the Avant-Garde 6: Hannah Sullivan: Hannah Sullivan 7: Michael H. Whitworth: When was Modernism? 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'? 9: Angelique Richardson: Who was the New Woman? 10: Anne Fernihough: Utopian Thought and the Way to Live Now Modes and Genres 11: Adam Parkes: Naturalism, Realism, and Impressionism 12: Adrian Hunter: Naturalism, Realism, and Impressionism 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific Romance 14: David Glover: Super-niches?: Detection, Adventure, Exploration and Spy Stories Sites and Spaces of Knowledge 15: Rachel Crossland: Scientific Formations 16: Tatiana Kontou: Spirit Worlds 17: Laurence Scott: Cityscapes 18: Penny Fielding: Regionalisms 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century Globalizing World Minds and Bodies 20: William Greenslade: Race and Biology 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and Ulysses 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind 24: Santanu Das: The Theatre of Hands: Writing the First World War 25: Marah Gubar: Children's Literature and Literatures of Childhood 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender Political and Social Selves 27: Ruth Livesey: Political Formations: Anarchism, Feminism, Socialism 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature, Economics, and the Idea of the Welfare State 29: Sos Eltis: Representing Work Authorship, Aesthetics, and Print Cultures 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and Cosmopolitanism 31: James Williams: Parodies, Spoofs, and Satires 32: Max Saunders: Life-Writing: Biography, Portraits and Self-portraits, Masked Authorship and Autobiografictions 33: Faith Binckes: Journalism and Periodical Culture 34: Kamilla Elliott: The Illustrated Book Technologies 35: Laura Marcus: The Coming of Cinema 36: Kate Flint: Literature and Photography 37: Sam Halliday: Electricity, Telephony, and Communications 38: Alexander Bubb: The Residue of Modernity: Technology, Anachronism, and Bric-à-Brac in India 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines

Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007), Making Oscar Wilde (2018) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• Introduction Twilights 1: Marcus Waithe: Medievalism and Modernity 2: Jarad Zimbler: Mythology, Empire, and Narrative 3: Stefano Evangelista: Death Drives: Biology, Decadence, and Psychoanalysis 4: Daniel Williams: Celticism Making it New 5: Christos Hadjiyiannis: Cultures of the Avant-Garde 6: Hannah Sullivan: Hannah Sullivan 7: Michael H. Whitworth: When was Modernism? 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'? 9: Angelique Richardson: Who was the New Woman? 10: Anne Fernihough: Utopian Thought and the Way to Live Now Modes and Genres 11: Adam Parkes: Naturalism, Realism, and Impressionism 12: Adrian Hunter: Naturalism, Realism, and Impressionism 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific Romance 14: David Glover: Super-niches?: Detection, Adventure, Exploration and Spy Stories Sites and Spaces of Knowledge 15: Rachel Crossland: Scientific Formations 16: Tatiana Kontou: Spirit Worlds 17: Laurence Scott: Cityscapes 18: Penny Fielding: Regionalisms 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century Globalizing World Minds and Bodies 20: William Greenslade: Race and Biology 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and Ulysses 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind 24: Santanu Das: The Theatre of Hands: Writing the First World War 25: Marah Gubar: Children's Literature and Literatures of Childhood 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender Political and Social Selves 27: Ruth Livesey: Political Formations: Anarchism, Feminism, Socialism 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature, Economics, and the Idea of the Welfare State 29: Sos Eltis: Representing Work Authorship, Aesthetics, and Print Cultures 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and Cosmopolitanism 31: James Williams: Parodies, Spoofs, and Satires 32: Max Saunders: Life-Writing: Biography, Portraits and Self-portraits, Masked Authorship and Autobiografictions 33: Faith Binckes: Journalism and Periodical Culture 34: Kamilla Elliott: The Illustrated Book Technologies 35: Laura Marcus: The Coming of Cinema 36: Kate Flint: Literature and Photography 37: Sam Halliday: Electricity, Telephony, and Communications 38: Alexander Bubb: The Residue of Modernity: Technology, Anachronism, and Bric-à-Brac in India 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines

Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts.Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007), Making Oscar Wilde (2018) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016).Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).

This collection does excellent work in tracing thematic threads through texts beyond the centrally canonicalthorough and enterprising, the collection's essays commit to diving into the archive in search of gems that deserve revisiting

• Introduction Twilights 1: Marcus Waithe: Medievalism and Modernity 2: Jarad Zimbler: Mythology, Empire, and Narrative 3: Stefano Evangelista: Death Drives: Biology, Decadence, and Psychoanalysis 4: Daniel Williams: Celticism Making it New 5: Christos Hadjiyiannis: Cultures of the Avant-Garde 6: Hannah Sullivan: Hannah Sullivan 7: Michael H. Whitworth: When was Modernism? 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'? 9: Angelique Richardson: Who was the New Woman? 10: Anne Fernihough: Utopian Thought and the Way to Live Now Modes and Genres 11: Adam Parkes: Naturalism, Realism, and Impressionism 12: Adrian Hunter: Naturalism, Realism, and Impressionism 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific Romance 14: David Glover: Super-niches?: Detection, Adventure, Exploration and Spy Stories Sites and Spaces of Knowledge 15: Rachel Crossland: Scientific Formations 16: Tatiana Kontou: Spirit Worlds 17: Laurence Scott: Cityscapes 18: Penny Fielding: Regionalisms 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century Globalizing World Minds and Bodies 20: William Greenslade: Race and Biology 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and Ulysses 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind 24: Santanu Das: The Theatre of Hands: Writing the First World War 25: Marah Gubar: Children's Literature and Literatures of Childhood 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender Political and Social Selves 27: Ruth Livesey: Political Formations: Anarchism, Feminism, Socialism 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature, Economics, and the Idea of the Welfare State 29: Sos Eltis: Representing Work Authorship, Aesthetics, and Print Cultures 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and Cosmopolitanism 31: James Williams: Parodies, Spoofs, and Satires 32: Max Saunders: Life-Writing: Biography, Portraits and Self-portraits, Masked Authorship and Autobiografictions 33: Faith Binckes: Journalism and Periodical Culture 34: Kamilla Elliott: The Illustrated Book Technologies 35: Laura Marcus: The Coming of Cinema 36: Kate Flint: Literature and Photography 37: Sam Halliday: Electricity, Telephony, and Communications 38: Alexander Bubb: The Residue of Modernity: Technology, Anachronism, and Bric-à-Brac in India 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines