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    1. Historia och arkeologi
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    4. Socialhistoria och kulturhistoria

    Heraldry in Urban Society

    Visual Culture and Communication in Late Medieval England and Germany

    AvMarcus Meer

    Inbunden, Engelska, 2024

    Del i serien Oxford Studies in Medieval European History

    1 500 kr

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    Beskrivning

    Heraldry is often seen as a traditional prerogative of the nobility. But it was not just knights, princes, kings, and emperors who bore coats of arms to show off their status in the Middle Ages. The merchants and craftsmen who lived in cities, too, adopted coats of arms and used heraldic customs, including display and destruction, to underline their social importance and to communicate political messages. Medieval burgesses were part of a fascination with heraldry that spread throughout pre-modern society and looked at coats of arms as honoured signs of genealogy and history. Heraldry in Urban Society analyses the perceptions and functions of heraldry in medieval urban societies by drawing on both English- and German-language sources from the late fourteenth to the early sixteenth centuries. Despite variations that point to socio-political differences between cities (and their citizens) in the relatively centralized monarchy of medieval England and the more independent-minded urban governments found in the less closely connected Holy Roman Empire, urban heraldry emerges as a versatile and ubiquitous means of multimedia visual communication that spanned medieval Europe. Urban heraldic practices defy assumptions about clearly demarcated social practices that belonged to 'high'/'noble' as opposed to 'low'/'urban' culture. Townspeople's perceptions of coats of arms paralleled those of the nobility, as they readily interpreted and carefully curated them as visual expressions of identity. These perceptions allowed townspeople of all ranks, as well as noble outsiders, to use heraldry and its display - along with its defacement and destruction - in manuscripts, spaces (such as town houses, public monuments, halls, and churches), and performances (like processions and joyous entries) to address perennial problems of urban society in the Middle Ages. The coats of arms of burgesses, guilds, and cities were communicative means of individual and collective representation, social and political legitimization, conducting and resolving conflicts, and the pursuit of elevated status in the urban hierarchy. Likewise, heraldic communication negotiated the all-important relationship between the city and wider, extramural society - from the commercial interests of citizens to their collective ties to the ruler.

    Produktinformation

    • Utgivningsdatum:2024-11-06
    • Mått:165 x 240 x 25 mm
    • Vikt:708 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Oxford Studies in Medieval European History
    • Antal sidor:336
    • Förlag:OUP OXFORD
    • ISBN:9780198910275

    Utforska kategorier

    • Socialhistoria och kulturhistoria inom Historia och arkeologi
    • Medeltiden inom Historia och arkeologi

    Mer om författaren

    Marcus Meer is a historian of medieval communication and visual culture, with a comparative focus on the towns and cities of England and the German-speaking lands, c.1300-1530. He is particularly interested in intersections of economic and cultural history, the communicative construction of identities, institutions, and spaces, and antagonisms and convergences of urban, monastic, and noble culture. Meer completed his Ph.D. at Durham University as a Leverhulme Doctoral Scholar (in a cotutelle arrangement with Münster University) and taught at Durham, King's College London, and Düsseldorf University. Currently, he is a Research Fellow at the German Historical Institute London.

    Recensioner i media

    Heraldry in Urban Society makes an original and important contribution to urban studies by revealing how social and political relations within cities and between cities and rulers were visualized, imagined, and negotiated.

    Innehållsförteckning

    • Abbreviations Notes on Conventions Acknowledgments Introduction 1: Selves: Curating Signs of Honour 2: Groups: Creating Corporate Bodies 3: Spaces: Furnishing Stages of Self-Representation 4: Performances: Taking Heraldry to the Streets 5: Conflicts: Negotiating Status and Power 6: Conclusion: Marshalling the Evidence