Tina Frühauf is Adjunct Assistant Professor of Music at Brooklyn College and Editor at Répertoire International de Littérature Musicale in New York. In addition to her works as a scholar, she is an organist and church musician. Her German and English publications include articles in the Journal of Jewish Music and Liturgy and Orgel International, numerous book chapters and encyclopaedia contributions on the German-Jewish music culture, organs and organ music, the piano and the violin.

This groundbreaking and engaged study is really two books in one: the story of modern Jewry's growing interest in the organ, combined with a fresh look at music in German Jewish culture. It's solid and satisfying on both counts.

• 1 The Organ, Jewish Music, and Identity ; 2 Jewish "Curiosities": The Organ in Judaism Before 1800 ; * The Jewish Literature of Early Modernity ; * Pictorial Sources of Different Cultural and Religious Provenance ; * Meshorerim as the Forerunners of Organ Accompaniment ; * The Synagogues of Prague and Venice ; 3 The Organ as a Jewish Religious Response to Modernity ; * From Liturgical Reforms to a New Musical Identity ; * The Synagogue Organ in the Context of Organ Building Traditions ; * Intermezzo: Sharing the Console-The Synagogue Organist ; * The Synagogue Organist in the Framework of Christian Traditions ; * Organists at the New Synagogue in Berlin ; * The Impact of the Organist Question ; 4 Organ Music in Jewish Communities ; * From Lewandowski to Schalit: The Stylistic Development of Jewish Organ Music ; * Departure and Destruction: Organ Music in the "Spiritual Ghetto" ; 5 The Aftermath of Emigration ; * Limitations in the "Land of Opportunity" ; * The Organ in Israeli Culture-A Bridge between East and West ; 6 Between Assimilation and Dissimilation: The Jewish Community in the Course of Modernity ; Notes, Bibliography, Index-Names, Index-Places

Tina Frühauf is Adjunct Assistant Professor of Music at Brooklyn College and Editor at Répertoire International de Littérature Musicale in New York. In addition to her works as a scholar, she is an organist and church musician. Her German and English publications include articles in the Journal of Jewish Music and Liturgy and Orgel International, numerous book chapters and encyclopaedia contributions on the German-Jewish music culture, organs and organ music, the piano and the violin.

This groundbreaking and engaged study is really two books in one: the story of modern Jewry's growing interest in the organ, combined with a fresh look at music in German Jewish culture. It's solid and satisfying on both counts.

• 1 The Organ, Jewish Music, and Identity ; 2 Jewish "Curiosities": The Organ in Judaism Before 1800 ; * The Jewish Literature of Early Modernity ; * Pictorial Sources of Different Cultural and Religious Provenance ; * Meshorerim as the Forerunners of Organ Accompaniment ; * The Synagogues of Prague and Venice ; 3 The Organ as a Jewish Religious Response to Modernity ; * From Liturgical Reforms to a New Musical Identity ; * The Synagogue Organ in the Context of Organ Building Traditions ; * Intermezzo: Sharing the Console-The Synagogue Organist ; * The Synagogue Organist in the Framework of Christian Traditions ; * Organists at the New Synagogue in Berlin ; * The Impact of the Organist Question ; 4 Organ Music in Jewish Communities ; * From Lewandowski to Schalit: The Stylistic Development of Jewish Organ Music ; * Departure and Destruction: Organ Music in the "Spiritual Ghetto" ; 5 The Aftermath of Emigration ; * Limitations in the "Land of Opportunity" ; * The Organ in Israeli Culture-A Bridge between East and West ; 6 Between Assimilation and Dissimilation: The Jewish Community in the Course of Modernity ; Notes, Bibliography, Index-Names, Index-Places

Tina Frühauf is Adjunct Assistant Professor of Music at Brooklyn College and Editor at Répertoire International de Littérature Musicale in New York. In addition to her works as a scholar, she is an organist and church musician. Her German and English publications include articles in the Journal of Jewish Music and Liturgy and Orgel International, numerous book chapters and encyclopaedia contributions on the German-Jewish music culture, organs and organ music, the piano and the violin.

This groundbreaking and engaged study is really two books in one: the story of modern Jewry's growing interest in the organ, combined with a fresh look at music in German Jewish culture. It's solid and satisfying on both counts.

• 1 The Organ, Jewish Music, and Identity ; 2 Jewish "Curiosities": The Organ in Judaism Before 1800 ; * The Jewish Literature of Early Modernity ; * Pictorial Sources of Different Cultural and Religious Provenance ; * Meshorerim as the Forerunners of Organ Accompaniment ; * The Synagogues of Prague and Venice ; 3 The Organ as a Jewish Religious Response to Modernity ; * From Liturgical Reforms to a New Musical Identity ; * The Synagogue Organ in the Context of Organ Building Traditions ; * Intermezzo: Sharing the Console-The Synagogue Organist ; * The Synagogue Organist in the Framework of Christian Traditions ; * Organists at the New Synagogue in Berlin ; * The Impact of the Organist Question ; 4 Organ Music in Jewish Communities ; * From Lewandowski to Schalit: The Stylistic Development of Jewish Organ Music ; * Departure and Destruction: Organ Music in the "Spiritual Ghetto" ; 5 The Aftermath of Emigration ; * Limitations in the "Land of Opportunity" ; * The Organ in Israeli Culture-A Bridge between East and West ; 6 Between Assimilation and Dissimilation: The Jewish Community in the Course of Modernity ; Notes, Bibliography, Index-Names, Index-Places