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    Sikh Kirtan and Its Journeys

    Instruments, Theories, Technologies

    AvGurminder Kaur Bhogal

    Häftad, Engelska, 2025

    Del i serien Chicago Studies in Ethnomusicology

    272 kr

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    Beskrivning

    An unprecedented portrait of Sikh devotional music demonstrating how musical traditions shift to meet changing needs.  Kirtan—the sung expression of sacred verses—spans the Indian subcontinent, but it plays a unique role in the Sikh faith. In Sikh Kirtan and ItsJourneys, musicologist Gurminder Kaur Bhogal introduces the devotional tradition of kirtan, examining it alongside the writings of holy figures, the Sikh Gurus and Bhagats, and its practice among musicians. The long-established tradition of kirtan originated in a canon of instruments and songs, each of which produces a singular spiritual and worldly effect when kirtan is sung. However, the realities of colonization and migration have necessitated changes to these canonical practices. Bhogal offers a deep exploration of the traditions that gave rise to kirtan and a robust portrait of the many transformations kirtan has undergone, particularly in the wide-ranging Sikh diaspora, dedicating special attention to marginal kirtan players such as women and innovators developing digital techniques and styles. A practicing kirtaniya, Bhogal has spent her life studying and performing this music, steeped in the histories and controversies her book describes.Through a rigorous explanation of the traditions and evolutions of kirtan, Bhogal ultimately shows that kirtan is fluid, multi-faceted, and ever-changing because it reflects the shifting spiritual needs and musical tastes of devotees and practitioners across the world. Moreover, wherever kirtan is offered and received, it heightens corporeal vibrations between practitioners and devotees to motivate a sense of social purpose, social responsibility, and selfless service.

    Produktinformation

    • Utgivningsdatum:2025-11-19
    • Mått:152 x 229 x 25 mm
    • Vikt:513 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Chicago Studies in Ethnomusicology
    • Antal sidor:336
    • Förlag:The University of Chicago Press
    • ISBN:9780226845951

    Utforska kategorier

    • Religiös och sakral musik inom Kultur
    • Andra religioner och trosföreställningar inom Filosofi och religion

    Mer om författaren

    Gurminder Kaur Bhogal is Catherine Mills Davis Professor in Music at Wellesley College. She is the author of Details of Consequence: Ornament, Music, and Art in Paris and Claude Debussy’s Clair de Lune, both published by Oxford University Press.

    Recensioner i media

    "Sikh Kirtan and Its Journeys transcends prior prescriptivist writing and debates over authenticity to present a remarkably inclusive account of the global Sikh community’s multivocal musical practices. Deftly pivoting between musicological analysis, historiography, iconography, and ethnographic interviews, Bhogal provides fresh insight on such less thematized topics as women kirtan performers, heritage instruments, digital technologies, and epistemologies of sound."

    Innehållsförteckning

    • Notes on Transliteration, Accompanying Website, and Classroom TeachingPreface: The Vast Ocean of Sikh KirtanAcknowledgmentsIntroductionHistoricizing Kirtan in Punjab and the Diaspora: Case Study—KenyaNavigating Gender InequalityCrosscurrents: The Many Tides of Sikh KirtanThe Journeys of Sikh KirtanWhy Sikh Musicology?Chapter 1. The Musical and Sonic Dimensions of Sri Guru Granth SahibFrom Bhakti to Kirtan: Rāg Compilation and Implications for Musical PerformanceOther Musical Details in Verse Titles: Partāl and Aasa ki VārA Mystery Term: GharHow Should Kirtan Be Listened to and What Does Kirtan Do?Listening Expansively to the Kirtan of the CosmosAvian Yearnings for the Divine in BirdsongChapter SummaryChapter 2. Tracking the Harmonium from Christian Missionary Hymns to Sikh KirtanDestination Punjab: The Harmonium Arrives in India“Civilizing the Heathen”: How Female Missionaries Used the Harmonium to Signal Modernity and Spiritual ProgressA Missing Link? Missionary Dependence on Mirasi as an Entryway to Sikh KirtanThe Issues at StakeShowcasing the Harmonium in Sikh KirtanPedagogical Reform and the Rise of Female KirtaniyeChapter SummaryChapter 3. Anahad Nād and the Sonic Embodiment of DivinityToward a Theory of Anahad Nād: The Case of Bhai Hira Singh (1879–1926)The Critical Commentaries of Bhai Vir Singh and Bhai Randhir SinghFrom Hath Yoga to Raj Yoga: Arrival at the Tenth Door (Dasam Dwar) and BeyondThe Fourth State and Timbral Resonance of Panch ShabadChapter SummaryChapter 4. Hearing (Anahad) Instruments and the Rabab in Sikh ArtAnahad InstrumentsThe Rabab in Sikh ArtThe Rise and Flows of the Rabab(Anahad) Rabab as Seen Through Sikh IconographyThe Extant Sikh Rabab and Its StoriesThe Rabab in the B-40 Janamsakhi ManuscriptAnahad Nād and Pictorial Resonance: The Halo and Sonic Vibration in Sikh ArtChapter SummaryChapter 5. Engineering Anahad Nād as Digital Bliss: The Case of Amritvela TrustKirtan and AcousticsCurrent Mediations of Technology in Sikh GurudwareEstablishing Amritvela Trust in Ulhasnagar (Maharashtra)Amritvela Trust’s Kirtan: Mediating Darshan Between the Metaphysical and the DigitalHeadphones and AbsorptionExperiencing Digital Anahad NādA Vibratory Feedback Loop Between Kirtan and SevaVibrating Bodies of the Twenty-First CenturyChapter SummaryChapter 6. The Digital Journeys of Kirtan: Pursuing Innovation and Gender EqualityDavwinder (Dindae) Sheena: Crafting a “Sikh Sound”Taren Kaur: “Integrate Women into Kirtan Darbar”Jasleen Kaur: “You Can’t Stop the Revolution”Veer Manpreet Singh: The Innovation of Slow Kirtan and Healing with “Tuhi Tuhi”Bhai Nirmal Singh Khalsa (Pipli Wale) and Kirtan Studio: “Kirtan Is Life”Shivpreet Singh: “Listening to Guru Nanak”EpilogueAppendixGlossaryNotesIndex