Adrian Kear is Professor of Theatre and Performance at Aberystwyth University, UK. His writing focuses on contemporary theatre, performance, politics and philosophy. Previous publications include International Politics and Performance (with Jenny Edkins), Psychoanalysis and Performance (with Patrick Campbell), and Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Lyn Steinberg).

"Kear ... demonstrates his arguments by means of beautifully meticulous and highly informative accounts of the productions, which he illustrates with wonderful photographs.' - Clare Finburgh, Theatre Research International

• Introduction 1. Song of the Century: Jan Lauwers and Needcompany's Sad Face/Happy Face Trilogy 2. Naming the Event: Alvis Hermanis and Jaunais R?gas Te?tris's Sonja 3. Falling into History: Romeo Castellucci and Socìetas Raffaello Sanzio's Tragedia Endogonidia and Divina Commedia 4. Theatre in the Open: Mike Pearson and Mike Brookes' The Persians and Coriolan/us , National Theatre Wales 5. De-creating the Step of the World: Faustin Linyekula and Studios Kabako's La création du monde 1923—2012 , Pour en finir avec Bérénice , and More more more . . . Future Afterword

Adrian Kear is Professor of Theatre and Performance at Aberystwyth University, UK. His writing focuses on contemporary theatre, performance, politics and philosophy. Previous publications include International Politics and Performance (with Jenny Edkins), Psychoanalysis and Performance (with Patrick Campbell), and Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Lyn Steinberg).

"Kear ... demonstrates his arguments by means of beautifully meticulous and highly informative accounts of the productions, which he illustrates with wonderful photographs.' - Clare Finburgh, Theatre Research International

• Introduction 1. Song of the Century: Jan Lauwers and Needcompany's Sad Face/Happy Face Trilogy 2. Naming the Event: Alvis Hermanis and Jaunais R?gas Te?tris's Sonja 3. Falling into History: Romeo Castellucci and Socìetas Raffaello Sanzio's Tragedia Endogonidia and Divina Commedia 4. Theatre in the Open: Mike Pearson and Mike Brookes' The Persians and Coriolan/us , National Theatre Wales 5. De-creating the Step of the World: Faustin Linyekula and Studios Kabako's La création du monde 1923—2012 , Pour en finir avec Bérénice , and More more more . . . Future Afterword

Adrian Kear is Professor of Theatre and Performance at Aberystwyth University, UK. His writing focuses on contemporary theatre, performance, politics and philosophy. Previous publications include International Politics and Performance (with Jenny Edkins), Psychoanalysis and Performance (with Patrick Campbell), and Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Lyn Steinberg).

"Kear ... demonstrates his arguments by means of beautifully meticulous and highly informative accounts of the productions, which he illustrates with wonderful photographs.' - Clare Finburgh, Theatre Research International

• Introduction 1. Song of the Century: Jan Lauwers and Needcompany's Sad Face/Happy Face Trilogy 2. Naming the Event: Alvis Hermanis and Jaunais R?gas Te?tris's Sonja 3. Falling into History: Romeo Castellucci and Socìetas Raffaello Sanzio's Tragedia Endogonidia and Divina Commedia 4. Theatre in the Open: Mike Pearson and Mike Brookes' The Persians and Coriolan/us , National Theatre Wales 5. De-creating the Step of the World: Faustin Linyekula and Studios Kabako's La création du monde 1923—2012 , Pour en finir avec Bérénice , and More more more . . . Future Afterword