Irish theatre and its histories appear to be dominated by men and their actions. This book''s socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.

Irish theatre and its histories appear to be dominated by men and their actions. This book''s socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.