Amanda D. Lotz is an assistant professor of communication at the University of Michigan. She has contributed to the Encyclopedia of Television, 2nd ed., and other books and journals.

"Redesigning Women provides a highly sophisticated, expertly handled explication of the social and industrial conditions surrounding the emergence of female-centered dramatic series in the late 1990s. . . . Lotz's earnest argumentation and evocative writing style make Redesigning Women an engaging, convincing read and significant research tool for scholars interested in the industrial production of media texts, particularly those that contribute to the always-evolving cultural canon of women's representations."--Jhistory"This is an interesting and in-depth assessment of television's changing portrayal of female characters in comedy and drama."--Communication Booknotes Quarterly  "Redesigning Women: Television after the Network Era offers a welcome contribution to the study of US television in terms of the impact that the changing institutional environment has had on programme production and on the proliferation of female-centered dramas about and for women. Focusing on the way in which competition for a similar audience demographic can result in 'innovative' rather than 'derivative' programming, Lotz's study can be viewed as an important starting point from which to develop work that offers more detailed assessments of series within a particular institutional and historical context."--Screen

• Contents Introduction: Female-Centered Dramas after the Network Era 1. Women's Brands and Brands of Women: Segmenting Audiences and Network Identities 2. Fighting for Families and Femininity: The Hybrid Narratives of the Action Drama 3. Sex, Careers, and Mr. Right in Comedic Dramas: The "New" New Women of Ally McBeal and Sex and the City 4. Same Story, Different Channel? Returning Home and Starting Over in Protagonist-Centered Family Dramas 5. Of Female Cops and Docs: The Reformulation of Workplace Dramas and Other Trends in Mixed-Sex Ensembles Conclusion: U.S. Feminist Criticism in the Postnetwork Era Notes Works Cited Index

Amanda D. Lotz is an assistant professor of communication at the University of Michigan. She has contributed to the Encyclopedia of Television, 2nd ed., and other books and journals.

"Redesigning Women provides a highly sophisticated, expertly handled explication of the social and industrial conditions surrounding the emergence of female-centered dramatic series in the late 1990s. . . . Lotz's earnest argumentation and evocative writing style make Redesigning Women an engaging, convincing read and significant research tool for scholars interested in the industrial production of media texts, particularly those that contribute to the always-evolving cultural canon of women's representations."--Jhistory"This is an interesting and in-depth assessment of television's changing portrayal of female characters in comedy and drama."--Communication Booknotes Quarterly  "Redesigning Women: Television after the Network Era offers a welcome contribution to the study of US television in terms of the impact that the changing institutional environment has had on programme production and on the proliferation of female-centered dramas about and for women. Focusing on the way in which competition for a similar audience demographic can result in 'innovative' rather than 'derivative' programming, Lotz's study can be viewed as an important starting point from which to develop work that offers more detailed assessments of series within a particular institutional and historical context."--Screen

• Contents Introduction: Female-Centered Dramas after the Network Era 1. Women's Brands and Brands of Women: Segmenting Audiences and Network Identities 2. Fighting for Families and Femininity: The Hybrid Narratives of the Action Drama 3. Sex, Careers, and Mr. Right in Comedic Dramas: The "New" New Women of Ally McBeal and Sex and the City 4. Same Story, Different Channel? Returning Home and Starting Over in Protagonist-Centered Family Dramas 5. Of Female Cops and Docs: The Reformulation of Workplace Dramas and Other Trends in Mixed-Sex Ensembles Conclusion: U.S. Feminist Criticism in the Postnetwork Era Notes Works Cited Index

Amanda D. Lotz is an assistant professor of communication at the University of Michigan. She has contributed to the Encyclopedia of Television, 2nd ed., and other books and journals.

"Redesigning Women provides a highly sophisticated, expertly handled explication of the social and industrial conditions surrounding the emergence of female-centered dramatic series in the late 1990s. . . . Lotz's earnest argumentation and evocative writing style make Redesigning Women an engaging, convincing read and significant research tool for scholars interested in the industrial production of media texts, particularly those that contribute to the always-evolving cultural canon of women's representations."--Jhistory"This is an interesting and in-depth assessment of television's changing portrayal of female characters in comedy and drama."--Communication Booknotes Quarterly  "Redesigning Women: Television after the Network Era offers a welcome contribution to the study of US television in terms of the impact that the changing institutional environment has had on programme production and on the proliferation of female-centered dramas about and for women. Focusing on the way in which competition for a similar audience demographic can result in 'innovative' rather than 'derivative' programming, Lotz's study can be viewed as an important starting point from which to develop work that offers more detailed assessments of series within a particular institutional and historical context."--Screen

• Contents Introduction: Female-Centered Dramas after the Network Era 1. Women's Brands and Brands of Women: Segmenting Audiences and Network Identities 2. Fighting for Families and Femininity: The Hybrid Narratives of the Action Drama 3. Sex, Careers, and Mr. Right in Comedic Dramas: The "New" New Women of Ally McBeal and Sex and the City 4. Same Story, Different Channel? Returning Home and Starting Over in Protagonist-Centered Family Dramas 5. Of Female Cops and Docs: The Reformulation of Workplace Dramas and Other Trends in Mixed-Sex Ensembles Conclusion: U.S. Feminist Criticism in the Postnetwork Era Notes Works Cited Index