Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads ”asked to meet the modern musician''s needs while retaining the nostalgic qualities so fundamental to the banjo''s sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder''s role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music''s appeal and its making.
Richard Jones-Bamman is Emeritus Professor of Music at Eastern Connecticut State University.
Recensioner i media
Klaus P. Wachsmann Prize for Advanced and Critical Essays in Organology, the Society for Ethnomusicology (SEM), 2018— the Society for Ethnomusicology (SEM)
Innehållsförteckning
CoverTitleCopyrightContentsAcknowledgmentsIntroduction1. A Brief History of the Banjo2. The Old-Time Nation3. God Is in the Details4. An Homage to the Past5. An Apprentice to Ghosts6. The Banjo's Evolving StoryAppendix 1. List of IntervieweesAppendix 2. Builder WebsitesNotesBiblographyIndex
Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads ”asked to meet the modern musician''s needs while retaining the nostalgic qualities so fundamental to the banjo''s sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder''s role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music''s appeal and its making.
Richard Jones-Bamman is Emeritus Professor of Music at Eastern Connecticut State University.
Recensioner i media
Klaus P. Wachsmann Prize for Advanced and Critical Essays in Organology, the Society for Ethnomusicology (SEM), 2018— the Society for Ethnomusicology (SEM)
Innehållsförteckning
CoverTitleCopyrightContentsAcknowledgmentsIntroduction1. A Brief History of the Banjo2. The Old-Time Nation3. God Is in the Details4. An Homage to the Past5. An Apprentice to Ghosts6. The Banjo's Evolving StoryAppendix 1. List of IntervieweesAppendix 2. Builder WebsitesNotesBiblographyIndex