Linda Phyllis Austern is Associate Professor of Musicology at Northwestern University. She is author of Music in English Children's Drama of the Later Renaissance, editor of Music, Sensation and Sensuality, editor (with Inna Naroditskaya) of Music of the Sirens, and (with Kari Boyd McBride and David Orvis) of Psalms in the Early Modern World.Candace Bailey is Professor of Music History at North Carolina Central University. She is the author of Music and the Southern Belle: From Accomplished Lady to Confederate Composer and Seventeenth-Century British Keyboard Sources. Amanda Eubanks Winkler is Associate Professor of Music History and Cultures at Syracuse University and author of O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage.

"At its core, this collection is a timely critique of the linguistic state of its field."—Notes

• AcknowledgementsNote on TranscriptionList of Abbreviations and Library SiglaIntroduction: Re-Thinking Boundaries in Musical Practice and Circulation / Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister / Katherine Steele Brokaw2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630 / Jane Flynn3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England / Graham Freeman4. Thomas Campion's "superfluous blossomes of his deeper studies": the Public Realm of His English Ayres / Christopher R. Wilson5. Oyez! Fresh Thoughts About the "Cries of London" Repertory / John Milsom6. "Locks, bolts, barres, and barricados": Song Performance and Spatial Production in Richard Brome's The Northern Lass / Katherine R. Larson7. "Lasting-Pasted Monuments": Memory, Music, Theatre, and the Seventeenth-Century English Broadside Ballad / Sarah F. Williams8. The Challenge of Domesticity in Men's Manuscripts in Restoration England / Candace Bailey9. A Mid-Century Musical Friendship: Silas Taylor and Matthew Locke / Alan Howard10. Music and Merchants in Restoration London / Bryan White11. Daniel Henstridge and the Aural Transmission of Music in Restoration England / Rebecca Herissone12. Courtly Connections: Queen Anne, Music, and the Public Stage / Amanda Eubanks Winkler13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain / Suzanne Aspden14. From London's Opera House to the Salon? The Favourite (and not so "Favourite") Songs from the King's Theatre / Michael Burden15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine / Bonny H. MillerSelected BibliographyIndex

Linda Phyllis Austern is Associate Professor of Musicology at Northwestern University. She is author of Music in English Children's Drama of the Later Renaissance, editor of Music, Sensation and Sensuality, editor (with Inna Naroditskaya) of Music of the Sirens, and (with Kari Boyd McBride and David Orvis) of Psalms in the Early Modern World.Candace Bailey is Professor of Music History at North Carolina Central University. She is the author of Music and the Southern Belle: From Accomplished Lady to Confederate Composer and Seventeenth-Century British Keyboard Sources. Amanda Eubanks Winkler is Associate Professor of Music History and Cultures at Syracuse University and author of O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage.

"At its core, this collection is a timely critique of the linguistic state of its field."—Notes

• AcknowledgementsNote on TranscriptionList of Abbreviations and Library SiglaIntroduction: Re-Thinking Boundaries in Musical Practice and Circulation / Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister / Katherine Steele Brokaw2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630 / Jane Flynn3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England / Graham Freeman4. Thomas Campion's "superfluous blossomes of his deeper studies": the Public Realm of His English Ayres / Christopher R. Wilson5. Oyez! Fresh Thoughts About the "Cries of London" Repertory / John Milsom6. "Locks, bolts, barres, and barricados": Song Performance and Spatial Production in Richard Brome's The Northern Lass / Katherine R. Larson7. "Lasting-Pasted Monuments": Memory, Music, Theatre, and the Seventeenth-Century English Broadside Ballad / Sarah F. Williams8. The Challenge of Domesticity in Men's Manuscripts in Restoration England / Candace Bailey9. A Mid-Century Musical Friendship: Silas Taylor and Matthew Locke / Alan Howard10. Music and Merchants in Restoration London / Bryan White11. Daniel Henstridge and the Aural Transmission of Music in Restoration England / Rebecca Herissone12. Courtly Connections: Queen Anne, Music, and the Public Stage / Amanda Eubanks Winkler13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain / Suzanne Aspden14. From London's Opera House to the Salon? The Favourite (and not so "Favourite") Songs from the King's Theatre / Michael Burden15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine / Bonny H. MillerSelected BibliographyIndex