Flaherty

Patricia R. Zimmermann is Professor of Screen Studies at Ithaca College. She is the author of Reel Families: A Social History of Amateur Film (IUP, 1995) and Open Spaces: Openings, Closings, and Thresholds of International Public Media, among many other titles.Scott MacDonald is Professor of Art History at Hamilton College. He is author of many books including, most recently, Avant-Doc: Intersections of Documentary and Avant-Garde Cinema and Binghamton Babylon: Voices from the Cinema Department (a nonfiction novel).

"The co-authors amply demonstrate that there's much to appreciate about the Flaherty history, 55 years of discovering and celebrating independent cinema and independent filmmakers from around the world."—ArtsFuse"Thoroughly readable . . . [Readers] will be impressed by the history and inspired by the possibilities as yet unknown in the world of independent film, as seen through the lens of The Flaherty Way."—Documentary Magazine"This would seem like mere lore, were it not for the contribution of The Flaherty, Scott MacDonald and Patricia Zimmermann's new volume on the history of this singular institution that has indelibly shaped independent and documentary filmmaking, as well as its critical reception, both in the United States and internationally."—Film Quarterly"Part myth and half truth, The Flaherty Seminar's reputation as a hot bed of polemical debate attests to its absolute centrality to the documentary tradition. And here's the proof: historical context provided by the authors and scintillating encounters generated between filmmakers and participants. Raw, incendiary, insightful: it's a treasure to behold."—Bill Nichols, author of Introduction to Documentary, 3rd edition

• AcknowledgmentsIntroductionPatricia Zimmermann: Imagining a History of the Flaherty SeminarScott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions1. The Flaherty Way1959 Francis Flaherty—opening remarks at the Seminar2. A Seminar, 1955-19591958 Robert Gardner with John Marshall—on The Hunters (1957)3. An Organization, 1960-19691963 Francis Flaherty—on Nanook of the North (1922) and Moana (1926)1967 Fred Wiseman—on Titicut Follies (1967)1968 Willard Van Dyke—opening remarks at the Seminar1968 Jim McBride and L. M. Kit Carson—on David Holzman's Diary (1967)1969 Michael Snow—on Wavelength (1967)4. Politics, Cultural and Formal, 1970-19801970 Hollis Frampton—on Zorns Lemma (1970)1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke—on Hiroshima-Nagasaki, August 1945 (1970)1977 Barbara Kopple and Hart Perry—on Harlan County USA (1976)5. Shock of the New, 1981-19891981 Ed Pincus—on Diaries (1971-1976) (c. 1980)1983 Trinh T. Minh-ha—on Reassemblage (1982)1984 Bruce Conner—on Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981)1987 Peter Watkins and others—on The Journey (1987)1987 Su Friedrich—on Damned If You Don't (1987)6. Crises, 1990-19991990 Marlon Riggs—on Tongues Untied (1989)1991 William Greaves—on Symbiopsychotaxiplasm: Take One (1972)1992 Ken Jacobs—on XCXHXEXRXRXIXEXSX (many performances after 1980)1992 Kazuo Hara—on Extreme Private Eros (1974)1994 Nick DeoCampo—on Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993)1994 Mani Kaul—on Uski Roti ("A Day's Bread," 1969) and Dhrupad (1982)1995 Craig Baldwin—on Sonic Outlaws (1995)7. The Brand, 2000-20152000 Sergey Dvortsevoy—on Paradise (1995); Vicky Funari—on Paulina (1998)2008 Bahman Ghobadi—on Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006)2013 Eyal Sivan—on The Specialist (1999)2015 Mounira Al Soth—on Rawane's Song (2006); Marie-Hélène Cousineau—on Before Tomorrow (2008, co-made with Madeline Ivalu); Hassan Khan—on Fuck This Film (1998)2015 Tariq Teguia—on La Clôture ("The Fence," 2002), Inland (2008), and Révolution Zanj (2012)2016 Luke Fowler—On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina—On Aggarabdo pueblo  (Vampires of Poverty, 1978, comade with Carlos Mayolo) Index