Joela Jacobs is Assistant Professor of German Studies at the University of Arizona. Her research engages with plants, animals, the environment, Jewish identity, science, gender, and sexuality in Germanophone literature and culture since the nineteenth century. She cofounded and maintains the Literary and Cultural Plant Studies Network.

"The first monograph to focus on the neglected genre of the German literary grotesque, this book offers a timely account of the rise and fall of a genre through which modernist writers satirized the infusion of nationalism, racism, and antisemitism so effectively that they in turn became targets of such virulent persecution that the genre remained virtually unstudied until now. Reading canonical luminaries like Franz Kafka alongside more notorious contemporaries like Oskar Panizza, Joela Jacobs pieces together an astonishing case study of how a literary form that gives voice to marginalized and nonhuman perspectives helps to expose the dangers of normalizing social oppression. In addition to being a major contribution to German studies, the book is groundbreaking for interweaving insights from literary, plant, and animal studies, and as such extends the innovative interdisciplinary research program that secures Jacobs's international reputation as a rising star."—Susan McHugh, author of Love in the Time of Slaughters: Human-Animal Stories Against Genocide and Extinction"Animal, Vegetal, Marginal salvages a censored and forgotten short form whose irreverent exaggerations functioned as a fierce social critique in the first decades of the twentieth century. Across a series of engaging close readings, Jacobs carefully identifies the critical potential of these nightmarish narratives for their time—and ours. Equipped with ecocritical insights into the significance of the more-than-human world, Jacobs dives deep into these vivid depictions of vegetal eroticism, canine narrators, and other monsters who challenge normative accounts of the human. What emerges is a comprehensive historical study of a genre whose unrelenting exposure of structures of biopolitical regulation demands renewed attention today. As the first monograph on this genre of the grotesque, Animal, Vegetal, Marginal is an event within modernist literary studies; what makes it equally eventful for animal studies, plant studies, and critical gender and sexuality studies is that it also opens important lines of inquiry into issues of belonging, kinship, and sexuality in a more-than-human world."—Jason Groves, author of The Geological Unconscious: German Literature and the Mineral Imaginary"A pioneering study of an important German literary genre. . . . Joela Jacobs's command of the subject matter is impressive, indeed."—Peter D. G. Brown, author of Oskar Panizza: His Life and Works and Oskar Panizza and The Love Council

• AcknowledgmentsIntroductionSection I: The Grotesque: A Censored Literary Genre and Its Authors1. Characteristics of die Groteske2. Grotesken in a Nexus of Censorship3. A Literary Network of the MarginalizedSection II: The Vegetal: Panizza, Ewers, and Turn-of-the-Century Censorship4. The Crime in Tavistock-Square5. The Petition6. Why Plants?Section III: The Animal: Panizza, Kafka, and the Modernist Crisis of the Self7. From the Diary of a Dog8. Investigations/Researches of a Dog9. Why Dogs?Section IV: The Human: Panizza, Friedlaender, and the Rise of Fascism10. The Operated Jew11. The Operated Goy12. Why Humans?ConclusionNotesBibliography

Joela Jacobs is Assistant Professor of German Studies at the University of Arizona. Her research engages with plants, animals, the environment, Jewish identity, science, gender, and sexuality in Germanophone literature and culture since the nineteenth century. She cofounded and maintains the Literary and Cultural Plant Studies Network.

"The first monograph to focus on the neglected genre of the German literary grotesque, this book offers a timely account of the rise and fall of a genre through which modernist writers satirized the infusion of nationalism, racism, and antisemitism so effectively that they in turn became targets of such virulent persecution that the genre remained virtually unstudied until now. Reading canonical luminaries like Franz Kafka alongside more notorious contemporaries like Oskar Panizza, Joela Jacobs pieces together an astonishing case study of how a literary form that gives voice to marginalized and nonhuman perspectives helps to expose the dangers of normalizing social oppression. In addition to being a major contribution to German studies, the book is groundbreaking for interweaving insights from literary, plant, and animal studies, and as such extends the innovative interdisciplinary research program that secures Jacobs's international reputation as a rising star."—Susan McHugh, author of Love in the Time of Slaughters: Human-Animal Stories Against Genocide and Extinction"Animal, Vegetal, Marginal salvages a censored and forgotten short form whose irreverent exaggerations functioned as a fierce social critique in the first decades of the twentieth century. Across a series of engaging close readings, Jacobs carefully identifies the critical potential of these nightmarish narratives for their time—and ours. Equipped with ecocritical insights into the significance of the more-than-human world, Jacobs dives deep into these vivid depictions of vegetal eroticism, canine narrators, and other monsters who challenge normative accounts of the human. What emerges is a comprehensive historical study of a genre whose unrelenting exposure of structures of biopolitical regulation demands renewed attention today. As the first monograph on this genre of the grotesque, Animal, Vegetal, Marginal is an event within modernist literary studies; what makes it equally eventful for animal studies, plant studies, and critical gender and sexuality studies is that it also opens important lines of inquiry into issues of belonging, kinship, and sexuality in a more-than-human world."—Jason Groves, author of The Geological Unconscious: German Literature and the Mineral Imaginary"A pioneering study of an important German literary genre. . . . Joela Jacobs's command of the subject matter is impressive, indeed."—Peter D. G. Brown, author of Oskar Panizza: His Life and Works and Oskar Panizza and The Love Council

• AcknowledgmentsIntroductionSection I: The Grotesque: A Censored Literary Genre and Its Authors1. Characteristics of die Groteske2. Grotesken in a Nexus of Censorship3. A Literary Network of the MarginalizedSection II: The Vegetal: Panizza, Ewers, and Turn-of-the-Century Censorship4. The Crime in Tavistock-Square5. The Petition6. Why Plants?Section III: The Animal: Panizza, Kafka, and the Modernist Crisis of the Self7. From the Diary of a Dog8. Investigations/Researches of a Dog9. Why Dogs?Section IV: The Human: Panizza, Friedlaender, and the Rise of Fascism10. The Operated Jew11. The Operated Goy12. Why Humans?ConclusionNotesBibliography