Melodramatic Thread

James R. Lehning is Professor of History at The University of Utah and author of To Be a Citizen: The Political Culture of the Early French Third Republic and Peasant and French: Cultural Contact in Rural France during the Nineteenth Century.

"The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony.Vol. 40 No.3 2010"—John Gaffney, Aston University"In this thoroughly researched and persuasive book, Lehning (history, Univ. of Utah) provides a fascinating reading of public performances in modern France. . . . This is an important contribution to the study of French culture and the democratization process. . . . Essential."—Choice"Short books on large subjects are often stimulating to read and critique, and Lehning's falls into that category. Vol. 81.3 Sept. 2009"—Sarah Maza, Northwestern University"Lehning's application of the themes of melodrama to French political culture offers new insights into French history. His style is livelyclear, and highly readable."—Venita Datta, Wellesley College

• ContentsAcknowledgments1. Introduction2. Varieties of Performance in Nineteenth-Century Paris3. Boulevard Spectacles of the Third Republic4. Spectacles of Light and Darkness between the World Wars5. Commercial Spectacles in Postwar Paris6. ConclusionSelected BibliographyIndex