Invention of Jewish Identity

Aaron W. Hughes is Associate Professor of History and the Gordon and Gretchen Gross Professor in the Institute of Jewish Thought and Heritage at the University at Buffalo, SUNY. He is author of The Texture of the Divine (IUP, 2004) and The Art of Dialogue in Jewish Philosophy (IUP, 2008).

"The intertwined goals of this ambitious monograph by Hughes (Univ. of Buffalo—SUNY) are expressed in the work's full title: to discern patterns that connect three discrete subjects—Bible, philosophy, and translation—and to explore their contributions to the development of Jewish identity. The author's success results largely from his creative approach, first by making his centerpiece the analysis of Bible translation within the context of Jewish philosophy. Second, he selects seven individuals from six distinct periods and cultures, each of whom has been a worthy subject for at least one book-length study; among them are Saadya Gaon, Maimonides, and Franz Rosenzweig. He then allows these individuals to converse, as it were, with each other, jarringly out of chronological order but with surprisingly productive results. Thus, not only can one study Rosenzweig (late 19th-early 20th century) in terms of the influence of Saadya (tenth century). . . . But one can also see Saadya himself in a new light (or, many new lights) through the lens of Rosenzweig. This is not a book for the beginner or even for the expert who is faint of heart. But for those with the requisite background and fortitude, it offers rich intellectual rewards. Summing Up: Recommended. Graduate students and researchers/faculty. —Choice"—L. J. Greenspoon, Creighton University, December 2011"This is not a book for the beginner or even for the expert who is faint of heart. But for those with the requisite background and fortitude, it offers rich intellectual rewards."—Choice"Shows how Bible translation strategies verify claims about the constant need for self-making that are usually associated with existentialism, claims about the constructedness of 'tradition' that are usually associated with postmodernism, and claims about the need to construct 'tradition' that are usually associated with cultural theorists."—Martin Kavka, Florida State University"Translation, as Hughes perceives it, becomes a major cultural monument rather than merely a philological exercise in transferring the semantics and syntax of one language into those of another."—Kalman Bland, Duke University

• PrefaceAcknowledgments 1. Introductory and Interpretive Contexts2. The Forgetting of History and the Memory of Translation3. The Translation of Silence and the Silence of Translation: The Fabric of Metaphor4. The Apologetics of Translation5. Translation and Its Discontents6. Translation and Issues of Identity and TemporalityConclusions: Between SpacesNotesBibliographyIndex