Anton Rubinstein

Philip S. Taylor, who died in 2007, was a member of the Institute of Translating and Interpreting, United Kingdom.

"A towering figure in late 19th-century Russian music, pianist-composer Anton Rubinstein (1829-94) was heralded in his day as the greatest piano virtuoso after Franz Liszt. Written in a conservative idiom and generally lacking originality, all but a few of his operas faded into obscurity within 25 years of his death. In this first modern biography of Rubinstein in English, Taylor (Inst. of Translating & Interpretation, UK) documents the musician's life and works-including his concert tours of Western Europe and America and his ideological fight for the high standards of Russian music-and provides an account of the Russian intelligentsia under Tsars Nicholas I and Alexander II. He organizes the eight chapters chronologically, beginning with a prolog on the historical background of 19th-century Russia. The five appendixes contain a list of complete works, synopses of Rubinstein's major operas, recital programs, a genealogy chart, and a selection of Rubinstein's writings on subjects ranging from aesthetics to morality. Intended for the lay reader, this densely footnoted but readable book features no musical analysis. It is a triumph of modern musicological scholarship recommended for all music libraries.-Larry Lipkis, Moravian Coll."—Library Journal". . . this is a valuable, much—needed and important study. . . I for one take my hat off to the author for a remarkable achievement."—Jeremy Nicholas, Gramophone"All too often composers who are out of favor are given cursory scholarly attention or sometimes only a brief tome asserting the need for a revival of interest. British scholar Philip Taylor takes a great leap beyond this with his thorough, engaging account of the life of the unjustly forgotten composer—pianist Anton Rubinstein (1829—94). . . . [T]his book will appeal as much to the music scholar as to the music lover seeking to learn more about a unique and understudied artist. . . . Highly recommended."—Choice"Taylor writes with fluency, economy, precision and judgement, although he is characteristically modest about his aims: 'this author has tried to allow Rubinstein to speak for himself, adding commentaries, where necessary, for the sake of narrative structure and clarity' (p. xxiii). In doing so, Taylor has done us an enormous service, and certainly one which Rubinstein himself would have admired.Vol. 88.3, July 2010"—Slavonic & East European Review". . . Intended for the lay reader, this densely footnoted but readable book features no musical analysis. It is a triumph of modern musicological scholarship recommended for all music libraries."—Library Journal". . . Taylor has gathered hundreds of letters, official papers, reviews, and reminiscences. If Rubinstein remains a baffling figure, a least now there is a proper account of his paramount achievement - the establishment of the St. Petersberg Conservatory in 1862.Vol. 53.2 Summer 2009"—Simon Morrison, Princetn University

• ContentsForeword by Leslie HowardAcknowledgmentsIntroductionNote on TransliterationList of Abbreviations for Sources1. Prologue: The Historical Context2. Return to Russia and First Opera, 1848–533. Foreign Tour, 1854–594. The Founding of the Russian Music Society and Russia's First Conservatory, 1859–675. Europe and America Concert Tour, 1867–736. A Villa at Peterhof and Operatic Successes, 1873–857. The Historical Concerts and Second Term as Director of the St. Petersburg Conservatory, 1885–918. Dresden, 1891–94AppendixesNotesBibliographyIndex