“With their intellectual brilliance, humour and wonderful eye for detail, Leonard Bernstein’s letters blow all biographies out of the water. His galaxy of correspondents includes Stephen Sondheim, Boris Pasternak and Jacqueline Kennedy. Full of fresh information and the authentic voice of a constant seeker.”—The Economist (named a 2013 Book of the Year)“His collaborator Betty Comden once noted, in a letter to Bernstein, that he saved ‘every scrap of correspondence.’ You will be grateful . . . a rich collection of letters to and from Bernstein, filled with revelations about his musical and personal lives.”—James R. Oestreich, New York Times“Bernstein’s versatility and ambition were such that he spent a lot of time trying to figure out who he was—which also meant searching for American music and for the future of music generally. This book doesn’t resolve Bernstein’s quest. But it’s an invaluable resource, and the quest itself continues to fascinate and to matter.”—Joseph Horowitz, Wall Street Journal“A rich selection of letters to and from Bernstein, meticulously edited by Nigel Simeone. . . . Alive with spontaneous intelligence, Leonard Bernstein’s letters display exactly this unforced intimacy, though there were moments when he no doubt knew that posterity was listening in.”—Morris Dickstein, Times Literary Supplement“His letters have a tremendous zest, and a good journalistic eye, too, and since he was often at the right place at the right time, at some of the key moments in his 20th-century history, this gives them a wider interest.”—Christopher Hart, Sunday Times“The correspondence from and to the remarkable conductor is full of pleasure and insights.”—New York Times Book Review (Editors’ Choice)“This volume has been handsomely edited, and the decision to include letters from Bernstein’s correspondents results in a rich portrayal of a particular age of privilege.”—Philip Hensher, The Guardian“A marvelously entertaining new book. . . . The Leonard Bernstein Letters makes it possible to take stock of Bernstein’s weaknesses—his enthusiasm could lead to sentimentality, and clearly his fame became a kind of bubble. But these pale in comparison with his energy, joy, and absolute dedication to music. It’s sad to think that our culture will probably never produce someone like him again.”—Adam Kirsch, Tablet magazine“It is a major, highly accomplished piece of work in its own right.”—Illtyd Harrington, Camden New Journal“The Leonard Bernstein Letters . . . contains so much that is startling and unknown that all past books, including his own, become instantly inadequate. Don’t take my word for it. On the jacket, Bernstein’s official biographer, Humphrey Burton, declares that, with this book in hand, ‘I want to start all over again.’”—Norman Lebrecht, Standpoint Magazine“In Nigel Simeone’s editorial labour of love The Leonard Bernstein Letters some of the most entertaining letters come from Bernstein’s correspondents.”—Sameer Rahim, Sunday Telegraph“Opinions [are] expressed with force and often with elegance in his correspondence with performers, composers, publishers, promoters and many other else, as revealed in The Leonard Bernstein Letters, edited by the eminent Bernstein scholar Nigel Simeone.”—Christopher Morley, Birmingham Post“The Leonard Bernstein Letters will be pounced upon by aficionados. . . . Christmas reading doesn’t come any better.”—International Record Review“[The] extraordinary archive, The Leonard Bernstein Letters, [is] edited meticulously by Nigel Simeone.”—Jenni Frazer, Jewish Chronicle“[H]ats off to Nigel Simeone for his painstaking research into the myriad references in Bernstein’s correspondence. Concerts, recordings, broadcasts, travel dates, parties, you name it, they are all meticulously recorded in the brilliant footnotes to this large collection of letters. . . . A magisterial survey.”—Fiona Clampin, Classical Music“Top of my list for music books this Christmas has to be the new compendium of Leonard Bernstein’s collected letters which are brilliantly written, seriously engaging, and strangely contradictory, in the way that Bernstein was himself a mass of fascinating contradictions—egocentric/loving, boastful/blisteringly honest, gay/straight; with a curious ambivalence, for a Jew, towards the remnants of the Third Reich.”—Ham & High“[W]hat emerges is an absorbing and highly readable portrait of a complex, larger-than-life character nicely described by a fellow-composer as ‘one of the blessed ones who make everything they encounter come alive.’”—Anthony Burton, BBC Music Magazine“The . . . mainly unpublished correspondence both from and to Bernstein, between 1932 and 1990, shines a light on this unique figure’s thoughts, work and passions, his voice ringing clear with warmth and candour. . . . He was a remarkable artist and human being—elusive in his complexity, yet evoked, through these letters, with undeniable presence.”—Teresa Levonian Cole, Country Life“Offering 650 letters, this book is a major event in the documentation of the life and work of one of the greatest American musicians, who still exercises an enormous influence through his revelatory records.”—Peter Dickinson, Gramophone Magazine“What terrifying letters you write: fit for the flames is what they are. Just imagine how much you would have to pay to retrieve such a letter forty years from now when you are conductor of the Philharmonic.”—Aaron Copland to Leonard Bernstein in 1940“This incredible collection of letters gives us a glimpse into the depth and breadth of Bernstein’s world. The sheer volume of correspondence, all beautifully presented and annotated by Nigel Simeone, shows us that Bernstein loved the written word as much as the musical word!”—Marin Alsop, musical director, Baltimore Symphony Orchestra
