CHRISTOPHER MCCULLOUGH is a Senior Lecturer in Drama at the University of Exeter. He previously lectured in Drama in the Department of English at the University of Wales, Swansea, and was an Art and Drama teacher in a comprehensive school. His publications include several contributions to edited collections, and his own book Theatre and Europe 1957-1995 was published in 1996. He has worked internationally as a professional director in Europe and the USA on texts ranging from Shakespeare to Gogol.

• General Introduction; Christopher McCulloughPART 1: EMPOWERMENT Introduction; Christopher McCulloughCreative Actor (empowering the performer); Dorinda HultonPerforming Identities (empowering performers and spectators); Lesley Wade SouleLearning Through Story (empowering teachers); Stephen CockettPART 2: DIALOGUES WITH TEXTS Introduction; Christopher McCulloughAn Approach to Playreading; Peter ThomsonAncient Greek Theatre and Society: Problems of Study, Reception and Understanding; Graham LeyApproaches to Adaptation; James MacDonaldPART 3: CASE STUDIES IN RESEARCHED PERFORMANCE Introduction; Christopher McCulloughTimor Mortis : Improvising Tragedy and Epic; Anthony FrostMelodrama and Methodism; Peter ThomsonThe Politics of Theatricality; Christopher McCulloughIndex.

CHRISTOPHER MCCULLOUGH is a Senior Lecturer in Drama at the University of Exeter. He previously lectured in Drama in the Department of English at the University of Wales, Swansea, and was an Art and Drama teacher in a comprehensive school. His publications include several contributions to edited collections, and his own book Theatre and Europe 1957-1995 was published in 1996. He has worked internationally as a professional director in Europe and the USA on texts ranging from Shakespeare to Gogol.

• General Introduction; Christopher McCulloughPART 1: EMPOWERMENT Introduction; Christopher McCulloughCreative Actor (empowering the performer); Dorinda HultonPerforming Identities (empowering performers and spectators); Lesley Wade SouleLearning Through Story (empowering teachers); Stephen CockettPART 2: DIALOGUES WITH TEXTS Introduction; Christopher McCulloughAn Approach to Playreading; Peter ThomsonAncient Greek Theatre and Society: Problems of Study, Reception and Understanding; Graham LeyApproaches to Adaptation; James MacDonaldPART 3: CASE STUDIES IN RESEARCHED PERFORMANCE Introduction; Christopher McCulloughTimor Mortis : Improvising Tragedy and Epic; Anthony FrostMelodrama and Methodism; Peter ThomsonThe Politics of Theatricality; Christopher McCulloughIndex.

CHRISTOPHER MCCULLOUGH is a Senior Lecturer in Drama at the University of Exeter. He previously lectured in Drama in the Department of English at the University of Wales, Swansea, and was an Art and Drama teacher in a comprehensive school. His publications include several contributions to edited collections, and his own book Theatre and Europe 1957-1995 was published in 1996. He has worked internationally as a professional director in Europe and the USA on texts ranging from Shakespeare to Gogol.

• General Introduction; Christopher McCulloughPART 1: EMPOWERMENT Introduction; Christopher McCulloughCreative Actor (empowering the performer); Dorinda HultonPerforming Identities (empowering performers and spectators); Lesley Wade SouleLearning Through Story (empowering teachers); Stephen CockettPART 2: DIALOGUES WITH TEXTS Introduction; Christopher McCulloughAn Approach to Playreading; Peter ThomsonAncient Greek Theatre and Society: Problems of Study, Reception and Understanding; Graham LeyApproaches to Adaptation; James MacDonaldPART 3: CASE STUDIES IN RESEARCHED PERFORMANCE Introduction; Christopher McCulloughTimor Mortis : Improvising Tragedy and Epic; Anthony FrostMelodrama and Methodism; Peter ThomsonThe Politics of Theatricality; Christopher McCulloughIndex.