THERESA J. BUCKLAND is Senior Lecturer and Head of the Department of Dance Studies, University of Surrey, where she is responsible for the master's programme and for courses in dance anthropology. Her publications include Aspects of British Calendar Customs (co-edited with Wood), chapters on dance and oral history in Dance History: An Introduction (eds Adshead-Lansdale and Layson), and on dance and music video in Parallel Lines: Media Representations of Dance (eds Jordan and Allen).

• List of Plates Acknowledgements Notes on the Contributors Introduction: Reflecting on Dance Ethnography; T.J.Buckland PART ONE: THEORETICAL DIMENSIONS The Mystique of Fieldwork; A.L.Kaeppler Fieldwork; D.Williams Past and Present in Field Research: A Critical History of Personal Experience; A.Giurchescu Folk Dance Research in Hungary: Relations Between Theory, Fieldwork and the Archive; L.Felföldi 'Or Shortly They Would Be Lost Forever': Documenting for Revival and Research; E.Bakka PART TWO: METHODOLOGICAL APPROACHES Capturing the Dancing: How and Why?; J.van Zile The Choreographic Notebook : A Dynamic Documentation of the Choreographic Process of Kokuma Dance Theatre, an African-Caribbean Dance Company; E.J.Johnson Jones Dance on Film: Strategy and Serendipity; F.Hughes-Freeland Madness and Recall: Storied Data on Irish Dancing; F.Hall It Takes Two - or More - to Tango: Researching Traditional Music/Dance Interrelations; O.Ronström It Goes Without Saying - But Not Always; B.Farnell PART THREE: POLITICS AND POWER Fieldwork, Politics and Power; A.Grau Searching for Branches, Searching for Roots: Fieldwork in my Grandfather's Village; A.Nahachewsky 'Outsider' in an 'Inside' World, or Dance Ethnography at Home; M.Koutsouba [Re]Constructing Meanings: The Dance Ethnographer as Keeper of the Truth; T.J.Buckland Textual Fields: Representation in Dance Ethnography; G.Gore Index

THERESA J. BUCKLAND is Senior Lecturer and Head of the Department of Dance Studies, University of Surrey, where she is responsible for the master's programme and for courses in dance anthropology. Her publications include Aspects of British Calendar Customs (co-edited with Wood), chapters on dance and oral history in Dance History: An Introduction (eds Adshead-Lansdale and Layson), and on dance and music video in Parallel Lines: Media Representations of Dance (eds Jordan and Allen).

• List of Plates Acknowledgements Notes on the Contributors Introduction: Reflecting on Dance Ethnography; T.J.Buckland PART ONE: THEORETICAL DIMENSIONS The Mystique of Fieldwork; A.L.Kaeppler Fieldwork; D.Williams Past and Present in Field Research: A Critical History of Personal Experience; A.Giurchescu Folk Dance Research in Hungary: Relations Between Theory, Fieldwork and the Archive; L.Felföldi 'Or Shortly They Would Be Lost Forever': Documenting for Revival and Research; E.Bakka PART TWO: METHODOLOGICAL APPROACHES Capturing the Dancing: How and Why?; J.van Zile The Choreographic Notebook : A Dynamic Documentation of the Choreographic Process of Kokuma Dance Theatre, an African-Caribbean Dance Company; E.J.Johnson Jones Dance on Film: Strategy and Serendipity; F.Hughes-Freeland Madness and Recall: Storied Data on Irish Dancing; F.Hall It Takes Two - or More - to Tango: Researching Traditional Music/Dance Interrelations; O.Ronström It Goes Without Saying - But Not Always; B.Farnell PART THREE: POLITICS AND POWER Fieldwork, Politics and Power; A.Grau Searching for Branches, Searching for Roots: Fieldwork in my Grandfather's Village; A.Nahachewsky 'Outsider' in an 'Inside' World, or Dance Ethnography at Home; M.Koutsouba [Re]Constructing Meanings: The Dance Ethnographer as Keeper of the Truth; T.J.Buckland Textual Fields: Representation in Dance Ethnography; G.Gore Index

THERESA J. BUCKLAND is Senior Lecturer and Head of the Department of Dance Studies, University of Surrey, where she is responsible for the master's programme and for courses in dance anthropology. Her publications include Aspects of British Calendar Customs (co-edited with Wood), chapters on dance and oral history in Dance History: An Introduction (eds Adshead-Lansdale and Layson), and on dance and music video in Parallel Lines: Media Representations of Dance (eds Jordan and Allen).

• List of Plates Acknowledgements Notes on the Contributors Introduction: Reflecting on Dance Ethnography; T.J.Buckland PART ONE: THEORETICAL DIMENSIONS The Mystique of Fieldwork; A.L.Kaeppler Fieldwork; D.Williams Past and Present in Field Research: A Critical History of Personal Experience; A.Giurchescu Folk Dance Research in Hungary: Relations Between Theory, Fieldwork and the Archive; L.Felföldi 'Or Shortly They Would Be Lost Forever': Documenting for Revival and Research; E.Bakka PART TWO: METHODOLOGICAL APPROACHES Capturing the Dancing: How and Why?; J.van Zile The Choreographic Notebook : A Dynamic Documentation of the Choreographic Process of Kokuma Dance Theatre, an African-Caribbean Dance Company; E.J.Johnson Jones Dance on Film: Strategy and Serendipity; F.Hughes-Freeland Madness and Recall: Storied Data on Irish Dancing; F.Hall It Takes Two - or More - to Tango: Researching Traditional Music/Dance Interrelations; O.Ronström It Goes Without Saying - But Not Always; B.Farnell PART THREE: POLITICS AND POWER Fieldwork, Politics and Power; A.Grau Searching for Branches, Searching for Roots: Fieldwork in my Grandfather's Village; A.Nahachewsky 'Outsider' in an 'Inside' World, or Dance Ethnography at Home; M.Koutsouba [Re]Constructing Meanings: The Dance Ethnographer as Keeper of the Truth; T.J.Buckland Textual Fields: Representation in Dance Ethnography; G.Gore Index