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Beskrivning
This text offers an iconoclastic account of cultural policy making in France. Focusing on the policies of the Socialist governments of 1981-86 and 1988-93, the book suggests that policy towards the arts was shaped less by an all powerful state than by influential professional interest group. In addition to presenting unusual insights into a policy area which has rarely been studied by political science, the text provides significant revisions to conventional views of relations between the state and civil society in France.