Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• Preface and Acknowledgments -- Preview: “Persistence of Vision” -- Through a Glass Darkly: Terms and Problems for Analysis -- Celluloid Savages: Salvage Ethnography and the Narration of Disappearance -- Totems and the Potlatch People: Absence, Presence, and the Denial of History -- Remembering: The Narratives of Renewal -- Wider Angles: Toward a Conclusion

Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• Preface and Acknowledgments -- Preview: “Persistence of Vision” -- Through a Glass Darkly: Terms and Problems for Analysis -- Celluloid Savages: Salvage Ethnography and the Narration of Disappearance -- Totems and the Potlatch People: Absence, Presence, and the Denial of History -- Remembering: The Narratives of Renewal -- Wider Angles: Toward a Conclusion

Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• Preface and Acknowledgments -- Preview: “Persistence of Vision” -- Through a Glass Darkly: Terms and Problems for Analysis -- Celluloid Savages: Salvage Ethnography and the Narration of Disappearance -- Totems and the Potlatch People: Absence, Presence, and the Denial of History -- Remembering: The Narratives of Renewal -- Wider Angles: Toward a Conclusion