Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• 1. Preview: "Persistence of Vision" 2. Through a Glass Darkly: Terms and Problems for Analysis 3. Celluloid Savages: Salvage Ethnography and the Narration of Disappearance 4. Totems and the Potlatch People: Absence, Presence, and the Denial of History 5. Remembering: The Narratives of Renewal 6. Wider Angles: Toward a Conclusion

Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• 1. Preview: "Persistence of Vision" 2. Through a Glass Darkly: Terms and Problems for Analysis 3. Celluloid Savages: Salvage Ethnography and the Narration of Disappearance 4. Totems and the Potlatch People: Absence, Presence, and the Denial of History 5. Remembering: The Narratives of Renewal 6. Wider Angles: Toward a Conclusion

Rosalind C. Morris is a doctoral candidate in anthropology at The University of Chicago. She conducted research on ritual theater and cultural politics in Northern Thailand and is currently writing her dissertation. A graduate of the New York Film Academy, she lives in New York.

• 1. Preview: "Persistence of Vision" 2. Through a Glass Darkly: Terms and Problems for Analysis 3. Celluloid Savages: Salvage Ethnography and the Narration of Disappearance 4. Totems and the Potlatch People: Absence, Presence, and the Denial of History 5. Remembering: The Narratives of Renewal 6. Wider Angles: Toward a Conclusion