Eric Magrane is an assistant professor of geography at New Mexico State University. His work takes multiple forms, from scholarly to literary to artistic. He is co-editor of the hybrid field guide/anthology The Sonoran Desert: A Literary Field Guide.Linda Russo, a clinical associate professor at Washington State University, teaches creative writing and literature and directs EcoArts on the Palouse. Her published works include Meaning to Go to the Origin in Some Way and Participant, both poetry, and the co-edited Counter-Desecration: A Glossary for Writing Within the Anthropocene. Sarah de Leeuw, a professor with the Northern Medical Program of UBC’s Faculty of Medicine, is a poet, critical geographer, and anti-colonial feminist researcher whose multidisciplinary work focuses on marginalized peoples and places. She is the author of multiple journal papers, entries, chapters, and books (both creative and academic), and a Canada Research Chair in Humanities and Health Inequities.Craig Santos Perez is an Indigenous Chamorro poet and scholar from the Pacific Island of Guam. He is the author of four collections of poetry and the co-editor of three anthologies. He is an associate professor in the English department at the University of Hawai‘i, Mānoa.

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• List of Tables and Figures; Preface; Introduction: Geopoetics as Route-Finding; Part 1: Documenting 1. Bodies Belong to the World: On Place, Visuality, and Vulnerability; 2. A Cosmology of Nibi: Picto-Poetics and Palimpsest in Anishinaabeg Watery Geographies; 3. Terma: A Dialogue; 4. All Visuals Have Sound: The Verbalization of Geography and the Sound of Landscape; 5. Karankawa Carancahua Carancagua Karankaway: Centering Indigenous Presence in Southeast Texas; 6. Geopoetics of Intime and ( SUND ): Performing Geochronology in the North Atlantic; 7. Seismic, or Topogorgical, Poetry; 8. rout/e; Part 2: Reading 9. Lyric Geography; 10. Ekphrastic Poetry as Method; 11. The Topopoetics of Dwelling as Preservation in Lorine Niedecker’s Paean to Place; 12. Poking Holes in the Colonial Canoe: Creative Writing as Intervention in a 19th-Century Travel Writing Narrative; 13. Thukela Poswayo’s Poetry of Dwelling; 14. Islote Poetics: Notes from Minor Outlying Islands; 15. The Unbending of the Faculties: Learning from Frederick Law Olmsted; 16. Borne-away: Tracing a Gendered Dispossession by Accumulation; Part 3: Intervening 17. The Limits and Promise of Urbopoetics: washpark, Collaboration, and Pedestrian Practice; 18. Geopoetics as Collaborative Encounter: Performing Poetic Political Ecologies of the Colorado River; 19. Negro-Mountain-Wolves/Notes on Region; 20. Hurricane Poetics and Crip Psychogeographies; 21. Geopoetics, via Germany; 22. Indigenous Pacific Islander Geopoetics; 23. Agitating a Copper Lyre; Or, Geolyricism for the Age of Digital Reproduction; 24. The Poetic Lexicon of Waste: From Asarotos Oikos (A) to Flowers (F); Contributor Bios; Acknowledgements; Index

Eric Magrane is an assistant professor of geography at New Mexico State University. His work takes multiple forms, from scholarly to literary to artistic. He is co-editor of the hybrid field guide/anthology The Sonoran Desert: A Literary Field Guide.Linda Russo, a clinical associate professor at Washington State University, teaches creative writing and literature and directs EcoArts on the Palouse. Her published works include Meaning to Go to the Origin in Some Way and Participant, both poetry, and the co-edited Counter-Desecration: A Glossary for Writing Within the Anthropocene. Sarah de Leeuw, a professor with the Northern Medical Program of UBC’s Faculty of Medicine, is a poet, critical geographer, and anti-colonial feminist researcher whose multidisciplinary work focuses on marginalized peoples and places. She is the author of multiple journal papers, entries, chapters, and books (both creative and academic), and a Canada Research Chair in Humanities and Health Inequities.Craig Santos Perez is an Indigenous Chamorro poet and scholar from the Pacific Island of Guam. He is the author of four collections of poetry and the co-editor of three anthologies. He is an associate professor in the English department at the University of Hawai‘i, Mānoa.

Select Guide Rating

• List of Tables and Figures; Preface; Introduction: Geopoetics as Route-Finding; Part 1: Documenting 1. Bodies Belong to the World: On Place, Visuality, and Vulnerability; 2. A Cosmology of Nibi: Picto-Poetics and Palimpsest in Anishinaabeg Watery Geographies; 3. Terma: A Dialogue; 4. All Visuals Have Sound: The Verbalization of Geography and the Sound of Landscape; 5. Karankawa Carancahua Carancagua Karankaway: Centering Indigenous Presence in Southeast Texas; 6. Geopoetics of Intime and ( SUND ): Performing Geochronology in the North Atlantic; 7. Seismic, or Topogorgical, Poetry; 8. rout/e; Part 2: Reading 9. Lyric Geography; 10. Ekphrastic Poetry as Method; 11. The Topopoetics of Dwelling as Preservation in Lorine Niedecker’s Paean to Place; 12. Poking Holes in the Colonial Canoe: Creative Writing as Intervention in a 19th-Century Travel Writing Narrative; 13. Thukela Poswayo’s Poetry of Dwelling; 14. Islote Poetics: Notes from Minor Outlying Islands; 15. The Unbending of the Faculties: Learning from Frederick Law Olmsted; 16. Borne-away: Tracing a Gendered Dispossession by Accumulation; Part 3: Intervening 17. The Limits and Promise of Urbopoetics: washpark, Collaboration, and Pedestrian Practice; 18. Geopoetics as Collaborative Encounter: Performing Poetic Political Ecologies of the Colorado River; 19. Negro-Mountain-Wolves/Notes on Region; 20. Hurricane Poetics and Crip Psychogeographies; 21. Geopoetics, via Germany; 22. Indigenous Pacific Islander Geopoetics; 23. Agitating a Copper Lyre; Or, Geolyricism for the Age of Digital Reproduction; 24. The Poetic Lexicon of Waste: From Asarotos Oikos (A) to Flowers (F); Contributor Bios; Acknowledgements; Index