Routledge Research in Culture, Space and Identity - Böcker

This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens.This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections “Documenting,” “Reading,” and “Intervening,” poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment. This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.

This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens.This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections “Documenting,” “Reading,” and “Intervening,” poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment. This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.

This interdisciplinary book explores the role of art in placemaking in urban environments, analysing how artists and communities use arts to improve their quality of life. It explores the concept of social practice placemaking, where artists and community members are seen as equal experts in the process. Drawing on examples of local level projects from the USA and Europe, the book explores the impact of these projects on the people involved, on their relationship to the place around them, and on city policy and planning practice.Case studies include Art Tunnel Smithfield, Dublin, an outdoor art gallery and community space in an impoverished area of the city; The Drawing Shed, London, a contemporary arts practice operating in housing estates and parks in Walthamstow; and Big Car, Indianapolis, an arts organisation operating across the whole of this Midwest city.This book offers a timely contribution, bridging the gap between cultural studies and placemaking. It will be of interest to scholars, students and practitioners working in geography, urban studies, architecture, planning, sociology, cultural studies and the arts.

This book explores the intersection of geographical knowledge and artistic research in terms of both creative methods and practice-based research. In doing so it brings together geography’s ‘creative turn’ with the art world’s ‘research turn.’Based on a decade and a half of ethnographic stories of working at the intersection of creative arts practices and geographical research, this book offers a much-needed critical account of these forms of knowledge production. Adopting a geohumanities approach to investigating how these forms of knowledge are produced, consumed, and circulated, it queries what imaginaries and practices of the key sites of knowledge making (including the field, the artist’s studio, the PhD thesis, and the exhibition) emerge and how these might challenge existing understandings of these locations. Inspired by the geographies of science and knowledge, art history and theory, and accounts of working within and beyond disciplines, this book seeks to understand the geographies of research at the intersection of geography and creative arts practices, how these geographies challenge existing understandings of these disciplines and practices, and what they might contribute to our wider discussions of working beyond disciplines, including through artistic research.This book offers a timely contribution to the emerging fields of artistic research and geohumanities, and will appeal to undergraduate and postgraduate students and researchers.

This book proposes a novel creative research practice in geography based on comics. It presents a transdisciplinary approach that uses a set of qualitative visual methods and extends from within the geohumanities across literary spatial studies, comics, urban studies, mobility studies, and beyond.Written by a geographer-cartoonist, the book focuses on ‘narrative geographies’ and embraces a geocritical and relational approach to examine comic book geographies in pursuit of a growing interest in creative, art-based experimental methods in the geohumanities. It explores comics-based research through interconnections between art and geography and through theoretical and methodological contributions from scholars working in the fields of the social sciences, humanities, literary geographies, mobilities, comics, literary studies, and urban studies, as well as from visual artists, comics authors, and art practitioners. Comics are valuable objects of geographical interest because of their spatial grammar. They are also a language particularly suited to geographical analysis, and the ‘geoGraphic novel’ offers a practice of research that has the power to assemble and disassemble new spatial meanings. The book thus explores how the ‘geoGraphic novel’ as a verbo-visual genre allows the study of geographical issues, composes geocentred stories, engages wider and non-specialist audiences, promotes geo-artistic collaboration, and works as a narrative intervention in urban contexts. Through a practice-based approach and the internal perspective of a geographer-cartoonist, the book provides examples of how geoGraphic fieldwork is conducted and offers analysis of the processes of ideation, composition, and dissemination of geoGraphic narratives.

This book proposes a novel creative research practice in geography based on comics. It presents a transdisciplinary approach that uses a set of qualitative visual methods and extends from within the geohumanities across literary spatial studies, comics, urban studies, mobility studies, and beyond.Written by a geographer-cartoonist, the book focuses on ‘narrative geographies’ and embraces a geocritical and relational approach to examine comic book geographies in pursuit of a growing interest in creative, art-based experimental methods in the geohumanities. It explores comics-based research through interconnections between art and geography and through theoretical and methodological contributions from scholars working in the fields of the social sciences, humanities, literary geographies, mobilities, comics, literary studies, and urban studies, as well as from visual artists, comics authors, and art practitioners. Comics are valuable objects of geographical interest because of their spatial grammar. They are also a language particularly suited to geographical analysis, and the ‘geoGraphic novel’ offers a practice of research that has the power to assemble and disassemble new spatial meanings. The book thus explores how the ‘geoGraphic novel’ as a verbo-visual genre allows the study of geographical issues, composes geocentred stories, engages wider and non-specialist audiences, promotes geo-artistic collaboration, and works as a narrative intervention in urban contexts. Through a practice-based approach and the internal perspective of a geographer-cartoonist, the book provides examples of how geoGraphic fieldwork is conducted and offers analysis of the processes of ideation, composition, and dissemination of geoGraphic narratives.

This book explores an exciting range of creative engagements with ecologies of place, using geopoetics, deep mapping and slow residency to propose broadly based collaborations in a form of ‘disciplinary agnosticism’.Providing a radical alternative to current notions of interdisciplinarity, this book demonstrates the breadth of new creative approaches and attitudes that now challenge assumptions of the solitary genius and a culture of ‘possessive individualism’. Drawing upon a multiplicity of perspectives, the book builds on a variety of differing creative approaches, contrasting ways in which both visual art and the concept of the artist are shifting through engagement with ecologies of place. Through examples of specific established practices in the UK, Australia and the USA, and other emergent practices from across the world, it provides the reader with a rich illustration of the ways in which ensemble creative undertakings are reactivating art’s relationship with place and transforming the role of the artist.This book will be of interest to artists, art educators, environmental activists, cultural geographers, place-based philosophers and postgraduate students and to all those concerned with the revival of place through creative work in the twenty-first century.

This book explores an exciting range of creative engagements with ecologies of place, using geopoetics, deep mapping and slow residency to propose broadly based collaborations in a form of ‘disciplinary agnosticism’.Providing a radical alternative to current notions of interdisciplinarity, this book demonstrates the breadth of new creative approaches and attitudes that now challenge assumptions of the solitary genius and a culture of ‘possessive individualism’. Drawing upon a multiplicity of perspectives, the book builds on a variety of differing creative approaches, contrasting ways in which both visual art and the concept of the artist are shifting through engagement with ecologies of place. Through examples of specific established practices in the UK, Australia and the USA, and other emergent practices from across the world, it provides the reader with a rich illustration of the ways in which ensemble creative undertakings are reactivating art’s relationship with place and transforming the role of the artist.This book will be of interest to artists, art educators, environmental activists, cultural geographers, place-based philosophers and postgraduate students and to all those concerned with the revival of place through creative work in the twenty-first century.

This book is an exploration of how time, space and social atmospheres contribute to the experience of taste. It demonstrates complex combinations of material, sensual and symbolic atmospheres and social encounters that shape this experience.Space, Taste and Affect brings together case studies from the fields of sociology, geography, history, psycho-social studies and anthropology to examine debates around how urban designers, architects and market producers manipulate the experience of taste through creating certain atmospheres. The book also explores how the experience of taste varies throughout life, or even during fleeting social encounters, challenging the sense of taste as static. This book moves beyond common narratives that taste is ‘acquired’ or developed, to emphasize the role of psycho-social histories of nostalgia, memories of childhood, migration, trauma and displacement in the experience of we eat and drink. It focuses on entrenched social dimensions of class, value and distinction instead of psychological and neuroscientific conceptualizations of taste and sensuous practices of consumption to be intrinsically linked to the experience of taste in complex ways. This book will appeal to undergraduate and postgraduate students of sociology, human geography, tourism and leisure studies, anthropology, psychology, arts and literature, architecture and urban design.

This book explores the intersection of geographical knowledge and artistic research in terms of both creative methods and practice-based research. In doing so it brings together geography’s ‘creative turn’ with the art world’s ‘research turn.’Based on a decade and a half of ethnographic stories of working at the intersection of creative arts practices and geographical research, this book offers a much-needed critical account of these forms of knowledge production. Adopting a geohumanities approach to investigating how these forms of knowledge are produced, consumed, and circulated, it queries what imaginaries and practices of the key sites of knowledge making (including the field, the artist’s studio, the PhD thesis, and the exhibition) emerge and how these might challenge existing understandings of these locations. Inspired by the geographies of science and knowledge, art history and theory, and accounts of working within and beyond disciplines, this book seeks to understand the geographies of research at the intersection of geography and creative arts practices, how these geographies challenge existing understandings of these disciplines and practices, and what they might contribute to our wider discussions of working beyond disciplines, including through artistic research.This book offers a timely contribution to the emerging fields of artistic research and geohumanities, and will appeal to undergraduate and postgraduate students and researchers.

This book aims to develop an account of living together with difference which recognises the tension that we are inescapably with others – both human and non-human – but at the same time are always differing from and with those with whom we find ourselves.A concern for coexistence and questions over how we might live together have been raised and approached from a host of conceptual starting points in recent times, including via calls for a rethinking of communism today, the articulation of forms of ‘cosmopolitics’ or ‘pluralism’, the re-figuring of understandings of ecology as dark or feminist, amongst others. This book responds to such questions of coexistence by developing what it calls a ‘co-existential analytic’. In doing so, this book introduces a range of post-phenomenological thought which offers means for thinking about such questions of living together with difference. The thought of Emanuel Levinas on the face of the other, Jean-Luc Nancy on being as being-with, Roberto Esposito on the munis, and Michel Henry on pathic auto-affection are introduced and critically reflected upon in terms of what they offer for thinking about such coexistence. Alongside these conceptual starting points, a series of encounters - with cinema, everyday life, politics, and literature - are used to animate and illustration the discussion. Ultimately, the book argues for a ‘spacing’ of subjectivities with that world and those encountered within it.This book is intended primarily for researchers and postgraduate students interested in questions of identity, difference, and subjectivity. It will be of interest to those in the fields of social and cultural geography, sociology, social theory, and cultural studies.

This book aims to develop an account of living together with difference which recognises the tension that we are inescapably with others – both human and non-human – but at the same time are always differing from and with those with whom we find ourselves.A concern for coexistence and questions over how we might live together have been raised and approached from a host of conceptual starting points in recent times, including via calls for a rethinking of communism today, the articulation of forms of ‘cosmopolitics’ or ‘pluralism’, the re-figuring of understandings of ecology as dark or feminist, amongst others. This book responds to such questions of coexistence by developing what it calls a ‘co-existential analytic’. In doing so, this book introduces a range of post-phenomenological thought which offers means for thinking about such questions of living together with difference. The thought of Emanuel Levinas on the face of the other, Jean-Luc Nancy on being as being-with, Roberto Esposito on the munis, and Michel Henry on pathic auto-affection are introduced and critically reflected upon in terms of what they offer for thinking about such coexistence. Alongside these conceptual starting points, a series of encounters - with cinema, everyday life, politics, and literature - are used to animate and illustration the discussion. Ultimately, the book argues for a ‘spacing’ of subjectivities with that world and those encountered within it.This book is intended primarily for researchers and postgraduate students interested in questions of identity, difference, and subjectivity. It will be of interest to those in the fields of social and cultural geography, sociology, social theory, and cultural studies.

Making space for imagination can shift research and community planning from a reflective stance to a "future forming" orientation and practice. Cultural mapping is an emerging discourse of collaborative, community-based inquiry and advocacy. This book looks at artistic approaches to cultural mapping, focusing on imaginative cartography. It emphasizes the importance of creative process that engages with the "felt sense" of community experiences, an element often missing from conventional mapping practices. International artistic contributions in this book reveal the creative research practices and languages of artists, a prerequisite to understanding the multi-modal interface of cultural mapping. The book examines how contemporary artistic approaches can challenge conventional asset mapping by animating and honouring the local, giving voice and definition to the vernacular, or recognizing the notion of place as inhabited by story and history. It explores the processes of seeing and listening and the importance of the aesthetic as a key component of community self-expression and self-representation. Innovative contributions in this book champion inclusion and experimentation, expose unacknowledged power relations, and catalyze identity formation, through multiple modes of artistic representation and performance. It will be a valuable resource for individuals involved with creative research methods, performance, and cultural mapping as well as social and urban planning.

Cultural geography and the social sciences have seen a rise in the use of creative methods with which to understand and represent everyday life and place. Conversely, many artists are producing work that centres on ideas of place and space and utilising empirical research methods that have a resonance with geographers. This book contributes to the body of literature emerging from such creative approaches to place. Drawing together theory and practice from cultural geography, anthropology and graphic design, this book proposes an interdisciplinary geo/graphic process for interrogating and re/presenting everyday life and place. A diverse set of research projects highlights participatory and autoethnographic approaches to the research. The sites of the projects are varied, encompassing the commercial space of grocery shops, cafés and restaurants, the private, domestic space of the home, and a Scottish World Heritage site. The theoretical context of each project highlights the transferability of the geo/graphic process, with place being variously framed within discussions of food, multi-culturalism and belonging; home, collecting and meaningful possessions; and, materiality, memory and affect.Themes in the book will appeal to researchers working in the creative methods field. This book will also be essential supplementary reading for postgraduate students studying Cultural Geography, Experimental Geographies, Visual Anthropology, Art and Design.

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds.This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

What does it mean to work in the ‘hip’ postmodern economy? This book develops the concept of ‘affected labour’ within Melbourne, Australia. Through the lens of café and bar culture, the book provides an ethnographic investigation into the ways that affect arises, circulates, sticks and dissipates over the course of everyday encounters. The dynamics and atmospheres of affective labour among those working in the hospitality-oriented environments are unfolded. Service work is rooted in the notion that labour is ‘performed’ by an exhausted worker for a demanding customer. This book goes beyond this idea by describing the way not only consumers are moved by the experience and seduced by the atmosphere, but more pressingly workers and employers. This book reveals the ways in which workers themselves are capitalised on by being affected pleasurably in the moment, fuelling an economy of short-term desires in which ‘affected labourers’ are manipulated.

Spirituality is, too often, subsumed under the heading of religion and treated as much the same kind of thing. Yet spirituality extends far beyond the spaces of religion. The spiritual makes geography strange, challenging the relationship between the known and the unknown, between the real and the ideal, and prompting exciting possibilities for charting the ineffable spaces of the divine which lie somehow beyond geography. In setting itself that task, this book pushes the boundaries of geographies of religion to bring into direct focus questions of spirituality. By seeing religion through the lens of practice rather than as a set of beliefs, geographies of religion can be interpreted much more widely, bringing a whole range of other spiritual practices and spaces to light. The book is split into three sections, each contextualised with an editors’ introduction, to explore the spaces of spiritual practice, the spiritual production of space, and spiritual transformations.This book intends to open to up new questions and approaches through the theme of spirituality, pushing the boundaries on current topics and introducing innovative new ideas, including esoteric or radical spiritual practices. This landmark book not only captures a significant moment in geographies of spirituality, but acts as a catalyst for future work.

Compulsive Body Spaces presents a spatial understanding of compulsion. Providing a compelling account of the lives of 15 people with Tourette syndrome, it demystifies the seemingly irrational, purposeless and meaningless character of this behaviour.It demonstrates how attending to the spatial circumstances under which compulsive acts, like touching, ordering, and aligning objects take place, can produce valuable novel insights that complement neuroscientific, psychiatric or psychological knowledge. By paying attention to the sensory, material, and social environment of the body during its performance of compulsive acts, the book establishes the ways in which configurations of bodies, objects, and spaces disrupt people’s lives or allow them to thrive. This collaborative, qualitative study that is based on in-depth interviews, observations, and mobile eye-tracking places the book at the forefront of a new wave of patient emancipation in medical research, and gives rise to a renewed consideration of what empathetic, context-sensitive care may look like in the 21st century. In turn, its insights give rise to a ground breaking spatial conceptualisation of wellbeing. Considering the compulsive capacities of a broader humanity, Compulsive Body Spaces highlights the compulsive dimension in bodily spatiality, which underpins the very core theories of human life as embodied and performed. This book will be of interest to students and scholars in science and technology studies, human geography, sociology, health and social care, medical humanities, continental philosophy and disability studies.

Compulsive Body Spaces presents a spatial understanding of compulsion. Providing a compelling account of the lives of 15 people with Tourette syndrome, it demystifies the seemingly irrational, purposeless and meaningless character of this behaviour.It demonstrates how attending to the spatial circumstances under which compulsive acts, like touching, ordering, and aligning objects take place, can produce valuable novel insights that complement neuroscientific, psychiatric or psychological knowledge. By paying attention to the sensory, material, and social environment of the body during its performance of compulsive acts, the book establishes the ways in which configurations of bodies, objects, and spaces disrupt people’s lives or allow them to thrive. This collaborative, qualitative study that is based on in-depth interviews, observations, and mobile eye-tracking places the book at the forefront of a new wave of patient emancipation in medical research, and gives rise to a renewed consideration of what empathetic, context-sensitive care may look like in the 21st century. In turn, its insights give rise to a ground breaking spatial conceptualisation of wellbeing. Considering the compulsive capacities of a broader humanity, Compulsive Body Spaces highlights the compulsive dimension in bodily spatiality, which underpins the very core theories of human life as embodied and performed. This book will be of interest to students and scholars in science and technology studies, human geography, sociology, health and social care, medical humanities, continental philosophy and disability studies.

“Digital culture” reflects the ways in which the ubiquity and increasing use of digital devices and infrastructures is changing the arenas of human experience, creating new cultural realities. Whereas much of the existing literature on digital culture addresses the topic through a sociological, anthropological, or media theoretic lens, this book focuses on its geographic aspects.The first section, “infrastructures and networked practices” highlights the integration of digital technologies into everyday practices in very different historical and geographical contexts—ranging from local lifeworlds, urban environments, web cartographies up to global geopolitics. The second section on “subjectivities and identities” shows how digital technology use possesses the capacity to alter the subjective, perceptive, and affective engagement with the spatial world. Finally, “politics and inequalities” investigates the social and spatial disparities concerning digital technology and its use.This book draws attention to the deep interconnectedness of the cultural, digital, and spatial aspects of everyday practices by referring to a broad range of empirical examples taken from tourism, banking, mobility, and health. Scholars in human geography, anthropology, media and communication studies, and history will find this research indispensable reading. It addresses both young and seasoned researchers as well as advanced students in the aforementioned disciplines. The wealth of examples also makes this publication helpful in academic teaching.

The book explores the unique contribution that geographers make to the concept of place attachment, and related ideas of place identity and sense of place. It presents six types of places to which people become attached and provides a global range of empirical case studies to illustrate the theoretical foundations. The book reveals that the types of places to which people bond are not discrete. Rather, a holistic approach, one that seeks to understand the interactive and reinforcing qualities between people and places, is most effective in advancing our understanding of place attachment.

Night is a foundational element of human and animal life on earth, but its interaction with the social world has undergone significant transformations during the era of globalization. As the economic activity of the ‘daytime’ city has advanced into the night, other uses of the night as a time for play, for sleep or for escaping oppression have come increasingly under threat.This book looks at the relationship between night and society in contemporary cities. It identifies that while theories of ‘planetary urbanization’ have traced the spatial spread of urban forms, the temporal expansion of urban capitalism has been less well mapped. It argues that, as a key part of planetary being, understanding what goes on at night in cities can add nuance to debates on planetary urbanization. A series of practices and spaces that we encounter in the night-time city are explored. These include: the maintenance and repair of infrastructure; the aesthetics of the urban night; nightlife and the night-time economy; the home at night; and the ecologies of the urban night. Taking these forward the book will ask whether the night can reveal some of the boundaries to what we call ‘the urban’ in a world of cities, and will call for a revitalized and enhanced ‘nightology’ to study these limits.

What does it mean to work in the ‘hip’ postmodern economy? This book develops the concept of ‘affected labour’ within Melbourne, Australia. Through the lens of café and bar culture, the book provides an ethnographic investigation into the ways that affect arises, circulates, sticks and dissipates over the course of everyday encounters. The dynamics and atmospheres of affective labour among those working in the hospitality-oriented environments are unfolded. Service work is rooted in the notion that labour is ‘performed’ by an exhausted worker for a demanding customer. This book goes beyond this idea by describing the way not only consumers are moved by the experience and seduced by the atmosphere, but more pressingly workers and employers. This book reveals the ways in which workers themselves are capitalised on by being affected pleasurably in the moment, fuelling an economy of short-term desires in which ‘affected labourers’ are manipulated.

This book examines science fiction, fantasy and horror novels utilizing a conceptual toolkit of the ten duties of speculative fiction. Building on previous work in the discipline of geography it will demonstrate the value of speculation in the visualisation of Anthropocene futures.The book presents insights into how novels produce specifically geographical knowledge about the world - spatialities - and how they use both literal maps and figurative counter-mappings to comment upon and shape futures. This book is about much more than science fiction. It covers areas of literature and para-literature associated with the "fantastic" and as such, looks also at works of fantasy and horror. The areas of overlap between these three categories of fantastic literature are posited as the most productive in the terms by which this book navigates, namely, spatiality. The book will explore, through the critical examination of a selection of key works of speculative fiction, how science-fictional and fantastic narratives are spatialized through both conceptual and literal mappings.This book is intended for both an academic and practitioner and for people interested in both producing scholarly commentary upon works of speculative fiction; and for those writing speculative fiction and novels.

This book examines science fiction, fantasy and horror novels utilizing a conceptual toolkit of the ten duties of speculative fiction. Building on previous work in the discipline of geography it will demonstrate the value of speculation in the visualisation of Anthropocene futures.The book presents insights into how novels produce specifically geographical knowledge about the world - spatialities - and how they use both literal maps and figurative counter-mappings to comment upon and shape futures. This book is about much more than science fiction. It covers areas of literature and para-literature associated with the "fantastic" and as such, looks also at works of fantasy and horror. The areas of overlap between these three categories of fantastic literature are posited as the most productive in the terms by which this book navigates, namely, spatiality. The book will explore, through the critical examination of a selection of key works of speculative fiction, how science-fictional and fantastic narratives are spatialized through both conceptual and literal mappings.This book is intended for both an academic and practitioner and for people interested in both producing scholarly commentary upon works of speculative fiction; and for those writing speculative fiction and novels.

This first book-length exploration of geographical engagement with puppets examines constructions of puppets in contemporary popular British culture and considers the various ways in which puppets and humans (not just puppeteers) are unified in diverse cultural media.Organised around themes of metaphorical, performative and transformational puppets, the work draws out how puppets are used in diverse cultural media (fiction, music, television, film and theatre), how they are constructed through those uses, and to what effect. Both puppets as generalised forms (bodily, relational or ideational) and specific puppet characters (Mr Punch, Pinocchio) are explored. Building upon existing associations between puppets and the grotesque, the volume extends understandings of the puppet by elaborating borderscaping strategies through which puppets are constructed and an alternative perspective on the uncanniness of puppets. Geographically, it unearths distinct puppet spatialities, identifies the socially critical potential of puppets, rescales geo/bio-politics at the interpersonal level, and highlights the potential of puppets within posthuman debates about the status of the human.This work will be of interest to anyone fascinated by puppets, as well as those in fields such as geography, anthropology, cultural and media studies, and those interested in the grotesque, posthumanism and/or non-representational scholarship.

This first book-length exploration of geographical engagement with puppets examines constructions of puppets in contemporary popular British culture and considers the various ways in which puppets and humans (not just puppeteers) are unified in diverse cultural media.Organised around themes of metaphorical, performative and transformational puppets, the work draws out how puppets are used in diverse cultural media (fiction, music, television, film and theatre), how they are constructed through those uses, and to what effect. Both puppets as generalised forms (bodily, relational or ideational) and specific puppet characters (Mr Punch, Pinocchio) are explored. Building upon existing associations between puppets and the grotesque, the volume extends understandings of the puppet by elaborating borderscaping strategies through which puppets are constructed and an alternative perspective on the uncanniness of puppets. Geographically, it unearths distinct puppet spatialities, identifies the socially critical potential of puppets, rescales geo/bio-politics at the interpersonal level, and highlights the potential of puppets within posthuman debates about the status of the human.This work will be of interest to anyone fascinated by puppets, as well as those in fields such as geography, anthropology, cultural and media studies, and those interested in the grotesque, posthumanism and/or non-representational scholarship.

The act of surfing involves highly-skilled humans gliding, sliding, or otherwise riding waves of energy as they pass through water. As this book argues, however, this act of surfing does not exist in isolation. It is defined by the cultures and geographies that synergize with it – by the places, ideas, images, and other representations which at once reflect, create, and commodify this spatial practice. This book innovatively explores the spaces of surf and surf-riding, informed specifically by the perspective of human geography. Based on a range of critical turns within the social sciences, the book explores the locations, relational sensibilities, and transformative nature of surfing spaces, and examines how the spatial practice has been scripted by dominant surfing cultures. The book details how prescriptive (b)orders of access, entitlement, and marginalization have been created, and how, with the advent of new craft, media, and ideals, they are being actively challenged to redefine surfing spaces in the twenty-first century.

This book documents a new approach to literary geographies based around the Literary Atlas of Wales. It introduces an innovative "plotted" approach which empowers reading, creates connections to localities, histories, and communities, and inspires interest in literature and geography.It showcases how literary geographies can be mobilized through the plotted approach to reading. Through documenting the Literary Atlas of Wales project, this book outlines how the plotted approach was used to engage with English-language novels set in Wales. It argues that the future of this interdisciplinary subject area should be premised upon nurturing instability, turbulence, and experimentation in order to produce new insights which can change the way we understand the relations not only between literature and place but also between other modern categories, including academic disciplines.This book will be of interest to all readers of literature, human geography, mapping, heritage studies, and tourism. It will be beneficial to those interested in the domains of cartography, creative humanities, cultural sociology, human geography, literary studies, and print cultures.