Annie Holt is Assistant Professor in the Department of Humanities and Philosophy, University of Central Oklahoma, USA. Her research focuses on costume design and embodiment, including articles in Studies in Costume and Performance, Theatre and Performance Design, and Mime Journal.

Select Guide Rating

• ContentsList of ImagesAcknowledgementsChapter 1 - Introduction: arguing costume designChapter 2 - Material Truths: directors, historicism, and Shakespearean designsChapter 3 - Frocks and Fictions: actresses, personae, and costume designChapter 4 - Writing the Modern Body: the queerness of costume stage directionsChapter 5 - Life Imitates Art: couture, costumes, and commercialismChapter 6 - Body as Art(ifact) or Machine: visual artists design for the Ballets RussesChapter 7 - Postlude: designing modernism

Annie Holt is Assistant Professor in the Department of Humanities and Philosophy, University of Central Oklahoma, USA. Her research focuses on costume design and embodiment, including articles in Studies in Costume and Performance, Theatre and Performance Design, and Mime Journal.

Select Guide Rating

• ContentsList of ImagesAcknowledgementsChapter 1 - Introduction: arguing costume designChapter 2 - Material Truths: directors, historicism, and Shakespearean designsChapter 3 - Frocks and Fictions: actresses, personae, and costume designChapter 4 - Writing the Modern Body: the queerness of costume stage directionsChapter 5 - Life Imitates Art: couture, costumes, and commercialismChapter 6 - Body as Art(ifact) or Machine: visual artists design for the Ballets RussesChapter 7 - Postlude: designing modernism

Annie Holt is Assistant Professor in the Department of Humanities and Philosophy, University of Central Oklahoma, USA. Her research focuses on costume design and embodiment, including articles in Studies in Costume and Performance, Theatre and Performance Design, and Mime Journal.

Select Guide Rating

• ContentsList of ImagesAcknowledgementsChapter 1 - Introduction: arguing costume designChapter 2 - Material Truths: directors, historicism, and Shakespearean designsChapter 3 - Frocks and Fictions: actresses, personae, and costume designChapter 4 - Writing the Modern Body: the queerness of costume stage directionsChapter 5 - Life Imitates Art: couture, costumes, and commercialismChapter 6 - Body as Art(ifact) or Machine: visual artists design for the Ballets RussesChapter 7 - Postlude: designing modernism