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Iris Moon - Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France, Häftad

Häftad, Engelska, 2019

Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France

Av Iris Moon

723 kr

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Beskrivning
As the official architects of Napoleon, Charles Percier (1764–1838) and Pierre-François-Léonard Fontaine (1762–1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine’s desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.
Produktinformation
  • Utgivningsdatum: 2019-05-23
  • Mått: 174 x 246 x 17 mm
  • Vikt: 540 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 200
  • Förlag: Taylor & Francis Ltd
  • ISBN: 9780367199081
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Mer om författaren

Iris Moon is a visiting assistant professor in the School of Architecture at Pratt Institute, New York. She specializes in eighteenth- and nineteenth-century European art, architecture, and the decorative arts.

Recensioner i media

Iris Moon’s exciting reappraisal of Percier and Fontaine shows just how precarious monumental architecture can be: the Revolutionary instabilities underpinning their luxury designs for new Napoleonic elites demanded provisional solutions, fast responses, and adaptable designs. Her revelation of their process-oriented approach to architecture opens fresh perspectives on the visual culture of this time, from decorative arts to paper fantasies and mobile motifs. Susan Siegfried, Denise Riley Collegiate Professor of the History of Art and Women’s Studies, University of Michigan

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