Wanning Sun is Professor of Media and Communication at University of Technology SydneyLing Yang is an Assistant Professor in the Department of Chinese at Xiamen University, China

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• Section 1: Marriage in trouble, Chapter 1 Love stories in contemporary China: cultural production in the new millennium, Wanning Sun and Ling Yang, Chapter 2 Is it better to cry on a BMW or laugh on a bicycle? Television shows, marriage and the production of class in urban China Roberta Zavoretti, Chapter 3 Successology for women: relationship experts and sociobiological discourses Haiping Liu, Chapter 4 Holding virtual hands: an ethical practice against male infidelity in digital China, Yi Zhou, Section 2: Rural–urban inequality, Chapter 5 ‘Phoenix men’: changing representations of urban–rural marriages in contemporary China, Guoqing Zheng, Chapter 6 Negotiating class and the rural–urban divide in urban homes: configuring the maid in literature and popular culture Yanwen Li, Chapter 7 Wounded masculinities: the subaltern between online longings and offline realities Tingting Liu, Section 3: Gender, race and class, Chapter 8 Women in rural romantic love: gender politics in television dramas, Huike Wen Chapter 9 ‘Tiny Times’, persistent love: gender, class and relationships in post-1980s bestsellers Ling Yang Chapter 10 The ‘social factory’ of China’s male ‘virtual lovers’ Chris K. K. Tan and Zhiwei Xu, Chapter 11 International romance: changing discourses of Chinese–foreign intimacy in the decades of economic reforms Pan Wang, Section 4: Queer voices, Chapter 12 The emerging ‘national husband’: queer female fantasy in popular culture Jamie J. Zhao, Chapter 13 ‘Revolution plus love?’ Online fandom of the television drama series The Disguiser Xiqing Zheng, Chapter 14 A love story: Li Yuchun’s fans and contemporary Chinese singledom Maud Lavin

Wanning Sun is Professor of Media and Communication at University of Technology SydneyLing Yang is an Assistant Professor in the Department of Chinese at Xiamen University, China

Select Guide Rating

• Section 1: Marriage in trouble, Chapter 1 Love stories in contemporary China: cultural production in the new millennium, Wanning Sun and Ling Yang, Chapter 2 Is it better to cry on a BMW or laugh on a bicycle? Television shows, marriage and the production of class in urban China Roberta Zavoretti, Chapter 3 Successology for women: relationship experts and sociobiological discourses Haiping Liu, Chapter 4 Holding virtual hands: an ethical practice against male infidelity in digital China, Yi Zhou, Section 2: Rural–urban inequality, Chapter 5 ‘Phoenix men’: changing representations of urban–rural marriages in contemporary China, Guoqing Zheng, Chapter 6 Negotiating class and the rural–urban divide in urban homes: configuring the maid in literature and popular culture Yanwen Li, Chapter 7 Wounded masculinities: the subaltern between online longings and offline realities Tingting Liu, Section 3: Gender, race and class, Chapter 8 Women in rural romantic love: gender politics in television dramas, Huike Wen Chapter 9 ‘Tiny Times’, persistent love: gender, class and relationships in post-1980s bestsellers Ling Yang Chapter 10 The ‘social factory’ of China’s male ‘virtual lovers’ Chris K. K. Tan and Zhiwei Xu, Chapter 11 International romance: changing discourses of Chinese–foreign intimacy in the decades of economic reforms Pan Wang, Section 4: Queer voices, Chapter 12 The emerging ‘national husband’: queer female fantasy in popular culture Jamie J. Zhao, Chapter 13 ‘Revolution plus love?’ Online fandom of the television drama series The Disguiser Xiqing Zheng, Chapter 14 A love story: Li Yuchun’s fans and contemporary Chinese singledom Maud Lavin