Wanning Sun – författare

This book explores how political, economic, social, cultural and technological forces are (re)shaping the meanings of love and intimacy in China''s public culture. It focuses on a range of cultural and media forms including literature, film, television, music and new media, examines new cultural practices such as online activism, virtual intimacy and relationship counselling, and discusses how far love and romance have come to assume new shapes and forms in the twenty-first century. Love Stories in China offers deep insights into how the huge transformation of China over the last four decades has impacted the micro lives of ordinary Chinese people.

This book explores how political, economic, social, cultural and technological forces are (re)shaping the meanings of love and intimacy in China''s public culture. It focuses on a range of cultural and media forms including literature, film, television, music and new media, examines new cultural practices such as online activism, virtual intimacy and relationship counselling, and discusses how far love and romance have come to assume new shapes and forms in the twenty-first century. Love Stories in China offers deep insights into how the huge transformation of China over the last four decades has impacted the micro lives of ordinary Chinese people.

WeChat (the international version of Weixin), launched in 2012, has rapidly become the most favoured Chinese social media. Globally available, equally popular both inside and outside China and widely adopted by Chinese migrants, WeChat has fundamentally changed the ways in which Mandarin-speaking migrants conduct personal messaging, engage in group communication and community business activities, produce and distribute news, and access and share information. This book explores a wide range of issues connected to the ways in which WeChat works and is used, across the world among the newest members of the Chinese diaspora. Arguing that digital/social media afford a great degree of individual agency, as well as a collective capacity for sustaining an ‘imagined community’, the book shows how WeChat’s assemblage of infrastructure and regulatory frameworks, technical capabilities, content and sense of community has led to the construction of a particular kind of diasporic Chinese world, at a time marked both by China’s rise, and anxiety about Chinese influence in the West.

Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

WeChat (the international version of Weixin), launched in 2012, has rapidly become the most favoured Chinese social media. Globally available, equally popular both inside and outside China and widely adopted by Chinese migrants, WeChat has fundamentally changed the ways in which Mandarin-speaking migrants conduct personal messaging, engage in group communication and community business activities, produce and distribute news, and access and share information. This book explores a wide range of issues connected to the ways in which WeChat works and is used, across the world among the newest members of the Chinese diaspora. Arguing that digital/social media afford a great degree of individual agency, as well as a collective capacity for sustaining an ‘imagined community’, the book shows how WeChat’s assemblage of infrastructure and regulatory frameworks, technical capabilities, content and sense of community has led to the construction of a particular kind of diasporic Chinese world, at a time marked both by China’s rise, and anxiety about Chinese influence in the West.

Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Maid in China is the first systematic, book-length investigation of internal rural migration in post-Mao China focused on the day-to-day production and consumption of popular media. Taking the rural maid in the urban home as its point of departure, the book weaves together three years of engaged ethnographic research in Beijing and Shanghai with critical analyses of a diverse array of popular media, and follows three lines of inquiry: media and cultural production, consumption practices, and everyday politics. It unravels some of the myriad ways in which the subaltern figure of the domestic worker comes to be inscribed with the cultural politics of boundaries that entrench a host of inequalities—between rich and poor, male and female, rural and urban.

Wanning Sun explores a number of paradoxes that the domestic worker lives out on a daily basis: her ubiquitous invisibility, her enduring transience, and her status as an intimate stranger. Collectively, these paradoxes afford her a unique window onto the spaces and practices of the modern Chinese city. This intimate stranger’s epistemological status makes her an unauthorized yet authoritative witness of urban residents’ social lives, offering a revealing lens through which to examine both the formation of new social relations in post-reform urban China, and the new social uses of space—both domestic and public—engendered by these relations.

Maid in China is the first systematic, book-length investigation of internal rural migration in post-Mao China focused on the day-to-day production and consumption of popular media. Taking the rural maid in the urban home as its point of departure, the book weaves together three years of engaged ethnographic research in Beijing and Shanghai with critical analyses of a diverse array of popular media, and follows three lines of inquiry: media and cultural production, consumption practices, and everyday politics. It unravels some of the myriad ways in which the subaltern figure of the domestic worker comes to be inscribed with the cultural politics of boundaries that entrench a host of inequalities—between rich and poor, male and female, rural and urban.

Wanning Sun explores a number of paradoxes that the domestic worker lives out on a daily basis: her ubiquitous invisibility, her enduring transience, and her status as an intimate stranger. Collectively, these paradoxes afford her a unique window onto the spaces and practices of the modern Chinese city. This intimate stranger’s epistemological status makes her an unauthorized yet authoritative witness of urban residents’ social lives, offering a revealing lens through which to examine both the formation of new social relations in post-reform urban China, and the new social uses of space—both domestic and public—engendered by these relations.

The importance of the Chinese diaspora is widely recognized. Wanning Sun examines the key role of the media in the Chinese diaspora. She focuses especially on the media''s role in communication, in fostering a sense of community, in defining different kinds of ''transnational Chineseness'' - overseas Chinese communities are often very different from one country to another - and in showing how media communication is linked to commerce, which is often a key activity of the overseas Chinese.

Revealing a great deal about the vibrancy and dynamism of the Chinese-language media, the book considers the Chinese diaspora in Singapore, Indonesia, Thailand and Australia, showing how it plays a crucial role in the changing nature of the Chinese diaspora.

The importance of the Chinese diaspora is widely recognized. Wanning Sun examines the key role of the media in the Chinese diaspora. She focuses especially on the media''s role in communication, in fostering a sense of community, in defining different kinds of ''transnational Chineseness'' - overseas Chinese communities are often very different from one country to another - and in showing how media communication is linked to commerce, which is often a key activity of the overseas Chinese.

Revealing a great deal about the vibrancy and dynamism of the Chinese-language media, the book considers the Chinese diaspora in Singapore, Indonesia, Thailand and Australia, showing how it plays a crucial role in the changing nature of the Chinese diaspora.

Economic development and a dramatic improvement in living standards in many parts of the People’s Republic of China during the past three decades of economic reforms have been hailed by the Chinese Communist Party and many commentators in the international arena as the most spectacular achievements in the history of humanity. However, three decades of economic reforms have also transformed China from one of the world’s most egalitarian societies into one of the most unequal.

This book offers a comprehensive account of inequality in China from an interdisciplinary perspective. It both draws on, and speaks to, the existing body of literature that is generated mainly in the fields of economics and sociology, while extending its scope to also examine the political, social, moral and cultural dimensions of inequality. Each chapter addresses the question of inequality from a specific context of research, including housing, health care, social welfare, education, migration, land distribution, law, gender and sexuality. Moving beyond traditional socio-economic theories, the contributors to this volume explore a wide range of social, political, economic and cultural practices that result from, as well as further entrench, the inequalities in Chinese society. Importantly, the essays in Unequal China probe the hidden causes of inequality - namely, the role of state power and the importance of culture - and underline how both state power and cultural factors have a key part to play in legitimating inequality.

With an innovative approach that moves beyond the economic and sociological roots of inequality in China, this volume is a welcome addition to what is a growing field of study, and will appeal to students and scholars interested in Chinese culture and society, Chinese politics and Asian social policy.

Economic development and a dramatic improvement in living standards in many parts of the People’s Republic of China during the past three decades of economic reforms have been hailed by the Chinese Communist Party and many commentators in the international arena as the most spectacular achievements in the history of humanity. However, three decades of economic reforms have also transformed China from one of the world’s most egalitarian societies into one of the most unequal.

This book offers a comprehensive account of inequality in China from an interdisciplinary perspective. It both draws on, and speaks to, the existing body of literature that is generated mainly in the fields of economics and sociology, while extending its scope to also examine the political, social, moral and cultural dimensions of inequality. Each chapter addresses the question of inequality from a specific context of research, including housing, health care, social welfare, education, migration, land distribution, law, gender and sexuality. Moving beyond traditional socio-economic theories, the contributors to this volume explore a wide range of social, political, economic and cultural practices that result from, as well as further entrench, the inequalities in Chinese society. Importantly, the essays in Unequal China probe the hidden causes of inequality - namely, the role of state power and the importance of culture - and underline how both state power and cultural factors have a key part to play in legitimating inequality.

With an innovative approach that moves beyond the economic and sociological roots of inequality in China, this volume is a welcome addition to what is a growing field of study, and will appeal to students and scholars interested in Chinese culture and society, Chinese politics and Asian social policy.

Mapping Media in China is the first book-length study that goes below the ‘national’ scale to focus on the rich diversity of media in China from local, provincial and regional angles. China’s media has played a crucial role in shaping and directing the country’s social and cultural changes, and whilst these shifts have often been discussed as a single and coherent phenomenon, this ignores the vast array of local and regional variations within the country’s borders.

This book explores media as both a reflection of the diversity within China and as an active agent behind these growing differences. It examines the role of media in shaping regional, provincial and local identities through the prism of media economics and technology, media practices, audiences, as well as media discourses. The book covers a wide range of themes, including civil society, political resistance, state power and the production and consumption of place-specific memory and imagination.

With contributions from around the world, including original ethnographic material from scholars based in China, Mapping Media in China is an original book which spans a broad range of disciplines. It will be invaluable to both students and scholars of Chinese and Asian studies, media and communication studies, geography, anthropology and cultural studies.

Mapping Media in China is the first book-length study that goes below the ‘national’ scale to focus on the rich diversity of media in China from local, provincial and regional angles. China’s media has played a crucial role in shaping and directing the country’s social and cultural changes, and whilst these shifts have often been discussed as a single and coherent phenomenon, this ignores the vast array of local and regional variations within the country’s borders.

This book explores media as both a reflection of the diversity within China and as an active agent behind these growing differences. It examines the role of media in shaping regional, provincial and local identities through the prism of media economics and technology, media practices, audiences, as well as media discourses. The book covers a wide range of themes, including civil society, political resistance, state power and the production and consumption of place-specific memory and imagination.

With contributions from around the world, including original ethnographic material from scholars based in China, Mapping Media in China is an original book which spans a broad range of disciplines. It will be invaluable to both students and scholars of Chinese and Asian studies, media and communication studies, geography, anthropology and cultural studies.