Robert Sholl teaches at the Royal Academy of Music and at the University of West London. He has published on a wide range of twentieth-century music. He was editor of Messiaen Studies, and has recently written on Arvo Pärt, Stravinsky’s Le Sacre du Printemps, Messiaen and Berio. As an organist Robert has given recitals at St Paul's Cathedral, Westminster Abbey, Notre-Dame de Paris, and at the Madeleine, and he will perform all of Messiaen's organ music in 2016-17. Sander van Maas is Assistant Professor of Musicology at the University of Amsterdam, previously Endowed Full Professor of Dutch Contemporary Composed Music at Utrecht University, and he has held visiting positions at Boston University, Harvard and the University of West London. He is author of The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward The Beyond and editor of Thresholds of Listening: Sound, Technics, Space.

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• Introduction: What is a Contemporary spiritual Music? Robert Sholl and Sander van MaasPart 1: Passions1. For Whom the Bells Toll: Arvo Pärt’s Passio, Metamodernism and the Appealing Promise of Tintinnabulation Andrew Shenton2. Sacrificial Passions: The Influence of Wagner and Scruton in James MacMillan’s The Sacrifice and St John Passion Dominic Wells3. Kenosis in Contemporary Music and Postmodern Philosophy Peter Bannister4. Synoptic Passions: Gubaidulina’s St John Passion in the post-Jungian Era Anna McCreadyPart 2: Composer Studies5. Canon as an agent of revelation in the music of Ligeti Amy Bauer6. Music and Belief: The figure of Singularity in Galina Ustvolskaya’s Work Rokus de Groot7. Zen’ in the Art of Tōru Takemitsu: listening as vehicle for inner discovery Peter Burt8. John Cage’s Journey into Silence James Pritchett9. Stockhausen’s Spirituality Konrad Boehmer 10. Claude Vivier at the End Jonathan Goldman Part 3: Perspectives and ‘Prospectives’11. Searching for the Elusive Obvious: Memory, Forgiveness, Catharsis, and Transcendence in Contemporary Spiritual Music Robert Sholl12. The Curvatures of Salvation: Messiaen, Stockhausen, and Adams Sander van Maas13. In Defence of Complexity: The New Spiritual Music’s Farewell to Modernism Burcht Pranger14. An Awkward Reverence : Composing Oneself in the 21st Century Anglican Church Francis Pott15. Spiritual Music: ‘positive’ negative theology? Jonathan Harvey.Selected BibliographyIndex

Robert Sholl teaches at the Royal Academy of Music and at the University of West London. He has published on a wide range of twentieth-century music. He was editor of Messiaen Studies, and has recently written on Arvo Pärt, Stravinsky’s Le Sacre du Printemps, Messiaen and Berio. As an organist Robert has given recitals at St Paul's Cathedral, Westminster Abbey, Notre-Dame de Paris, and at the Madeleine, and he will perform all of Messiaen's organ music in 2016-17. Sander van Maas is Assistant Professor of Musicology at the University of Amsterdam, previously Endowed Full Professor of Dutch Contemporary Composed Music at Utrecht University, and he has held visiting positions at Boston University, Harvard and the University of West London. He is author of The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward The Beyond and editor of Thresholds of Listening: Sound, Technics, Space.

Select Guide Rating

• Introduction: What is a Contemporary spiritual Music? Robert Sholl and Sander van MaasPart 1: Passions1. For Whom the Bells Toll: Arvo Pärt’s Passio, Metamodernism and the Appealing Promise of Tintinnabulation Andrew Shenton2. Sacrificial Passions: The Influence of Wagner and Scruton in James MacMillan’s The Sacrifice and St John Passion Dominic Wells3. Kenosis in Contemporary Music and Postmodern Philosophy Peter Bannister4. Synoptic Passions: Gubaidulina’s St John Passion in the post-Jungian Era Anna McCreadyPart 2: Composer Studies5. Canon as an agent of revelation in the music of Ligeti Amy Bauer6. Music and Belief: The figure of Singularity in Galina Ustvolskaya’s Work Rokus de Groot7. Zen’ in the Art of Tōru Takemitsu: listening as vehicle for inner discovery Peter Burt8. John Cage’s Journey into Silence James Pritchett9. Stockhausen’s Spirituality Konrad Boehmer 10. Claude Vivier at the End Jonathan Goldman Part 3: Perspectives and ‘Prospectives’11. Searching for the Elusive Obvious: Memory, Forgiveness, Catharsis, and Transcendence in Contemporary Spiritual Music Robert Sholl12. The Curvatures of Salvation: Messiaen, Stockhausen, and Adams Sander van Maas13. In Defence of Complexity: The New Spiritual Music’s Farewell to Modernism Burcht Pranger14. An Awkward Reverence : Composing Oneself in the 21st Century Anglican Church Francis Pott15. Spiritual Music: ‘positive’ negative theology? Jonathan Harvey.Selected BibliographyIndex

Robert Sholl teaches at the Royal Academy of Music and at the University of West London. He has published on a wide range of twentieth-century music. He was editor of Messiaen Studies, and has recently written on Arvo Pärt, Stravinsky’s Le Sacre du Printemps, Messiaen and Berio. As an organist Robert has given recitals at St Paul's Cathedral, Westminster Abbey, Notre-Dame de Paris, and at the Madeleine, and he will perform all of Messiaen's organ music in 2016-17. Sander van Maas is Assistant Professor of Musicology at the University of Amsterdam, previously Endowed Full Professor of Dutch Contemporary Composed Music at Utrecht University, and he has held visiting positions at Boston University, Harvard and the University of West London. He is author of The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward The Beyond and editor of Thresholds of Listening: Sound, Technics, Space.

Select Guide Rating

• Introduction: What is a Contemporary spiritual Music? Robert Sholl and Sander van MaasPart 1: Passions1. For Whom the Bells Toll: Arvo Pärt’s Passio, Metamodernism and the Appealing Promise of Tintinnabulation Andrew Shenton2. Sacrificial Passions: The Influence of Wagner and Scruton in James MacMillan’s The Sacrifice and St John Passion Dominic Wells3. Kenosis in Contemporary Music and Postmodern Philosophy Peter Bannister4. Synoptic Passions: Gubaidulina’s St John Passion in the post-Jungian Era Anna McCreadyPart 2: Composer Studies5. Canon as an agent of revelation in the music of Ligeti Amy Bauer6. Music and Belief: The figure of Singularity in Galina Ustvolskaya’s Work Rokus de Groot7. Zen’ in the Art of Tōru Takemitsu: listening as vehicle for inner discovery Peter Burt8. John Cage’s Journey into Silence James Pritchett9. Stockhausen’s Spirituality Konrad Boehmer 10. Claude Vivier at the End Jonathan Goldman Part 3: Perspectives and ‘Prospectives’11. Searching for the Elusive Obvious: Memory, Forgiveness, Catharsis, and Transcendence in Contemporary Spiritual Music Robert Sholl12. The Curvatures of Salvation: Messiaen, Stockhausen, and Adams Sander van Maas13. In Defence of Complexity: The New Spiritual Music’s Farewell to Modernism Burcht Pranger14. An Awkward Reverence : Composing Oneself in the 21st Century Anglican Church Francis Pott15. Spiritual Music: ‘positive’ negative theology? Jonathan Harvey.Selected BibliographyIndex