Creating Through Mind and Emotions

Maria do Rosário Monteiro is Professor of Comparative Literature at the FCSH/UNL (New University of Lisbon). She graduated in Modern Languages and Literature at the University of Lisbon (1983), and completed a Master in Comparative Literary Studies at the Universidade Nova de Lisboa in 1987 and a PhD in Literary Sciences, speciality of Comparative Literature, at Universidade Nova de Lisboa in 1997. She currently lectures in Comparative Culture and Literature at graduate and postgraduate levels. She is a Senior Researcher at CHAM – Centre for the Humanities (FCSH/NOVA, UAc). She is editor of several books, both in Portuguese and English, author of the first academic books on Tolkien published in Portugal, and author of several essays on Utopia, Fantasy, and Science Fiction.Mário S. Ming Kong has a degree in Architecture from the Faculdade de Arquitetura da Universidade de Lisboa (FAUTL), and a PhD in Architecture with Aggregation in the field of drawing and visual communication from Escuela Superior Technical Architecture Barcelona - Universidad Politécnica de Cataluña (UPC-ETSAB). He is presently Professor at FAUTL, Lecturer in ESELx and Visiting Professor at the Master Course in arts at ESBAL. He previously taught at Lusophona University (ULHT) and Independent University, respectively in the Departments of Urban Planning and Architecture. In 2000 he was Coordinator of the first year of the course in Urban Planning ULHT. In 1998 he served as Regent of the discipline Design/CAD/Geometry at ULHT. He participated in scientific research studies and consulting work for outside entities. He has also participated in several publications, communications indexed to Taylor & Francis and ISI, Scopus, Web of Science and training courses in order to disseminate the results of his research activities at national and international universities. His main research areas are: Harmony and proportion in representation between West and East and its application to Sustainable Architecture, in particular by applying concepts of Origami and Kirigami to materials such as paper and bamboo.Maria João Pereira Neto is Professor at Faculty of Architecture University of Lisbon and member of the Department of Arts, Humanities, and Social Sciences. She has a PhD in History and a Master's degree in Sociology. Her main domains of teaching and research are applied Social Sciences, Humanities, Art and Architecture History, Design, Scenography, Heritage. Since 1978, she has amassed scientific research experience and professional consulting experience in the domains of Social Sciences and Humanities. She is a member of the Scientific Board of the Faculty of Architecture (2008 -2011; 2014…). She was senator of The University of Lisbon, elected to the Scientific Board (2013-2017). Effective member CIAUD - Research Centre for Architecture, Urbanism and Design faculty of Architecture, University of Lisbon, associated member of CHAM – Centre for Humanities (FCSH/NOVA, UAc). Member of the Geographical Society – Lisbon, president of the Arts and Literature Section, and in 2016 also the Section of Heritage Studies, vowel of the sections: Tourism, Communication Studies, Education and Ethnology. Author of several indexed texts in Isis, Scopus, Web of Science.

• PART I – CREATING THROUGH MIND AND EMOTIONS Introduction: Drawing with mind and emotionsMário S. Ming KongInnovation and tradition in human spaceflight architectureMarc M. Cohen, D.ArchWaking up the trees: Reason, emotion and recovery in The Lord of the RingsMartin SimonsonThe Justification of slavery in modern natural lawMaria do Rosário PimentelPART II – ARCHITECTURE / URBANISM / DESIGNManfredo Tafuri and autonomous architecture: A disciplinary discussion of the 1970sJorge NunesRehearsing a performative theory for architectureAyman KassemThe essence of architectural creation: Aesthetic experience as impetusAmra Salihbegovic, Domenico ChizzonitiTectonics: Reconciling reason and emotion in the architectural projectJoão Carrola Gomes, Pedro Martins Mendes, Paulo Pereira AlmeidaArchitecture as an extension of body and mind: Towards a consciousness of the body's experience in spaceInês Salgueiro, Rui Américo CardosoThe primitive hut: Empirical and emotional discovery for a theorization of architectureAna Marta FelicianoThe phenomenon of Graz School: Architecture between emotions and rationalismAleksander Serafin, Marek PabichInvestigating the potential for integrating pure shadow lines into architectural design processAlsaleh SugatiArchitecture: reflections on the experience of the projectDulce LouçãoPedagogy in the architecture teaching process: Two unique examples in a Master’s Final Exam - Creating through mind and emotionsMiguel Baptista-BastosRehabilitation or Multiple Rehabilitation? Rehabilitation as a subjective process by different ways of seeing – and 'wanting’ – to transform and signify the worldAntónio Santos LeiteAmbiguousness is an important element in architectural emotional spaceWenyu Qi, Mário S. Ming KongThe aesthetic construction of multiple humanistic thoughts in historical buildingsWenyu Qi, Yun Liu, Mário S. Ming KongRevisiting the City of Edo and the National Museum of Western Art, in Tokyo: Unlimited organisms, between reason and emotionJoão Miguel Couto Duarte, Maria João Moreira SoaresHow creations can control minds: The railway stations of the dictatorial regime in PortugalAna Rute Faísca, Pedro Gomes JanuárioThe sublime in architecture: Wright’s transcendentalismLucas Martins, Ana Tostões, Rui Jorge Garcia RamosMind, creation, and emotion: Reinventions in Tomás Taveira's architectureMiguel Baptista-BastosComplexity and contradiction in Eduardo Souto de Moura’s architecture: Some remarks on his creative processJosé Cabral DiasThe enigmatic and poetic dynamic of penumbra: Creating and experimenting among reason, emotion, and imaginationAna VasconcelosFrom sculpture to Casa da Fuseta, AlgarveMaria L. Duarte, Jorge T. RibeiroSão Paulo Tower: Recreating a Brazilian unbuilt visionary housing project with the help of mind, technology, and emotionsArthur J. de Macedo, Hugo L. FariasArchitecture, the starting point: A school in OcuanaSofia Outor, Margarida Louro, Francisco OliveiraTemporary housing: shelters for refugee campsSílvia Santos, Margarida LouroThe appropriation of the indigenous architecture in northern Brazilian Amazon for the architectural design process with bioclimatic strategiesVinícius Anjos, Anneli Maricielo Celis, Ana Karina RodriguesPlay and space: Childhood nostalgia as a creative processRaffaella MaddalunoSpatial requirements and standards in the post-COVID-19 houseCarla ChiarantoniGenius LociPedro AbreuUrban-architectural perception as creation between mind and emotionLjiljana Čavić, Soraia NooraliThe path of senses, between emotions and creationArtur Renato Ortega, Eneida Kuchpil, Silvana WeihermannDrawing on time and formRogério Vieira de AlmeidaThe foundation myth of St. Petersburg in the city guidebooks: creating heritage through mind and emotionsIrina SeitRethinking the body, cultivating the mind, sharing the emotions. The Libertà neighborhood in Bari: an experiment in urban regeneration and social resilience.Calogero MontalbanoDesigning minds with designed emotions: Spiral thinking designJosé Silveira Dias, Rita AlmendraEmotions sparkling innovation in lighting products designLiliana Soares, Ermanno Aparo, Rita Almendra, João Teixeira, Jorge PassosExperience, body, and memory in creativityLuis Miguel GinjaFostering the common: Transformative socio-cultural innovation through co-creativity among citizensAntónio Gorgel Pinto, Paula Reaes PintoMigrant living archive: Practice to improve cultural integration in participatory art and design projectsPaula Reaes Pinto, António Gorgel PintoCreativity and sustainabilityGianni Montagna, Carla C. Pereira, Ana A. MarquesPause to think: Creating a fashion collection through music and emotionsElisângela Zottesso, Layla Mendes, Ana Cristina BroegaAnalysis of robotics field mats as design objectsAlex Paiva, Luciane Maria FadelPART III – ARTSIdentity in death: Communication and reflection through funerary art of the New Kingdom and Revolutionary EgyptTheresa WilshusenDid the Ancient Greeks perceive the color ‘blue’? An interdisciplinary approach.Maria João Durão“A thing of beauty is a joy forever”: A transdisciplinary reading on creativityClara Germana GonçalvesMental and emotional processes in two post-Bomarzian parks: Buzzi’s La Scarzuola and Saint Phalle’s Tarots’ GardenSanti CentineoThe spectacle of protest: The case of Budapest University of Theatre and Film Arts (SzFE)Gizela HorváthThe mind in the creative process: The mastering of technical processes, experimenting, breakaway, and the exploration of error and chance as creative strategies in the creation of a work of artAntónio CANAUThe heartbeat, neuroaesthetics, artistic research, and creation through mind and emotionsAnna Unterholzner, Patrícia GouveiaIannis Xenakis’ drawing expands the morphological intuition-thought inside musical compositionSara Chang Yane, Ana Leonor Madeira RodriguesPART IV – THE HUMANITIESThe project of a seed: 7 small steps to awaken sacred creativityJoana Ribeiro (Sister Regina PACIS)Fredrik Gabriel Hedberg: The reluctant author of an autobiographical conversion narrativeJakob DahlbackaThe sacred space of gods and saints: Some considerations about the sea and exile in Irish mythology and traditionAngélica VarandasCreating the Otherness: Mind and emotions in the European making of 16th-century Japanese peopleHelena ResendeMind and emotion in cinematic recreations of three Shakespeare’s playsIuliana BorbelyEmotion and rationality in the creation of the ideal courtierMaria Leonor García da CruzFernando Pessoa’s creative process as a “Theater of the Mind”La Salette LoureiroHerberto Helder (1930-2015) F. Pessoa (1988-1935), Hugo von Hofmannsthal (1874-1929), Blauer Reiter’s and Rothko’s modern poiesis: On the creation of literary emotionalityFernando RibeiroDystopian visions, populism and the return to empathy in António Ladeira’s Montanha Distante (2020) and Nuno Gomes Garcia’s Zalatune (2020)Margarida RendeiroThe impact of mentality and emotions in the creation of the magazine ClaridadeHilarino da LuzPART V – SOCIAL SCIENCESLyrical Poetry (sung) congregating the community as a generator of collective emotionsEduardo M. RaposoMind the food, brief essay on emotions and creativeness during COVID 19 timesAna Pereira Neto, Ana RunaVaccine hesitancy in the Ostrobothnian Bible Belt? Vernacular Authority at workJakob DahlbackaA University Church going online: Traditionality and experimentality in YouTube worship services at the University Church in LeipzigKim Stefan Groop