Julia E. Daniel is an Assistant Professor of English at Baylor University. Her research interests include modern American poetics and urban ecocriticism, as seen in her book Building Natures: Modern American Poetry, Landscape Architecture, and City Planning. Her work has also appeared in The Cambridge Companion to The Waste Land, The Wiley-Blackwell Companion to Modernist Poetry, Modern Drama, and Critical Quarterly.Margaret Konkol is an Assistant Professor of American literature and digital humanities at Old Dominion University. She is completing a book "Modernizing Nature: Modernist Poetry, Gender, Race, and Civic Space" which discusses poetry’s role in civic debates about the naturalness of rapidly modernizing gender and race hierarchies which were on display in public parks and gardens. Her essays and review essays appear in Hybrid Pedagogy, Modernism/modernity, Paideuma, and Textus: English Studies in Italy.

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• IntroductionJulia E. Daniel and Margaret KonkolSection 1: Green Grounds"Free Land": Central Park and Racial Erasure in the Proslavery United StatesAllison SiehnelHospital, Parlor, Fresco, Posey: Metaphors for Parks in the Public Lectures of Frederick Law OlmstedJulia E. DanielModernist Picturesque: Representing Urban Green Space on London Transport Posters, 1908-1940Nora KusterBy Chicago, For Chicago? Listening for the City in the Creation of Grant Park Music FestivalKatherine BrucherSection 2: Green TextsA Modernist Walk in the Park with Virginia WoolfBonnie Kime ScottGreen Agoraphobia: Architectural Cures in Baudelaire and KafkaYelizaveta Goldfarb MossPark Blues: Langston Hughes, Racial Exclusion, and the Park BalladMargaret KonkolA More-Than-Human Green: National Parks and Animality in Marianne Moore’s "An Octopus"Hatley CliffordThe Way of the Road: Travelling through Yosemite National Park in Gertrude Stein’s Everybody’s AutobiographyMaxwell WoodsThe Imagination’s Meadows in William Carlos Williams’s Spring and AllMichael D. Sloane

Julia E. Daniel is an Assistant Professor of English at Baylor University. Her research interests include modern American poetics and urban ecocriticism, as seen in her book Building Natures: Modern American Poetry, Landscape Architecture, and City Planning. Her work has also appeared in The Cambridge Companion to The Waste Land, The Wiley-Blackwell Companion to Modernist Poetry, Modern Drama, and Critical Quarterly.Margaret Konkol is an Assistant Professor of American literature and digital humanities at Old Dominion University. She is completing a book "Modernizing Nature: Modernist Poetry, Gender, Race, and Civic Space" which discusses poetry’s role in civic debates about the naturalness of rapidly modernizing gender and race hierarchies which were on display in public parks and gardens. Her essays and review essays appear in Hybrid Pedagogy, Modernism/modernity, Paideuma, and Textus: English Studies in Italy.

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• IntroductionJulia E. Daniel and Margaret KonkolSection 1: Green Grounds"Free Land": Central Park and Racial Erasure in the Proslavery United StatesAllison SiehnelHospital, Parlor, Fresco, Posey: Metaphors for Parks in the Public Lectures of Frederick Law OlmstedJulia E. DanielModernist Picturesque: Representing Urban Green Space on London Transport Posters, 1908-1940Nora KusterBy Chicago, For Chicago? Listening for the City in the Creation of Grant Park Music FestivalKatherine BrucherSection 2: Green TextsA Modernist Walk in the Park with Virginia WoolfBonnie Kime ScottGreen Agoraphobia: Architectural Cures in Baudelaire and KafkaYelizaveta Goldfarb MossPark Blues: Langston Hughes, Racial Exclusion, and the Park BalladMargaret KonkolA More-Than-Human Green: National Parks and Animality in Marianne Moore’s "An Octopus"Hatley CliffordThe Way of the Road: Travelling through Yosemite National Park in Gertrude Stein’s Everybody’s AutobiographyMaxwell WoodsThe Imagination’s Meadows in William Carlos Williams’s Spring and AllMichael D. Sloane

Julia E. Daniel is an Assistant Professor of English at Baylor University. Her research interests include modern American poetics and urban ecocriticism, as seen in her book Building Natures: Modern American Poetry, Landscape Architecture, and City Planning. Her work has also appeared in The Cambridge Companion to The Waste Land, The Wiley-Blackwell Companion to Modernist Poetry, Modern Drama, and Critical Quarterly.Margaret Konkol is an Assistant Professor of American literature and digital humanities at Old Dominion University. She is completing a book "Modernizing Nature: Modernist Poetry, Gender, Race, and Civic Space" which discusses poetry’s role in civic debates about the naturalness of rapidly modernizing gender and race hierarchies which were on display in public parks and gardens. Her essays and review essays appear in Hybrid Pedagogy, Modernism/modernity, Paideuma, and Textus: English Studies in Italy.

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• IntroductionJulia E. Daniel and Margaret KonkolSection 1: Green Grounds"Free Land": Central Park and Racial Erasure in the Proslavery United StatesAllison SiehnelHospital, Parlor, Fresco, Posey: Metaphors for Parks in the Public Lectures of Frederick Law OlmstedJulia E. DanielModernist Picturesque: Representing Urban Green Space on London Transport Posters, 1908-1940Nora KusterBy Chicago, For Chicago? Listening for the City in the Creation of Grant Park Music FestivalKatherine BrucherSection 2: Green TextsA Modernist Walk in the Park with Virginia WoolfBonnie Kime ScottGreen Agoraphobia: Architectural Cures in Baudelaire and KafkaYelizaveta Goldfarb MossPark Blues: Langston Hughes, Racial Exclusion, and the Park BalladMargaret KonkolA More-Than-Human Green: National Parks and Animality in Marianne Moore’s "An Octopus"Hatley CliffordThe Way of the Road: Travelling through Yosemite National Park in Gertrude Stein’s Everybody’s AutobiographyMaxwell WoodsThe Imagination’s Meadows in William Carlos Williams’s Spring and AllMichael D. Sloane