Museum in Asia

Yunci Cai is Associate Professor of Museum and Heritage Studies at the University of Leicester, United Kingdom. She has research interests in cultural politics and museologies in and out of Asia. Her monograph Staging Indigenous Heritage: Instrumentalisation, Brokerage and Representation in Malaysia (Routledge 2020) explores the cultural politics of four Indigenous cultural villages in Malaysia.

"At last, a comprehensive account of current museum developments in Asia, the new frontier of museology. Cai is an expert guide – inclusive, critical, balanced – while attending to politics, practice and, importantly, local perspectives."Professor Conal McCarthy, Professor of Museum and Heritage Studies, Victoria University of Wellington"The Museum in Asia is an exciting collection of essays, providing an important corrective to museological debates that are all too often determined by European and North American contexts. As Yunci Cai argues in her introductory manifesto, Asian museums must be understood within their own socio-historical, cultural and political contexts and needs. This is precisely what the critical perspectives presented in this book offer."Professor Paul Basu, Curator at the Pitt Rivers Museum and Professor of Anthropology in the School of Anthropology and Museum Ethnography, University of Oxford

• List of figures; Series Preface; Preface; Acknowledgements; List of Contributors; 1. A Manifesto for Museums in Asia; Section A: Reconsidering Knowledge Structures – 2. Numinous Objects and Their (Re)Contextualisation in Local Museologies; 3. Religion on Display: A Comparative Study of the Museum of World Religions and Exhibition Spaces in Temples in Taiwan; 4. Tracing the Lineage of Linear Exhibition Narratives in Chinese Museology; Section B: Rethinking Colonialism – 5. Defining, Designating and Ruling the Other in the Spaces of the Raffles Museum, Singapore, 1823 – 1960; 6. ‘Unity in Diversity’: Museums and Representation in Myanmar; 7. Swapping Time between Contemporary Ainu and Kaitaku Settler Colonial History; Section C: Localising Museums -- 8. Transforming Chemde Museum: Monastic Curating and Co-Curating in a Tibetan Buddhist Monastery in Ladakh; 9. Community-based Museums in Thailand and their Indigenous Curatorial Practices; 10. Curating the Dead: A Case Study of Localising Strategies in a Private Museum in Vietnam; 11. Vaacha: Preservation and Erasure in an Indigenous Museum; Section D: Negotiating Politics – 12. The Impact of India’s Partition on Museums of the Punjab; 13. Exhibition Diplomacy: The Chinese Experience; 14. Jianchuan Museum Complex: Ethics and Politics in China’s Private Museum Practice; 15. Rethinking Heritage Diplomacy on the Maritime Silk Road; 16. Museums as Sites of Indigenous Revitalisation: Dialogues between National Museums, Indigenous Artisans, and Indigenous Communities in Taiwan; Section E: Embracing Contemporaneity – 17. Intersections between Private Lives, Public Housing, and National Narratives: Community Museums in Hong Kong and Singapore; 18. A Systematic View on Digital Museum Practices with Activity Theory: Exploring the Contradictions That Museum Practitioners Experience in the Republic of Korea; 19. From Digitisation to Digital Repatriation: A Case Study of International Dunhuang Project; 20. Post-disaster Practices in Japanese Museums after the 2011 Great East Japan Earthquake and Tsunami; Index.