Stephen Cottrell is Professor of Music at City, University of London. His previous books include Professional Music-Making in London,The Saxophone,Defining the Discographic Self: Desert Island Discs in Context (co-edited with Julie Brown and Nicholas Cook), and Music, Dance, Anthropology.

• Introduction: The Cultural Study of Musical Instruments – An OverviewStephen CottrellInstrumental Interlude #1: The Skoog–Ben Schögler and David SkulinaPart I: Ecology, Production and Communities of Practice1. The Social Production of a Mallorcan Bagpipe: Collaboration, Technology, Ecology and InternationalisationCassandre Balosso-Bardin2. Feeling Analogue: Using Modular Synthesisers, Designing Synthesis CommunitiesEliot Bates3. Re-inventing the Herati Dutâr: Some Cultural and Social RepercussionsJohn Baily4. Musical Instruments as Material Culture: A Case Study of the Cretan LyraKevin DaweInstrumental Interlude #2: The Yaybahar–Görkem ŞenInstrumental Interlude #3: Eli Gras Part II: The Circulation of Instruments5. Charlie Parker, Massey Hall and Grafton 10265: Musical Instruments and the Telling of TalesStephen Cottrell6. What’s in a Name?: Carving an Indian Identity into the Slide-GuitarAndré J.P. Elias7. Playing for God: Brass Instruments of the Moravian Brethren in the Atlantic WorldStewart CarterInstrumental Interlude #4: The Fluid Piano–Geoffrey SmithInstrumental Interlude #5: The Pikasso Guitar–Linda Manzer Part III: Reframing History Through Instruments8. Arcadian Tones: The Rise, Fall, and Rebirth of the Austrian MaultrommelDeirdre Morgan9. Musical Instruments as Traded Commodities: The Makers’ PerspectiveJenny Nex10. Military Musical Instruments and the Culture of Perfection in the Long Nineteenth CenturyTrevor Herbert

Stephen Cottrell is Professor of Music at City, University of London. His previous books include Professional Music-Making in London,The Saxophone,Defining the Discographic Self: Desert Island Discs in Context (co-edited with Julie Brown and Nicholas Cook), and Music, Dance, Anthropology.

• Introduction: The Cultural Study of Musical Instruments – An OverviewStephen CottrellInstrumental Interlude #1: The Skoog–Ben Schögler and David SkulinaPart I: Ecology, Production and Communities of Practice1. The Social Production of a Mallorcan Bagpipe: Collaboration, Technology, Ecology and InternationalisationCassandre Balosso-Bardin2. Feeling Analogue: Using Modular Synthesisers, Designing Synthesis CommunitiesEliot Bates3. Re-inventing the Herati Dutâr: Some Cultural and Social RepercussionsJohn Baily4. Musical Instruments as Material Culture: A Case Study of the Cretan LyraKevin DaweInstrumental Interlude #2: The Yaybahar–Görkem ŞenInstrumental Interlude #3: Eli Gras Part II: The Circulation of Instruments5. Charlie Parker, Massey Hall and Grafton 10265: Musical Instruments and the Telling of TalesStephen Cottrell6. What’s in a Name?: Carving an Indian Identity into the Slide-GuitarAndré J.P. Elias7. Playing for God: Brass Instruments of the Moravian Brethren in the Atlantic WorldStewart CarterInstrumental Interlude #4: The Fluid Piano–Geoffrey SmithInstrumental Interlude #5: The Pikasso Guitar–Linda Manzer Part III: Reframing History Through Instruments8. Arcadian Tones: The Rise, Fall, and Rebirth of the Austrian MaultrommelDeirdre Morgan9. Musical Instruments as Traded Commodities: The Makers’ PerspectiveJenny Nex10. Military Musical Instruments and the Culture of Perfection in the Long Nineteenth CenturyTrevor Herbert

Stephen Cottrell is Professor of Music at City, University of London. His previous books include Professional Music-Making in London,The Saxophone,Defining the Discographic Self: Desert Island Discs in Context (co-edited with Julie Brown and Nicholas Cook), and Music, Dance, Anthropology.

• Introduction: The Cultural Study of Musical Instruments – An OverviewStephen CottrellInstrumental Interlude #1: The Skoog–Ben Schögler and David SkulinaPart I: Ecology, Production and Communities of Practice1. The Social Production of a Mallorcan Bagpipe: Collaboration, Technology, Ecology and InternationalisationCassandre Balosso-Bardin2. Feeling Analogue: Using Modular Synthesisers, Designing Synthesis CommunitiesEliot Bates3. Re-inventing the Herati Dutâr: Some Cultural and Social RepercussionsJohn Baily4. Musical Instruments as Material Culture: A Case Study of the Cretan LyraKevin DaweInstrumental Interlude #2: The Yaybahar–Görkem ŞenInstrumental Interlude #3: Eli Gras Part II: The Circulation of Instruments5. Charlie Parker, Massey Hall and Grafton 10265: Musical Instruments and the Telling of TalesStephen Cottrell6. What’s in a Name?: Carving an Indian Identity into the Slide-GuitarAndré J.P. Elias7. Playing for God: Brass Instruments of the Moravian Brethren in the Atlantic WorldStewart CarterInstrumental Interlude #4: The Fluid Piano–Geoffrey SmithInstrumental Interlude #5: The Pikasso Guitar–Linda Manzer Part III: Reframing History Through Instruments8. Arcadian Tones: The Rise, Fall, and Rebirth of the Austrian MaultrommelDeirdre Morgan9. Musical Instruments as Traded Commodities: The Makers’ PerspectiveJenny Nex10. Military Musical Instruments and the Culture of Perfection in the Long Nineteenth CenturyTrevor Herbert