Roslyn Kerr is Associate Professor in Sociology of Sport and Dean of the Faculty of Environment, Society and Design at Lincoln University in New Zealand. Natalie Barker-Ruchti is Associate Professor in the Division of Sport Science, School of Health Sciences, Örebro University, Sweden.Carly Stewart is Head of Department of Sport and Event Management at Bournemouth University, UK.Gretchen Kerr is Professor in the Faculty of Kinesiology and Physical Education at the University of Toronto, Canada.

"Women’s Artistic Gymnastics is a valuable contribution to the study of female sportin general and gymnastics in particular. Its fourteen original scholarly essays—plus anintroduction and a conclusion—cover a broad spectrum of historical, sociological, psychological,medical, and media-related issues from several theoretical and methodologicalperspectives and, hence, enriches our understanding of a complex sport."-- Olaf Stieglitz, University of Leipzig

• Introduction, Part I: The history, politics, commercialisation and diversification of women’s artistic gymnastics, Jenny’s story: Part I - Frank, 1. Acrobatization and establishment of pixie-style women’s artistic gymnastics, 2. Perfectionization of women’s artistic gymnastics, 3. The commercialization of women’s artistic gymnastics since the 1980s, 4. Diversification of women’s artistic gymnastics since the fall of Communism, Part II: The gymnast experience, Jenny’s story: Part II - An unexpected event, 5. Living with stories of gymnastics in higher education, 6. Media narratives of gymnasts’ abusive experiences: Keep smiling and point your toes, 7. Trampoline gymnasts’ body-self narratives of the leotard: A seamless fit?, Part III: Coach-athlete relationships, Jenny’s story: Part III - Worries and pressures, 8. Power in coach-athlete relationships: The case of the women’s artistic gymnastics, 9. When the coach-athlete relationship influences vulnerability to sexual abuse of women’s artistic gymnasts, 10. Critical reflections on (adult) coach-(child) athlete ‘no touch’ discourses in women’s artistic gymnastics: Out of touch, Part IV: The multiple actors involved in creating an elite gymnast, Jenny’s story: Part IV - Enough’s enough, 11. The sorting of gymnasts: An Actor-Network Theory approach to examining talent identification and development in women’s artistic gymnastics, 12. Using a multilevel model to critically examine the grooming process of emotional abusive practices in women’s artistic gymnastics, 13. A figurational approach to women’s artistic gymnastics, 14. Navigating sports medical practice in women’s artistic gymnastics: a socio-cultural analysis, Conclusion

Roslyn Kerr is Associate Professor in Sociology of Sport and Dean of the Faculty of Environment, Society and Design at Lincoln University in New Zealand. Natalie Barker-Ruchti is Associate Professor in the Division of Sport Science, School of Health Sciences, Örebro University, Sweden.Carly Stewart is Head of Department of Sport and Event Management at Bournemouth University, UK.Gretchen Kerr is Professor in the Faculty of Kinesiology and Physical Education at the University of Toronto, Canada.

"Women’s Artistic Gymnastics is a valuable contribution to the study of female sportin general and gymnastics in particular. Its fourteen original scholarly essays—plus anintroduction and a conclusion—cover a broad spectrum of historical, sociological, psychological,medical, and media-related issues from several theoretical and methodologicalperspectives and, hence, enriches our understanding of a complex sport."-- Olaf Stieglitz, University of Leipzig

• Introduction, Part I: The history, politics, commercialisation and diversification of women’s artistic gymnastics, Jenny’s story: Part I - Frank, 1. Acrobatization and establishment of pixie-style women’s artistic gymnastics, 2. Perfectionization of women’s artistic gymnastics, 3. The commercialization of women’s artistic gymnastics since the 1980s, 4. Diversification of women’s artistic gymnastics since the fall of Communism, Part II: The gymnast experience, Jenny’s story: Part II - An unexpected event, 5. Living with stories of gymnastics in higher education, 6. Media narratives of gymnasts’ abusive experiences: Keep smiling and point your toes, 7. Trampoline gymnasts’ body-self narratives of the leotard: A seamless fit?, Part III: Coach-athlete relationships, Jenny’s story: Part III - Worries and pressures, 8. Power in coach-athlete relationships: The case of the women’s artistic gymnastics, 9. When the coach-athlete relationship influences vulnerability to sexual abuse of women’s artistic gymnasts, 10. Critical reflections on (adult) coach-(child) athlete ‘no touch’ discourses in women’s artistic gymnastics: Out of touch, Part IV: The multiple actors involved in creating an elite gymnast, Jenny’s story: Part IV - Enough’s enough, 11. The sorting of gymnasts: An Actor-Network Theory approach to examining talent identification and development in women’s artistic gymnastics, 12. Using a multilevel model to critically examine the grooming process of emotional abusive practices in women’s artistic gymnastics, 13. A figurational approach to women’s artistic gymnastics, 14. Navigating sports medical practice in women’s artistic gymnastics: a socio-cultural analysis, Conclusion

Roslyn Kerr is Associate Professor in Sociology of Sport and Dean of the Faculty of Environment, Society and Design at Lincoln University in New Zealand. Natalie Barker-Ruchti is Associate Professor in the Division of Sport Science, School of Health Sciences, Örebro University, Sweden.Carly Stewart is Head of Department of Sport and Event Management at Bournemouth University, UK.Gretchen Kerr is Professor in the Faculty of Kinesiology and Physical Education at the University of Toronto, Canada.

"Women’s Artistic Gymnastics is a valuable contribution to the study of female sportin general and gymnastics in particular. Its fourteen original scholarly essays—plus anintroduction and a conclusion—cover a broad spectrum of historical, sociological, psychological,medical, and media-related issues from several theoretical and methodologicalperspectives and, hence, enriches our understanding of a complex sport."-- Olaf Stieglitz, University of Leipzig

• Introduction, Part I: The history, politics, commercialisation and diversification of women’s artistic gymnastics, Jenny’s story: Part I - Frank, 1. Acrobatization and establishment of pixie-style women’s artistic gymnastics, 2. Perfectionization of women’s artistic gymnastics, 3. The commercialization of women’s artistic gymnastics since the 1980s, 4. Diversification of women’s artistic gymnastics since the fall of Communism, Part II: The gymnast experience, Jenny’s story: Part II - An unexpected event, 5. Living with stories of gymnastics in higher education, 6. Media narratives of gymnasts’ abusive experiences: Keep smiling and point your toes, 7. Trampoline gymnasts’ body-self narratives of the leotard: A seamless fit?, Part III: Coach-athlete relationships, Jenny’s story: Part III - Worries and pressures, 8. Power in coach-athlete relationships: The case of the women’s artistic gymnastics, 9. When the coach-athlete relationship influences vulnerability to sexual abuse of women’s artistic gymnasts, 10. Critical reflections on (adult) coach-(child) athlete ‘no touch’ discourses in women’s artistic gymnastics: Out of touch, Part IV: The multiple actors involved in creating an elite gymnast, Jenny’s story: Part IV - Enough’s enough, 11. The sorting of gymnasts: An Actor-Network Theory approach to examining talent identification and development in women’s artistic gymnastics, 12. Using a multilevel model to critically examine the grooming process of emotional abusive practices in women’s artistic gymnastics, 13. A figurational approach to women’s artistic gymnastics, 14. Navigating sports medical practice in women’s artistic gymnastics: a socio-cultural analysis, Conclusion