Bissera V. Pentcheva is Professor of Art History at Stanford University.

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• IntroductionBissera V. Pentcheva1. Singing Doors: Images, Space, and Sound in the Santa Sabina NarthexIvan Foletti2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical EvidenceChristina Maranci3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in ConstantinopleBissera V. Pentcheva4. Transcendent Visions: Voice and Icon in the Byzantine Imperial ChapelsBissera V. Pentcheva5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval RitualsVincent Debiais6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, VeniceDeborah Howard7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque SculptureFrancisco Prado-VilarEpilogue: A Voice from beyond the Grave: Tintoretto among the Art HistoriansAlexander Nemerov

Bissera V. Pentcheva is Professor of Art History at Stanford University.

Select Guide Rating

• IntroductionBissera V. Pentcheva1. Singing Doors: Images, Space, and Sound in the Santa Sabina NarthexIvan Foletti2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical EvidenceChristina Maranci3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in ConstantinopleBissera V. Pentcheva4. Transcendent Visions: Voice and Icon in the Byzantine Imperial ChapelsBissera V. Pentcheva5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval RitualsVincent Debiais6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, VeniceDeborah Howard7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque SculptureFrancisco Prado-VilarEpilogue: A Voice from beyond the Grave: Tintoretto among the Art HistoriansAlexander Nemerov

Bissera V. Pentcheva is Professor of Art History at Stanford University.

Select Guide Rating

• IntroductionBissera V. Pentcheva1. Singing Doors: Images, Space, and Sound in the Santa Sabina NarthexIvan Foletti2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical EvidenceChristina Maranci3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in ConstantinopleBissera V. Pentcheva4. Transcendent Visions: Voice and Icon in the Byzantine Imperial ChapelsBissera V. Pentcheva5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval RitualsVincent Debiais6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, VeniceDeborah Howard7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque SculptureFrancisco Prado-VilarEpilogue: A Voice from beyond the Grave: Tintoretto among the Art HistoriansAlexander Nemerov