Laura Hamer is Senior Lecturer in Music at The Open University.Helen Julia Minors is Professor and Head of the School of the Arts at York St John University.

• 1 Defining, Surveying and Interrogating Women in Musical LeadershipLaura Hamer and Helen Julia MinorsPART IHistorical Perspectives: Historical Perspectives: An IntroductionLaura Hamer and Helen Julia Minors2 Augusta Hervey: Lady of ‘The Ladies’ Guitar and Mandoline Band’Sarah Clarke3 Examining the Birth of Guitar Societies in America: From Women Guitarists’ Advocacy to PhilanthropyKathy Acosta Zavala4 ‘Scatter[ing] All Prejudices to the Winds’: Wilma Norman-Neruda and Camilla Urso as Leaders of the Nineteenth-Century String QuartetBella Powell5 Surviving the Everyday: Gendered Violence, Patriarchal Power Structures, and Strategies of Resistance in Late Nineteenth-Century Ladies’ OrchestrasNuppu Koivisto-Kaasik6 Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile ChaminadeAnn Grindley‘7 Une Belle Manifestation Féministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de MusiqueLaura Hamer8 The Forgotten Woman: Joan Trimble (1915–2000) and the Canon of Twentieth-Century Irish Art SongOrla Shannon9 ‘There is No Gate, No Lock, No Bolt That You Can Set Upon the Freedom of My Mind’: Being a Woman in Franco’s Prisons: A Glimpse Through MusicElsa Calero-CarramolinoPART IIConductors and Impresarios: Conductors and Impresarios: An IntroductionLaura Hamer and Helen Julia Minors10 Lilian Baylis: The Visionary ImpresarioKenneth Baird, with Laura Hamer11 Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British MusicalArianne Johnson Quinn and Sarah K. Whitfield12 ‘She is a Degenerate Cocaine Addict’: Emma Carelli, A Diva- Impresario Facing Her OpponentsMatteo Paoletti13 Henriette Renié as a Harp Ensemble Leader, Choral and Orchestral Conductor, and Impresario in the Light of Archival SourcesTemina Cadi Sulumuna14 An American Female Violinist and Conductor in Paris: "La Kazanova et Ses Tziganes" (1933–1938)Jean-Christophe Brange. Translation: Kiefer Oakley15 Edis de Philippe, the Israel National Opera (INO), and the Politics of MusicKira Alvarez16 Odaline de la Martinez – Conductor, Composer, Entrepreneur, LeaderCarola DarwinPART IIIWomen’s Practices in Music Education: Women’s Practices in Music Education: An IntroductionLaura Hamer and Helen Julia Minors17 Embodying the Rhythm of Self in LeadershipJudith Francois18 Learning to Coach, Coaching to LeadJane Booth and Jane Cook19 The Work that (Irish) Women Do: Reframing Leadership in a British University Ceílí BandAnne-Marie Beaumont20 ‘It’s Not About Me!’: The Life a nd Leadership of Cathi LeibingerMargaret J. Flood21 Addressing Cyclic Gender Constructs in Music and Music Education in the UKAbigail Bruce and Chamari Wedamulla22 Pipeline to the Podium: Can Gender Differentiated Pedagogical Approaches: Address the Underrepresentation of Women Conductors?Katherine Hanckel23 Women Leading Change in Assessment CalibrationMichelle Phillips24 Innovation and Leadership in Group Teaching Across the Lifespan: Three Case StudiesCynthia Stephens-Himonides, Margaret Young, and Melanie Bowes25 Training Early Career Women Teachers in Choral Leadership: Building a Community of PracticeRebecca BerkleyPART IVPerformance and the Music Industries: Performance and the Music Industries: An IntroductionLaura Hamer and Helen Julia Minors26 Women’s Musical Leadership in Music Industries and EducationLaura Hamer and Helen Julia Minors, with Alice Farnham, Katy Hamilton, Emma Haughton, Jessy McCabe, Sarah MacDonald, Davina Vencatasamy and Eleanor Wilson27 Preparing Women for Musical Leadership: Student and Faculty VoicesAllison Gurland, Elizabeth Markow, Rebekah E. Moore, and Shannon Pires28 Women Leading Opera in the UK: An Ethnographic Study of InnovationElizabeth Etches Jones29 Diversity in Italian Music Programming: Symphonic and Chamber Music Programming in MilanValentina Bertolani and Luisa Santacesaria30 Beyond Music Workshops: A Composer and a CommunityJenni RoditiPART VFaith and Spirituality: Worship and Sacred Musical Practices: Faith and Spirituality: Worship and Sacred Musical Practices: An IntroductionLaura Hamer and Helen Julia Minors31 Leading the Way: Victorian Premonitions for the Female Voice in Anglo-Jewish MusicDanielle Padley32 Sisters in Song: Women Cantors and Musical Creativity in Progressive Jewish WorshipRachel Adelstein33 Maruja Hinestrosa: Faith and Introspection in a Colombian ComposerLuis Gabriel Mesa Martínez34 Undoing Sanctity: Imee Ooi’s Popular Contemporary Buddhist MusicFung Ying Loo and Fung Chiat Loo35 The Female Role in Sacred Musical Practices in Shīʿah Rituals in IraqAhmed Al-Badr36 A Muslim in a Baptist Church: Discovering My Calling as a Sacred MusicianTheresa Parvin Steward37 Power, Pop, and PerformanceMajor John Martin38 ‘No Lady Need Apply’: Women and Girls in Cathedral Musical LeadershipEnya HL Doyle and Katherine Dienes-Williams39 Unsuitable for Evensong: Examining Exclusion and Diversity in the Repertoire of Oxford Collegiate Anglican ChoirsCaroline Lesemann-ElliottPART VIAdvocacy: Advocacy: Collectives, and Grassroots Activism: An IntroductionLaura Hamer and Helen Julia Minors40 Power, Care and the Paradox of Leadership: A Kabbalistic EnquiryNicky Gluch41 Toppling Systemic Exclusion: Women’s Roles in a Century of JazzTahira Clayton, Amanda Ekery, and Hannah Grantham42 Mapping the Boundaries: Encountering Women’s Creativity in the Salon602Briony Cox-Williams43 Women’s Leadership Within Latin American Musicians’ Unions: Opportunities and ChallengesAnanay Aguilar44 From ‘Women’s Revolutions Per Minute’, Through ‘Taking Race Live’ to Co-Founding ‘Equality, Diversity and Inclusion in Music Studies Network’: Supporting, Developing and Establishing Collaborative Networks for ChangeHelen Julia Minors45 Women’s Revolutions Per Minute: Access to, Distribution, and Recognition of Music by WomenHilary Friend with Helen Julia Minors46 Gender Relations in New Music (GRiNM) and Yorkshire Sound Women Network (YSWN): Case Studies in Activism and Organisation for ChangeStellan Veloce, Brandon Farnsworth, Rosanna Lovell, Heidi Johnson, Abi Bliss, and Eddie Dobson47 Sounding the Feminists: Campaigning for Institutional Change to Support Women in Music in Contemporary Ireland1Laura Watson

Laura Hamer is Senior Lecturer in Music at The Open University.Helen Julia Minors is Professor and Head of the School of the Arts at York St John University.

• 1 Defining, Surveying and Interrogating Women in Musical LeadershipLaura Hamer and Helen Julia MinorsPART IHistorical Perspectives: Historical Perspectives: An IntroductionLaura Hamer and Helen Julia Minors2 Augusta Hervey: Lady of ‘The Ladies’ Guitar and Mandoline Band’Sarah Clarke3 Examining the Birth of Guitar Societies in America: From Women Guitarists’ Advocacy to PhilanthropyKathy Acosta Zavala4 ‘Scatter[ing] All Prejudices to the Winds’: Wilma Norman-Neruda and Camilla Urso as Leaders of the Nineteenth-Century String QuartetBella Powell5 Surviving the Everyday: Gendered Violence, Patriarchal Power Structures, and Strategies of Resistance in Late Nineteenth-Century Ladies’ OrchestrasNuppu Koivisto-Kaasik6 Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile ChaminadeAnn Grindley‘7 Une Belle Manifestation Féministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de MusiqueLaura Hamer8 The Forgotten Woman: Joan Trimble (1915–2000) and the Canon of Twentieth-Century Irish Art SongOrla Shannon9 ‘There is No Gate, No Lock, No Bolt That You Can Set Upon the Freedom of My Mind’: Being a Woman in Franco’s Prisons: A Glimpse Through MusicElsa Calero-CarramolinoPART IIConductors and Impresarios: Conductors and Impresarios: An IntroductionLaura Hamer and Helen Julia Minors10 Lilian Baylis: The Visionary ImpresarioKenneth Baird, with Laura Hamer11 Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British MusicalArianne Johnson Quinn and Sarah K. Whitfield12 ‘She is a Degenerate Cocaine Addict’: Emma Carelli, A Diva- Impresario Facing Her OpponentsMatteo Paoletti13 Henriette Renié as a Harp Ensemble Leader, Choral and Orchestral Conductor, and Impresario in the Light of Archival SourcesTemina Cadi Sulumuna14 An American Female Violinist and Conductor in Paris: "La Kazanova et Ses Tziganes" (1933–1938)Jean-Christophe Brange. Translation: Kiefer Oakley15 Edis de Philippe, the Israel National Opera (INO), and the Politics of MusicKira Alvarez16 Odaline de la Martinez – Conductor, Composer, Entrepreneur, LeaderCarola DarwinPART IIIWomen’s Practices in Music Education: Women’s Practices in Music Education: An IntroductionLaura Hamer and Helen Julia Minors17 Embodying the Rhythm of Self in LeadershipJudith Francois18 Learning to Coach, Coaching to LeadJane Booth and Jane Cook19 The Work that (Irish) Women Do: Reframing Leadership in a British University Ceílí BandAnne-Marie Beaumont20 ‘It’s Not About Me!’: The Life a nd Leadership of Cathi LeibingerMargaret J. Flood21 Addressing Cyclic Gender Constructs in Music and Music Education in the UKAbigail Bruce and Chamari Wedamulla22 Pipeline to the Podium: Can Gender Differentiated Pedagogical Approaches: Address the Underrepresentation of Women Conductors?Katherine Hanckel23 Women Leading Change in Assessment CalibrationMichelle Phillips24 Innovation and Leadership in Group Teaching Across the Lifespan: Three Case StudiesCynthia Stephens-Himonides, Margaret Young, and Melanie Bowes25 Training Early Career Women Teachers in Choral Leadership: Building a Community of PracticeRebecca BerkleyPART IVPerformance and the Music Industries: Performance and the Music Industries: An IntroductionLaura Hamer and Helen Julia Minors26 Women’s Musical Leadership in Music Industries and EducationLaura Hamer and Helen Julia Minors, with Alice Farnham, Katy Hamilton, Emma Haughton, Jessy McCabe, Sarah MacDonald, Davina Vencatasamy and Eleanor Wilson27 Preparing Women for Musical Leadership: Student and Faculty VoicesAllison Gurland, Elizabeth Markow, Rebekah E. Moore, and Shannon Pires28 Women Leading Opera in the UK: An Ethnographic Study of InnovationElizabeth Etches Jones29 Diversity in Italian Music Programming: Symphonic and Chamber Music Programming in MilanValentina Bertolani and Luisa Santacesaria30 Beyond Music Workshops: A Composer and a CommunityJenni RoditiPART VFaith and Spirituality: Worship and Sacred Musical Practices: Faith and Spirituality: Worship and Sacred Musical Practices: An IntroductionLaura Hamer and Helen Julia Minors31 Leading the Way: Victorian Premonitions for the Female Voice in Anglo-Jewish MusicDanielle Padley32 Sisters in Song: Women Cantors and Musical Creativity in Progressive Jewish WorshipRachel Adelstein33 Maruja Hinestrosa: Faith and Introspection in a Colombian ComposerLuis Gabriel Mesa Martínez34 Undoing Sanctity: Imee Ooi’s Popular Contemporary Buddhist MusicFung Ying Loo and Fung Chiat Loo35 The Female Role in Sacred Musical Practices in Shīʿah Rituals in IraqAhmed Al-Badr36 A Muslim in a Baptist Church: Discovering My Calling as a Sacred MusicianTheresa Parvin Steward37 Power, Pop, and PerformanceMajor John Martin38 ‘No Lady Need Apply’: Women and Girls in Cathedral Musical LeadershipEnya HL Doyle and Katherine Dienes-Williams39 Unsuitable for Evensong: Examining Exclusion and Diversity in the Repertoire of Oxford Collegiate Anglican ChoirsCaroline Lesemann-ElliottPART VIAdvocacy: Advocacy: Collectives, and Grassroots Activism: An IntroductionLaura Hamer and Helen Julia Minors40 Power, Care and the Paradox of Leadership: A Kabbalistic EnquiryNicky Gluch41 Toppling Systemic Exclusion: Women’s Roles in a Century of JazzTahira Clayton, Amanda Ekery, and Hannah Grantham42 Mapping the Boundaries: Encountering Women’s Creativity in the Salon602Briony Cox-Williams43 Women’s Leadership Within Latin American Musicians’ Unions: Opportunities and ChallengesAnanay Aguilar44 From ‘Women’s Revolutions Per Minute’, Through ‘Taking Race Live’ to Co-Founding ‘Equality, Diversity and Inclusion in Music Studies Network’: Supporting, Developing and Establishing Collaborative Networks for ChangeHelen Julia Minors45 Women’s Revolutions Per Minute: Access to, Distribution, and Recognition of Music by WomenHilary Friend with Helen Julia Minors46 Gender Relations in New Music (GRiNM) and Yorkshire Sound Women Network (YSWN): Case Studies in Activism and Organisation for ChangeStellan Veloce, Brandon Farnsworth, Rosanna Lovell, Heidi Johnson, Abi Bliss, and Eddie Dobson47 Sounding the Feminists: Campaigning for Institutional Change to Support Women in Music in Contemporary Ireland1Laura Watson

Laura Hamer is Senior Lecturer in Music at The Open University.Helen Julia Minors is Professor and Head of the School of the Arts at York St John University.

• 1 Defining, Surveying and Interrogating Women in Musical LeadershipLaura Hamer and Helen Julia MinorsPART IHistorical Perspectives: Historical Perspectives: An IntroductionLaura Hamer and Helen Julia Minors2 Augusta Hervey: Lady of ‘The Ladies’ Guitar and Mandoline Band’Sarah Clarke3 Examining the Birth of Guitar Societies in America: From Women Guitarists’ Advocacy to PhilanthropyKathy Acosta Zavala4 ‘Scatter[ing] All Prejudices to the Winds’: Wilma Norman-Neruda and Camilla Urso as Leaders of the Nineteenth-Century String QuartetBella Powell5 Surviving the Everyday: Gendered Violence, Patriarchal Power Structures, and Strategies of Resistance in Late Nineteenth-Century Ladies’ OrchestrasNuppu Koivisto-Kaasik6 Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile ChaminadeAnn Grindley‘7 Une Belle Manifestation Féministe’: The Formation of the Union des Femmes Professeurs et Compositeurs de MusiqueLaura Hamer8 The Forgotten Woman: Joan Trimble (1915–2000) and the Canon of Twentieth-Century Irish Art SongOrla Shannon9 ‘There is No Gate, No Lock, No Bolt That You Can Set Upon the Freedom of My Mind’: Being a Woman in Franco’s Prisons: A Glimpse Through MusicElsa Calero-CarramolinoPART IIConductors and Impresarios: Conductors and Impresarios: An IntroductionLaura Hamer and Helen Julia Minors10 Lilian Baylis: The Visionary ImpresarioKenneth Baird, with Laura Hamer11 Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British MusicalArianne Johnson Quinn and Sarah K. Whitfield12 ‘She is a Degenerate Cocaine Addict’: Emma Carelli, A Diva- Impresario Facing Her OpponentsMatteo Paoletti13 Henriette Renié as a Harp Ensemble Leader, Choral and Orchestral Conductor, and Impresario in the Light of Archival SourcesTemina Cadi Sulumuna14 An American Female Violinist and Conductor in Paris: "La Kazanova et Ses Tziganes" (1933–1938)Jean-Christophe Brange. Translation: Kiefer Oakley15 Edis de Philippe, the Israel National Opera (INO), and the Politics of MusicKira Alvarez16 Odaline de la Martinez – Conductor, Composer, Entrepreneur, LeaderCarola DarwinPART IIIWomen’s Practices in Music Education: Women’s Practices in Music Education: An IntroductionLaura Hamer and Helen Julia Minors17 Embodying the Rhythm of Self in LeadershipJudith Francois18 Learning to Coach, Coaching to LeadJane Booth and Jane Cook19 The Work that (Irish) Women Do: Reframing Leadership in a British University Ceílí BandAnne-Marie Beaumont20 ‘It’s Not About Me!’: The Life a nd Leadership of Cathi LeibingerMargaret J. Flood21 Addressing Cyclic Gender Constructs in Music and Music Education in the UKAbigail Bruce and Chamari Wedamulla22 Pipeline to the Podium: Can Gender Differentiated Pedagogical Approaches: Address the Underrepresentation of Women Conductors?Katherine Hanckel23 Women Leading Change in Assessment CalibrationMichelle Phillips24 Innovation and Leadership in Group Teaching Across the Lifespan: Three Case StudiesCynthia Stephens-Himonides, Margaret Young, and Melanie Bowes25 Training Early Career Women Teachers in Choral Leadership: Building a Community of PracticeRebecca BerkleyPART IVPerformance and the Music Industries: Performance and the Music Industries: An IntroductionLaura Hamer and Helen Julia Minors26 Women’s Musical Leadership in Music Industries and EducationLaura Hamer and Helen Julia Minors, with Alice Farnham, Katy Hamilton, Emma Haughton, Jessy McCabe, Sarah MacDonald, Davina Vencatasamy and Eleanor Wilson27 Preparing Women for Musical Leadership: Student and Faculty VoicesAllison Gurland, Elizabeth Markow, Rebekah E. Moore, and Shannon Pires28 Women Leading Opera in the UK: An Ethnographic Study of InnovationElizabeth Etches Jones29 Diversity in Italian Music Programming: Symphonic and Chamber Music Programming in MilanValentina Bertolani and Luisa Santacesaria30 Beyond Music Workshops: A Composer and a CommunityJenni RoditiPART VFaith and Spirituality: Worship and Sacred Musical Practices: Faith and Spirituality: Worship and Sacred Musical Practices: An IntroductionLaura Hamer and Helen Julia Minors31 Leading the Way: Victorian Premonitions for the Female Voice in Anglo-Jewish MusicDanielle Padley32 Sisters in Song: Women Cantors and Musical Creativity in Progressive Jewish WorshipRachel Adelstein33 Maruja Hinestrosa: Faith and Introspection in a Colombian ComposerLuis Gabriel Mesa Martínez34 Undoing Sanctity: Imee Ooi’s Popular Contemporary Buddhist MusicFung Ying Loo and Fung Chiat Loo35 The Female Role in Sacred Musical Practices in Shīʿah Rituals in IraqAhmed Al-Badr36 A Muslim in a Baptist Church: Discovering My Calling as a Sacred MusicianTheresa Parvin Steward37 Power, Pop, and PerformanceMajor John Martin38 ‘No Lady Need Apply’: Women and Girls in Cathedral Musical LeadershipEnya HL Doyle and Katherine Dienes-Williams39 Unsuitable for Evensong: Examining Exclusion and Diversity in the Repertoire of Oxford Collegiate Anglican ChoirsCaroline Lesemann-ElliottPART VIAdvocacy: Advocacy: Collectives, and Grassroots Activism: An IntroductionLaura Hamer and Helen Julia Minors40 Power, Care and the Paradox of Leadership: A Kabbalistic EnquiryNicky Gluch41 Toppling Systemic Exclusion: Women’s Roles in a Century of JazzTahira Clayton, Amanda Ekery, and Hannah Grantham42 Mapping the Boundaries: Encountering Women’s Creativity in the Salon602Briony Cox-Williams43 Women’s Leadership Within Latin American Musicians’ Unions: Opportunities and ChallengesAnanay Aguilar44 From ‘Women’s Revolutions Per Minute’, Through ‘Taking Race Live’ to Co-Founding ‘Equality, Diversity and Inclusion in Music Studies Network’: Supporting, Developing and Establishing Collaborative Networks for ChangeHelen Julia Minors45 Women’s Revolutions Per Minute: Access to, Distribution, and Recognition of Music by WomenHilary Friend with Helen Julia Minors46 Gender Relations in New Music (GRiNM) and Yorkshire Sound Women Network (YSWN): Case Studies in Activism and Organisation for ChangeStellan Veloce, Brandon Farnsworth, Rosanna Lovell, Heidi Johnson, Abi Bliss, and Eddie Dobson47 Sounding the Feminists: Campaigning for Institutional Change to Support Women in Music in Contemporary Ireland1Laura Watson