Kirby Brown is an Associate Professor of Native American Literatures in the Department of English and the Director of Native American and Indigenous Studies at the University of Oregon. He is an enrolled citizen of the Cherokee Nation.Stephen Ross is a Professor of English and Cultural, Social, and Political Thought at the University of Victoria.Alana Sayers is a doctoral candidate in the English Department at the University of Victoria specializing in Indigenous literatures and Native American and Indigenous Studies. She is Hupačasath (Nuu-chah-nulth) and Kipohtakaw (Cree, Treaty 6) First Nations.

• PrefacePhilip J. Deloria Introductory ConversationKirby Brown, Stephen Ross, Alana SayersGEOGRAPHIES1. When a Mound Isn’t a Mound, But Is: Figuring (and Fissuring) Earthworks in Lynn Riggs’s The Cherokee NightChadwick Allen2. Modernist Activities and Native Acts in and around Northern New MexicoGeneva M. Gano3. "God Gave Us the Seals": Makah Relational Modernity and the Consequences of Settler ConservationJoshua Reid4. Geographies of Allotment Modernisms Jonathan Radocay5. Beyond the Bureau of American Ethnology: Remembering the Alaska Native Brotherhood/Sisterhood as a Co-National Network of Indigenous WritersMichael Taylor6. The Unsettling Times of Zitkála-Šá and Grazia DeleddaSonita SarkerTEMPORALITIES7. John Joseph Mathews, Francis La Flesche, and the Indigenous World of the North American MidcontinentAngela Calcaterra8. Corporate Tribalism: Indigeneity, Modernity, and the Alaska Native Claims Settlement ActShari M. Huhndorf9. Indigeneity and the Caribbean: Some Periodical PerspectivesLouise Kane10. Native/Black Birds: Voicing the Ruptures of Modernity through Joy Harjo’s Indigenous Jazz PoeticsAudrey Goodman11. Casualties of Modernism: The Affects and Afterlives of Kent Monkman’s AutomobilesDeena RymhsGENRES & FORMS12. The Form(s) of AllotmentMark Rifkin13. Fugitive Indigeneity in Paul Green’s The Last of the Lowries and Lynn Riggs’s The Cherokee NightJames H. Cox and Alexander Pettit14. Minor Characters, Modernity, and the Indigenous Modernist Novel: John Joseph Mathews, D’Arcy McNickle, and John Milton OskisonLeif Sorensen15. Indigenous Modernity on Celluloid at the Turn of the Twentieth CenturyCristina Stanciu16. Henry Starr’s Outlaw Modernism Jenna HunnefVENUES17. False Idols: Totemism, Reification, and Anishinaabe Culture in Modernist ThoughtAdam Spry18. Performance Circuits, Vaudeville Bits, and Indigenous Resilience Christine Bold19. Indigenous Cinema and the Studio System: The Case of Edwin Carewe’s The Snowbird (1916) Joanna Hearne20. Syncretic Modernism and The Chemawa AmericanAmanda J. Zink21. The Five Moons: Ballet's Modernist Indigenous StarscapeShannon TollAfterword: Troubling the Indigenous ModernDaniel Heath Justice

Kirby Brown is an Associate Professor of Native American Literatures in the Department of English and the Director of Native American and Indigenous Studies at the University of Oregon. He is an enrolled citizen of the Cherokee Nation.Stephen Ross is a Professor of English and Cultural, Social, and Political Thought at the University of Victoria.Alana Sayers is a doctoral candidate in the English Department at the University of Victoria specializing in Indigenous literatures and Native American and Indigenous Studies. She is Hupačasath (Nuu-chah-nulth) and Kipohtakaw (Cree, Treaty 6) First Nations.

• PrefacePhilip J. Deloria Introductory ConversationKirby Brown, Stephen Ross, Alana SayersGEOGRAPHIES1. When a Mound Isn’t a Mound, But Is: Figuring (and Fissuring) Earthworks in Lynn Riggs’s The Cherokee NightChadwick Allen2. Modernist Activities and Native Acts in and around Northern New MexicoGeneva M. Gano3. "God Gave Us the Seals": Makah Relational Modernity and the Consequences of Settler ConservationJoshua Reid4. Geographies of Allotment Modernisms Jonathan Radocay5. Beyond the Bureau of American Ethnology: Remembering the Alaska Native Brotherhood/Sisterhood as a Co-National Network of Indigenous WritersMichael Taylor6. The Unsettling Times of Zitkála-Šá and Grazia DeleddaSonita SarkerTEMPORALITIES7. John Joseph Mathews, Francis La Flesche, and the Indigenous World of the North American MidcontinentAngela Calcaterra8. Corporate Tribalism: Indigeneity, Modernity, and the Alaska Native Claims Settlement ActShari M. Huhndorf9. Indigeneity and the Caribbean: Some Periodical PerspectivesLouise Kane10. Native/Black Birds: Voicing the Ruptures of Modernity through Joy Harjo’s Indigenous Jazz PoeticsAudrey Goodman11. Casualties of Modernism: The Affects and Afterlives of Kent Monkman’s AutomobilesDeena RymhsGENRES & FORMS12. The Form(s) of AllotmentMark Rifkin13. Fugitive Indigeneity in Paul Green’s The Last of the Lowries and Lynn Riggs’s The Cherokee NightJames H. Cox and Alexander Pettit14. Minor Characters, Modernity, and the Indigenous Modernist Novel: John Joseph Mathews, D’Arcy McNickle, and John Milton OskisonLeif Sorensen15. Indigenous Modernity on Celluloid at the Turn of the Twentieth CenturyCristina Stanciu16. Henry Starr’s Outlaw Modernism Jenna HunnefVENUES17. False Idols: Totemism, Reification, and Anishinaabe Culture in Modernist ThoughtAdam Spry18. Performance Circuits, Vaudeville Bits, and Indigenous Resilience Christine Bold19. Indigenous Cinema and the Studio System: The Case of Edwin Carewe’s The Snowbird (1916) Joanna Hearne20. Syncretic Modernism and The Chemawa AmericanAmanda J. Zink21. The Five Moons: Ballet's Modernist Indigenous StarscapeShannon TollAfterword: Troubling the Indigenous ModernDaniel Heath Justice