Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).

• List of FiguresList of ContributorsIntroduction Chris DromeyPart I. Defining and Theorising Applied Musicology1. From Spitta to Seeger: Early Theories of Applied Musicology Malik Sharif 2. Musicology’s Applied Foundations (or, How Music was Musealised) Miloš Zapletal andChris Dromey3. The Late Nineteenth-Century Concert as Applied Musicology Natasha Loges4. “Applied” before Musicology? George Grove, Programme Notes, and the Dictionary Bruno Bower5. Phenomenology, Practice-led Research, and Applied Musicology Nancy November6. The Locations of Musical Meaning and Subjectivity Alastair WilliamsPart II. Public Engagement7. Shaping the Narrative: Musicology for a Public Leah Broad8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines Frances Wilkins,Barbara Alge and the Aanischaaukamikw Cree Cultural Institute9. Club Inégales, Curation, and Processes of Public Musicology Helen Julia Minors10. Cultural and Artistic Citizenship in Classical Music Constanze Wimmer and ChrisDromey11. Musicology and/as Knowledge Exchange Toby Young12. ‘So wide is the field’: Edward Taylor’s Public Music Lectures Rachel JohnsonPart III. New Approaches and Research Methods13. The Sound Commons and Applied Ecomusicologies Aaron S. Allen, Taylor Leapaldt,Mark Pedelty and Jeff Todd Titon14. Perceptions of Melodic Symmetry: A Priming Study Michael Thorpe15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema Joe Attard16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond ColinAndrew Lee and Chris Dromey17. “Parental Advisory”: Making Explicit the Value and Authenticity of a Music Degree Paul FleetPart IV. Representation and Inclusion18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African MusicKaren Cyrus19. Whose ‘Better World’? Reflections on Applied Music Interventions in the Andes Xabier Etxeberria Adrien and Henry Stobart20. Rethinking (Self-)Care in Musicology Klisala Harrison21. The Legality and Morality of Rap at Court Lily E. Hirsch22. Strategies for Using Music Theory to Inform Music Education, Psychology, andTherapy Research Adam OckelfordPart V. Musicology in/for Performance23. “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences Ties van deWerff, Veerle Spronck and Imogen Eve24. On Organology: Taxonomy and Transdisciplinarity Rachael Durkin and Darryl Martin25. Dialogues with Recordings: Digital Memory and the Archive Neil Heyde26. Intersections Between Northern Irish Choral Practices and Community Music PrinciplesSarah-Jane Gibson and Lee Higgins27. Music for Buildings, Building for Music Neil Thomas Smith and Peter PetersReferencesIndex

Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).

• List of FiguresList of ContributorsIntroduction Chris DromeyPart I. Defining and Theorising Applied Musicology1. From Spitta to Seeger: Early Theories of Applied Musicology Malik Sharif 2. Musicology’s Applied Foundations (or, How Music was Musealised) Miloš Zapletal andChris Dromey3. The Late Nineteenth-Century Concert as Applied Musicology Natasha Loges4. “Applied” before Musicology? George Grove, Programme Notes, and the Dictionary Bruno Bower5. Phenomenology, Practice-led Research, and Applied Musicology Nancy November6. The Locations of Musical Meaning and Subjectivity Alastair WilliamsPart II. Public Engagement7. Shaping the Narrative: Musicology for a Public Leah Broad8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines Frances Wilkins,Barbara Alge and the Aanischaaukamikw Cree Cultural Institute9. Club Inégales, Curation, and Processes of Public Musicology Helen Julia Minors10. Cultural and Artistic Citizenship in Classical Music Constanze Wimmer and ChrisDromey11. Musicology and/as Knowledge Exchange Toby Young12. ‘So wide is the field’: Edward Taylor’s Public Music Lectures Rachel JohnsonPart III. New Approaches and Research Methods13. The Sound Commons and Applied Ecomusicologies Aaron S. Allen, Taylor Leapaldt,Mark Pedelty and Jeff Todd Titon14. Perceptions of Melodic Symmetry: A Priming Study Michael Thorpe15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema Joe Attard16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond ColinAndrew Lee and Chris Dromey17. “Parental Advisory”: Making Explicit the Value and Authenticity of a Music Degree Paul FleetPart IV. Representation and Inclusion18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African MusicKaren Cyrus19. Whose ‘Better World’? Reflections on Applied Music Interventions in the Andes Xabier Etxeberria Adrien and Henry Stobart20. Rethinking (Self-)Care in Musicology Klisala Harrison21. The Legality and Morality of Rap at Court Lily E. Hirsch22. Strategies for Using Music Theory to Inform Music Education, Psychology, andTherapy Research Adam OckelfordPart V. Musicology in/for Performance23. “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences Ties van deWerff, Veerle Spronck and Imogen Eve24. On Organology: Taxonomy and Transdisciplinarity Rachael Durkin and Darryl Martin25. Dialogues with Recordings: Digital Memory and the Archive Neil Heyde26. Intersections Between Northern Irish Choral Practices and Community Music PrinciplesSarah-Jane Gibson and Lee Higgins27. Music for Buildings, Building for Music Neil Thomas Smith and Peter PetersReferencesIndex

Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).

• List of FiguresList of ContributorsIntroduction Chris DromeyPart I. Defining and Theorising Applied Musicology1. From Spitta to Seeger: Early Theories of Applied Musicology Malik Sharif 2. Musicology’s Applied Foundations (or, How Music was Musealised) Miloš Zapletal andChris Dromey3. The Late Nineteenth-Century Concert as Applied Musicology Natasha Loges4. “Applied” before Musicology? George Grove, Programme Notes, and the Dictionary Bruno Bower5. Phenomenology, Practice-led Research, and Applied Musicology Nancy November6. The Locations of Musical Meaning and Subjectivity Alastair WilliamsPart II. Public Engagement7. Shaping the Narrative: Musicology for a Public Leah Broad8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines Frances Wilkins,Barbara Alge and the Aanischaaukamikw Cree Cultural Institute9. Club Inégales, Curation, and Processes of Public Musicology Helen Julia Minors10. Cultural and Artistic Citizenship in Classical Music Constanze Wimmer and ChrisDromey11. Musicology and/as Knowledge Exchange Toby Young12. ‘So wide is the field’: Edward Taylor’s Public Music Lectures Rachel JohnsonPart III. New Approaches and Research Methods13. The Sound Commons and Applied Ecomusicologies Aaron S. Allen, Taylor Leapaldt,Mark Pedelty and Jeff Todd Titon14. Perceptions of Melodic Symmetry: A Priming Study Michael Thorpe15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema Joe Attard16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond ColinAndrew Lee and Chris Dromey17. “Parental Advisory”: Making Explicit the Value and Authenticity of a Music Degree Paul FleetPart IV. Representation and Inclusion18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African MusicKaren Cyrus19. Whose ‘Better World’? Reflections on Applied Music Interventions in the Andes Xabier Etxeberria Adrien and Henry Stobart20. Rethinking (Self-)Care in Musicology Klisala Harrison21. The Legality and Morality of Rap at Court Lily E. Hirsch22. Strategies for Using Music Theory to Inform Music Education, Psychology, andTherapy Research Adam OckelfordPart V. Musicology in/for Performance23. “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences Ties van deWerff, Veerle Spronck and Imogen Eve24. On Organology: Taxonomy and Transdisciplinarity Rachael Durkin and Darryl Martin25. Dialogues with Recordings: Digital Memory and the Archive Neil Heyde26. Intersections Between Northern Irish Choral Practices and Community Music PrinciplesSarah-Jane Gibson and Lee Higgins27. Music for Buildings, Building for Music Neil Thomas Smith and Peter PetersReferencesIndex