Federica Goffi, PhD, is Interim Director, Professor of Architecture, and Co-Chair of the PhD and MAS Program in Architecture at the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. Her recent edited volumes include Marco Frascari’s Dream House: A Theory of Imagination (Routledge 2017); InterVIEWS: Insights and Introspection in Doctoral Research in Architecture (Routledge 2019), and the coedited Ceilings and Dreams: The Architecture of Levity (Routledge 2019). She is the editor of And Yet It Moves: Ethics, Power, and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models (Routledge 2021). She holds a PhD in Architecture and Design Research (Virginia Tech), a Dottore in Architettura (University of Genoa), and she is a licensed architect in her native country, Italy.

"In 1916, when the first architectural drawings from the recent past were brought in to lie beside those of Palladio and Jones at the RIBA, Halsey Ricardo spoke of the 'pathetic eloquence' with which they pictured a society, culture, and patterns of thought of a time just past. It is vital, if such pictures are to be faithfully drawn, to explore the patterns of collection by which architectural drawings and models have been preserved; the differences between the archival discipline and the process of inquiry in examining them; and commonalities or divergences in characteristics of drawings that may derive from hundreds of thousands in a modern office, or the scarce fragments of a Renaissance studio or Enlightenment collector’s cabinet. Here is a scrupulously curated conversation that—perhaps for the first time—does just that."Nicholas Olsberg, Former Director of the Canadian Centre for Architecture, Montreal"From tools of making to the documentation of built projects, drawings and models have long played a central role in the conceptual development of architectural projects. This momentous collection of essays brilliantly shows the development of the discipline by taking a new look at the traces left by the process of form generation, and offers glimpses of the potential for action in the contemporary world. The scope of subjects and the breadth of erudition makes this thought-provoking collection a must-read for anyone interested in the significance of architecture."Louise Pelletier, Director, Design Center, University of Quebec at Montreal (UQAM)"The archive has been a potent metaphor for scholars in recent decades, but this cornucopia of first-hand accounts insists on the archives as a physical site, one often deeply engaged in the politics of architecture and of reputations. A combination of oral history from those who have been at the helm of key collections and reflective texts on the very nature of architectural documents provides invitations for future historical work both for students launching a career and the most seasoned scholar alike."Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, New York (and former Chief Curator of Architecture and Design at the Museum of Modern Art, New York)"By posing the question of the “afterlives” of architectural media and illuminating their breadth and significance, this collection makes an invaluable contribution to the perennial discourse on architectural representation, as well as to growing scholarship on the nature of architectural archives."Dr. Paul Holmquist, Assistant professor of architecture, Louisiana State University. Journal of Architecture Education, Spring 2024.

• Part 1 Drawing Sites/Sites of Knowledge Construction: Drawing, Office, Construction Site 1 A Well-Sited Archive: The Carlo Scarpa Archive at the Castelvecchio Museum 2 The "House Arrest" of Michelangelo’s Mural Drawings 3 Representing Geohistory: Exploring Drawing as Reconstruction in the Archives of Eugene-Emmanuel Viollet-le-Duc 4 Buildings as Unsolicited Drawing Surfaces: An Atlas of Athenian Inscriptions 5 Brazilian Architectural Archives and Contemporary Challenges: The Archives of Paulo Mendes da Rocha, Gregori Warchavchik, Lina Bo Bardi, Roberto Burle Marx, Lúcio Costa, and Oscar Niemeyer 6 The Place of Models and Drawings in Sir John Soane’s House and Museum 7 The Fabbriceria and the Mise en a-BIM: Where and What Are We Trying to Hide? 8 Finding Traces in Germán Samper’s Sketches: Making Public the Private Archive 9 The Living Archive: The Renzo Piano Building Workshop and the Renzo Piano Foundation Part 2 The Afterlife of Drawings and Models: Archiving, Collecting, Displaying, and Exhibiting 10 Chance and Change: The Survival and Significance of Architectural Drawings and Models 11 Life and Afterlife of a Design Process: Models and the Building of the Royal Albert Hall 12 Thin Sheets: Tracing Openings within the Archival Matter of Alison + Peter Smithson 13 The Intimate Archive: Sites of Representation and Embodiment in a Reading of Drawing Matter 14 Monuments in Motion: Exhibiting the Full-Scale Replicas from the Barcelona School of Architecture Collection 15 The Secret Afterlife of Three Drawings and the Reproduction They Spawned 16 The Singular Afterlife of What Was Once an Architectural Model 17 Everlasting Inspirations of Archival Architectural Drawings in Japan: Traveling Avant-Garde Survey Sketches by Wajiro Kon 18 When Is Architecture Art? Architectural Representations and the Postmodern Art World, or, Socioaesthetics 19 Cold War Odyssey: The Story of Mies van der Rohe’s Drawings and Papers Part 3 Tools of Making and Knowledge Construction: Architectural Representations and Their Apparatus over Time 20 I Will Begin with the Jar of Empty Pen Caps: The Architectural Archives of the University of Pennsylvania 21 Animate Instruments: Imagination and Architectural Drawing Tools 22 The Architectural Office Space as a Measuring Tool 23 Tear It Down! Agency and Afterlife of Full-Size Models 24 On the Archive Table: Embodiment, Objectivity, and the Construction of Historical Knowledge 25 How Wrapping Paper Transforms Its Contents: City Metaphors and O. M. Ungers’ Ghost Images 26 108 Embodiments of Potential Architecture: On Sisyphean Digital Libraries of Projects 27 The Nature of Architecture: The Primitive Hut and the Nordic Pavilion Part 4 The Ethical Responsibilities of Collecting and Archiving: Authorship, Ownership, Copyrights, and Rights to Copy 28 A Collector’s Ethical Responsibilities? Álvaro Siza’s Social Housing Projects at the Drawing Matter Archive 29 The Move of the Frank Lloyd Wright Drawings and Models: From Private Archive to Public Collection and Its Promotion of Use and Deterrence of Abuse 30 After the Original (the Afterimage): High Costs, Low Roads, and Circumventions 31 Rise and Fall of a Draftsman: A Biographic Reading of the Lequeu Legacy at the National Library of France 32 Collecting "Slowly but Surely" Constructing the Swedish Museum of Architecture in Stockholm 33 On the Silence of the Colonial Archive: Examining Sensorial Agency through the Archival Drawings of Indian Residential Schools in Canada 34 The Luis Barragán Archives: A Long and Controversial Story 35 The Anxiety of Architectural Archives

Federica Goffi, PhD, is Interim Director, Professor of Architecture, and Co-Chair of the PhD and MAS Program in Architecture at the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. Her recent edited volumes include Marco Frascari’s Dream House: A Theory of Imagination (Routledge 2017); InterVIEWS: Insights and Introspection in Doctoral Research in Architecture (Routledge 2019), and the coedited Ceilings and Dreams: The Architecture of Levity (Routledge 2019). She is the editor of And Yet It Moves: Ethics, Power, and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models (Routledge 2021). She holds a PhD in Architecture and Design Research (Virginia Tech), a Dottore in Architettura (University of Genoa), and she is a licensed architect in her native country, Italy.

"In 1916, when the first architectural drawings from the recent past were brought in to lie beside those of Palladio and Jones at the RIBA, Halsey Ricardo spoke of the 'pathetic eloquence' with which they pictured a society, culture, and patterns of thought of a time just past. It is vital, if such pictures are to be faithfully drawn, to explore the patterns of collection by which architectural drawings and models have been preserved; the differences between the archival discipline and the process of inquiry in examining them; and commonalities or divergences in characteristics of drawings that may derive from hundreds of thousands in a modern office, or the scarce fragments of a Renaissance studio or Enlightenment collector’s cabinet. Here is a scrupulously curated conversation that—perhaps for the first time—does just that."Nicholas Olsberg, Former Director of the Canadian Centre for Architecture, Montreal"From tools of making to the documentation of built projects, drawings and models have long played a central role in the conceptual development of architectural projects. This momentous collection of essays brilliantly shows the development of the discipline by taking a new look at the traces left by the process of form generation, and offers glimpses of the potential for action in the contemporary world. The scope of subjects and the breadth of erudition makes this thought-provoking collection a must-read for anyone interested in the significance of architecture."Louise Pelletier, Director, Design Center, University of Quebec at Montreal (UQAM)"The archive has been a potent metaphor for scholars in recent decades, but this cornucopia of first-hand accounts insists on the archives as a physical site, one often deeply engaged in the politics of architecture and of reputations. A combination of oral history from those who have been at the helm of key collections and reflective texts on the very nature of architectural documents provides invitations for future historical work both for students launching a career and the most seasoned scholar alike."Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, New York (and former Chief Curator of Architecture and Design at the Museum of Modern Art, New York)"By posing the question of the “afterlives” of architectural media and illuminating their breadth and significance, this collection makes an invaluable contribution to the perennial discourse on architectural representation, as well as to growing scholarship on the nature of architectural archives."Dr. Paul Holmquist, Assistant professor of architecture, Louisiana State University. Journal of Architecture Education, Spring 2024.

• Part 1 Drawing Sites/Sites of Knowledge Construction: Drawing, Office, Construction Site 1 A Well-Sited Archive: The Carlo Scarpa Archive at the Castelvecchio Museum 2 The "House Arrest" of Michelangelo’s Mural Drawings 3 Representing Geohistory: Exploring Drawing as Reconstruction in the Archives of Eugene-Emmanuel Viollet-le-Duc 4 Buildings as Unsolicited Drawing Surfaces: An Atlas of Athenian Inscriptions 5 Brazilian Architectural Archives and Contemporary Challenges: The Archives of Paulo Mendes da Rocha, Gregori Warchavchik, Lina Bo Bardi, Roberto Burle Marx, Lúcio Costa, and Oscar Niemeyer 6 The Place of Models and Drawings in Sir John Soane’s House and Museum 7 The Fabbriceria and the Mise en a-BIM: Where and What Are We Trying to Hide? 8 Finding Traces in Germán Samper’s Sketches: Making Public the Private Archive 9 The Living Archive: The Renzo Piano Building Workshop and the Renzo Piano Foundation Part 2 The Afterlife of Drawings and Models: Archiving, Collecting, Displaying, and Exhibiting 10 Chance and Change: The Survival and Significance of Architectural Drawings and Models 11 Life and Afterlife of a Design Process: Models and the Building of the Royal Albert Hall 12 Thin Sheets: Tracing Openings within the Archival Matter of Alison + Peter Smithson 13 The Intimate Archive: Sites of Representation and Embodiment in a Reading of Drawing Matter 14 Monuments in Motion: Exhibiting the Full-Scale Replicas from the Barcelona School of Architecture Collection 15 The Secret Afterlife of Three Drawings and the Reproduction They Spawned 16 The Singular Afterlife of What Was Once an Architectural Model 17 Everlasting Inspirations of Archival Architectural Drawings in Japan: Traveling Avant-Garde Survey Sketches by Wajiro Kon 18 When Is Architecture Art? Architectural Representations and the Postmodern Art World, or, Socioaesthetics 19 Cold War Odyssey: The Story of Mies van der Rohe’s Drawings and Papers Part 3 Tools of Making and Knowledge Construction: Architectural Representations and Their Apparatus over Time 20 I Will Begin with the Jar of Empty Pen Caps: The Architectural Archives of the University of Pennsylvania 21 Animate Instruments: Imagination and Architectural Drawing Tools 22 The Architectural Office Space as a Measuring Tool 23 Tear It Down! Agency and Afterlife of Full-Size Models 24 On the Archive Table: Embodiment, Objectivity, and the Construction of Historical Knowledge 25 How Wrapping Paper Transforms Its Contents: City Metaphors and O. M. Ungers’ Ghost Images 26 108 Embodiments of Potential Architecture: On Sisyphean Digital Libraries of Projects 27 The Nature of Architecture: The Primitive Hut and the Nordic Pavilion Part 4 The Ethical Responsibilities of Collecting and Archiving: Authorship, Ownership, Copyrights, and Rights to Copy 28 A Collector’s Ethical Responsibilities? Álvaro Siza’s Social Housing Projects at the Drawing Matter Archive 29 The Move of the Frank Lloyd Wright Drawings and Models: From Private Archive to Public Collection and Its Promotion of Use and Deterrence of Abuse 30 After the Original (the Afterimage): High Costs, Low Roads, and Circumventions 31 Rise and Fall of a Draftsman: A Biographic Reading of the Lequeu Legacy at the National Library of France 32 Collecting "Slowly but Surely" Constructing the Swedish Museum of Architecture in Stockholm 33 On the Silence of the Colonial Archive: Examining Sensorial Agency through the Archival Drawings of Indian Residential Schools in Canada 34 The Luis Barragán Archives: A Long and Controversial Story 35 The Anxiety of Architectural Archives

Federica Goffi, PhD, is Interim Director, Professor of Architecture, and Co-Chair of the PhD and MAS Program in Architecture at the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. Her recent edited volumes include Marco Frascari’s Dream House: A Theory of Imagination (Routledge 2017); InterVIEWS: Insights and Introspection in Doctoral Research in Architecture (Routledge 2019), and the coedited Ceilings and Dreams: The Architecture of Levity (Routledge 2019). She is the editor of And Yet It Moves: Ethics, Power, and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models (Routledge 2021). She holds a PhD in Architecture and Design Research (Virginia Tech), a Dottore in Architettura (University of Genoa), and she is a licensed architect in her native country, Italy.

"In 1916, when the first architectural drawings from the recent past were brought in to lie beside those of Palladio and Jones at the RIBA, Halsey Ricardo spoke of the 'pathetic eloquence' with which they pictured a society, culture, and patterns of thought of a time just past. It is vital, if such pictures are to be faithfully drawn, to explore the patterns of collection by which architectural drawings and models have been preserved; the differences between the archival discipline and the process of inquiry in examining them; and commonalities or divergences in characteristics of drawings that may derive from hundreds of thousands in a modern office, or the scarce fragments of a Renaissance studio or Enlightenment collector’s cabinet. Here is a scrupulously curated conversation that—perhaps for the first time—does just that."Nicholas Olsberg, Former Director of the Canadian Centre for Architecture, Montreal"From tools of making to the documentation of built projects, drawings and models have long played a central role in the conceptual development of architectural projects. This momentous collection of essays brilliantly shows the development of the discipline by taking a new look at the traces left by the process of form generation, and offers glimpses of the potential for action in the contemporary world. The scope of subjects and the breadth of erudition makes this thought-provoking collection a must-read for anyone interested in the significance of architecture."Louise Pelletier, Director, Design Center, University of Quebec at Montreal (UQAM)"The archive has been a potent metaphor for scholars in recent decades, but this cornucopia of first-hand accounts insists on the archives as a physical site, one often deeply engaged in the politics of architecture and of reputations. A combination of oral history from those who have been at the helm of key collections and reflective texts on the very nature of architectural documents provides invitations for future historical work both for students launching a career and the most seasoned scholar alike."Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, New York (and former Chief Curator of Architecture and Design at the Museum of Modern Art, New York)"By posing the question of the “afterlives” of architectural media and illuminating their breadth and significance, this collection makes an invaluable contribution to the perennial discourse on architectural representation, as well as to growing scholarship on the nature of architectural archives."Dr. Paul Holmquist, Assistant professor of architecture, Louisiana State University. Journal of Architecture Education, Spring 2024.

• Part 1 Drawing Sites/Sites of Knowledge Construction: Drawing, Office, Construction Site 1 A Well-Sited Archive: The Carlo Scarpa Archive at the Castelvecchio Museum 2 The "House Arrest" of Michelangelo’s Mural Drawings 3 Representing Geohistory: Exploring Drawing as Reconstruction in the Archives of Eugene-Emmanuel Viollet-le-Duc 4 Buildings as Unsolicited Drawing Surfaces: An Atlas of Athenian Inscriptions 5 Brazilian Architectural Archives and Contemporary Challenges: The Archives of Paulo Mendes da Rocha, Gregori Warchavchik, Lina Bo Bardi, Roberto Burle Marx, Lúcio Costa, and Oscar Niemeyer 6 The Place of Models and Drawings in Sir John Soane’s House and Museum 7 The Fabbriceria and the Mise en a-BIM: Where and What Are We Trying to Hide? 8 Finding Traces in Germán Samper’s Sketches: Making Public the Private Archive 9 The Living Archive: The Renzo Piano Building Workshop and the Renzo Piano Foundation Part 2 The Afterlife of Drawings and Models: Archiving, Collecting, Displaying, and Exhibiting 10 Chance and Change: The Survival and Significance of Architectural Drawings and Models 11 Life and Afterlife of a Design Process: Models and the Building of the Royal Albert Hall 12 Thin Sheets: Tracing Openings within the Archival Matter of Alison + Peter Smithson 13 The Intimate Archive: Sites of Representation and Embodiment in a Reading of Drawing Matter 14 Monuments in Motion: Exhibiting the Full-Scale Replicas from the Barcelona School of Architecture Collection 15 The Secret Afterlife of Three Drawings and the Reproduction They Spawned 16 The Singular Afterlife of What Was Once an Architectural Model 17 Everlasting Inspirations of Archival Architectural Drawings in Japan: Traveling Avant-Garde Survey Sketches by Wajiro Kon 18 When Is Architecture Art? Architectural Representations and the Postmodern Art World, or, Socioaesthetics 19 Cold War Odyssey: The Story of Mies van der Rohe’s Drawings and Papers Part 3 Tools of Making and Knowledge Construction: Architectural Representations and Their Apparatus over Time 20 I Will Begin with the Jar of Empty Pen Caps: The Architectural Archives of the University of Pennsylvania 21 Animate Instruments: Imagination and Architectural Drawing Tools 22 The Architectural Office Space as a Measuring Tool 23 Tear It Down! Agency and Afterlife of Full-Size Models 24 On the Archive Table: Embodiment, Objectivity, and the Construction of Historical Knowledge 25 How Wrapping Paper Transforms Its Contents: City Metaphors and O. M. Ungers’ Ghost Images 26 108 Embodiments of Potential Architecture: On Sisyphean Digital Libraries of Projects 27 The Nature of Architecture: The Primitive Hut and the Nordic Pavilion Part 4 The Ethical Responsibilities of Collecting and Archiving: Authorship, Ownership, Copyrights, and Rights to Copy 28 A Collector’s Ethical Responsibilities? Álvaro Siza’s Social Housing Projects at the Drawing Matter Archive 29 The Move of the Frank Lloyd Wright Drawings and Models: From Private Archive to Public Collection and Its Promotion of Use and Deterrence of Abuse 30 After the Original (the Afterimage): High Costs, Low Roads, and Circumventions 31 Rise and Fall of a Draftsman: A Biographic Reading of the Lequeu Legacy at the National Library of France 32 Collecting "Slowly but Surely" Constructing the Swedish Museum of Architecture in Stockholm 33 On the Silence of the Colonial Archive: Examining Sensorial Agency through the Archival Drawings of Indian Residential Schools in Canada 34 The Luis Barragán Archives: A Long and Controversial Story 35 The Anxiety of Architectural Archives