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    1. Psykologi och pedagogik
    2. Psykologi
    3. Psykologi: känslor

    Forms of Emotion

    Human to Nonhuman in Drama, Theatre and Contemporary Performance

    AvPeta Tait

    Häftad, Engelska, 2023

    Del i serien Routledge Advances in Theatre & Performance Studies

    638 kr

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    Fler format och utgåvor

    Inbunden

    2 474 kr

    E-bok

    771 kr

    E-bok

    746 kr

    Beskrivning

    Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance.

    Produktinformation

    • Utgivningsdatum:2023-05-31
    • Mått:156 x 234 x 14 mm
    • Vikt:490 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Routledge Advances in Theatre & Performance Studies
    • Antal sidor:256
    • Förlag:Taylor & Francis Ltd
    • ISBN:9780367644987

    Utforska kategorier

    • Psykologi: känslor inom Psykologi och pedagogik
    • Teater inom Kultur
    • Kreativt skrivande inom Språk och ordböcker

    Mer om författaren

    Peta Tait is Professor of Theatre and Drama at La Trobe University, Australia and a Fellow of the Australian Academy of the Humanities.

    Innehållsförteckning

    • List of FiguresAcknowledgementsIntroductionForms of EmotionChapter SummariesFraming the Emotions, Emotional Feelings, Mood and AffectPerforming Is Not Feeling that EmotionChapter one: Affect Theory and Performance IntentionPerformance DistinctionsFeeling DividedAffect CurrentsContested IntentionsLive Performance – In TheoryImpersonal Affect and Personal FeelingPresence and TransmissionResistanceFormless Affect and Aesthetic FormChapter two: Judging Pity, Fear and HumannessPity and Fear in ActionFear of ShameOpposition ShocksWonder and CatharsisSocial ObedienceMimetic NaturesTowards CompassionFear and AnimalnessChapter three: Appraising Emotional FeelingTalk of FeelingNavigating ObstructionSubstitute PassionsAppraisal of Emotional FeelingUgly MetaphorInexplicable FeelingCruel Structures of Colonized FeelingChapter four: Performing Moods, Tears and Bodily PhenomenaTheatrical ExchangeModernist ConvergenceActing an Inner SelfImagined spaces of Longing and HappinessDoing Bodily AffectPerforming FreedomUnifying Aesthetic MoodsChapter five: Political Belief and Social Cognition of EmotionsContesting CourageActing Science and the Brain–BodyTrauma’s AffectUnifying Empathy Theatre’s Emotional EconomyEmotional Feeling as BeliefChapter six: En/Acting Diverse Emotional FreedomsRule-breaking ParadoxLove’s Force FieldsHuman Right to Emotional FeelingPolitics of FearRage Against Postemotional DenialTheatrical FreedomsChapter seven: Animals and Anthropocentric EmotionalismComic SurrogatesTragic SymbolsSensory Body InsensitivityPerforming Emotional ConnectionsChapter eight: Enveloping the Nonhuman: Contemporary Indigenous PerformanceCollaborating TraditionsContinuities in StorytellingBodily Perceiving MovementUnity in Bangarra’s Dark EmuEnveloping Affect and Emotional MovementFeeling Knowledge and Nonhuman TimeChapter nine: Prosodies of Affect and Emotional ClimatesWalkingWeather WorldsMotivating TalkingBreathingConclusion: SharingReferencesIndex
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