Iain Quinn is Assistant Professor of Organ and Coordinator of Sacred Music at Florida State University. He holds degrees from the University of Hartford, Yale University and the University of Durham. He has been a Visiting Fellow at Harvard University, Visiting Composer in Chapel at Gonville and Caius College, Cambridge. He is also a Fulbright Scholar and was awarded a fellowship by the Winston Churchill Memorial Trust. Scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music (Ashgate), and in editions of Samuel Barber (G. Schirmer), Carl Czerny and John Goss (A-R Editions). He is also the author of 'The Organist in Victorian Literature' (Palgrave Macmillan) and has recorded thirteen CDs as a soloist or conductor on the Chandos, Hyperion, Naxos, Paulus, and Regent labels.

• IntroductionChapter 1 Classicism in the English Organ Sonata TraditionChapter 2 The Earliest English Organ SonatasChapter 3 The Highest Walks of ArtChapter 4 The Leipzig Influence and the Path to Elgar

Iain Quinn is Assistant Professor of Organ and Coordinator of Sacred Music at Florida State University. He holds degrees from the University of Hartford, Yale University and the University of Durham. He has been a Visiting Fellow at Harvard University, Visiting Composer in Chapel at Gonville and Caius College, Cambridge. He is also a Fulbright Scholar and was awarded a fellowship by the Winston Churchill Memorial Trust. Scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music (Ashgate), and in editions of Samuel Barber (G. Schirmer), Carl Czerny and John Goss (A-R Editions). He is also the author of 'The Organist in Victorian Literature' (Palgrave Macmillan) and has recorded thirteen CDs as a soloist or conductor on the Chandos, Hyperion, Naxos, Paulus, and Regent labels.

• IntroductionChapter 1 Classicism in the English Organ Sonata TraditionChapter 2 The Earliest English Organ SonatasChapter 3 The Highest Walks of ArtChapter 4 The Leipzig Influence and the Path to Elgar

Iain Quinn is Assistant Professor of Organ and Coordinator of Sacred Music at Florida State University. He holds degrees from the University of Hartford, Yale University and the University of Durham. He has been a Visiting Fellow at Harvard University, Visiting Composer in Chapel at Gonville and Caius College, Cambridge. He is also a Fulbright Scholar and was awarded a fellowship by the Winston Churchill Memorial Trust. Scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music (Ashgate), and in editions of Samuel Barber (G. Schirmer), Carl Czerny and John Goss (A-R Editions). He is also the author of 'The Organist in Victorian Literature' (Palgrave Macmillan) and has recorded thirteen CDs as a soloist or conductor on the Chandos, Hyperion, Naxos, Paulus, and Regent labels.

• IntroductionChapter 1 Classicism in the English Organ Sonata TraditionChapter 2 The Earliest English Organ SonatasChapter 3 The Highest Walks of ArtChapter 4 The Leipzig Influence and the Path to Elgar