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• Preface, 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE, 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH, 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE, 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY, 5 THEATRE AND THE MEDIA: SPECIFICITY AND INTERFERENCE, 6 TOWARD SPECIFYING THEATRE TRANSLATION, 7 DANCING WITH FAUST: REFLECTIONS ON AN INTERCULTURAL MISE EN SCÈNE BY EUGENIO BARBA, 8 INTERCULTURALISM IN CONTEMPORARY MISE EN SCÈ NE: THE IMAGE OF INDIA IN THE MAHABHARATA, THE INDIADE, TWELFTH NIGHT AND FAUST, Index

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• Preface, 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE, 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH, 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE, 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY, 5 THEATRE AND THE MEDIA: SPECIFICITY AND INTERFERENCE, 6 TOWARD SPECIFYING THEATRE TRANSLATION, 7 DANCING WITH FAUST: REFLECTIONS ON AN INTERCULTURAL MISE EN SCÈNE BY EUGENIO BARBA, 8 INTERCULTURALISM IN CONTEMPORARY MISE EN SCÈ NE: THE IMAGE OF INDIA IN THE MAHABHARATA, THE INDIADE, TWELFTH NIGHT AND FAUST, Index

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• Preface, 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE, 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH, 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE, 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY, 5 THEATRE AND THE MEDIA: SPECIFICITY AND INTERFERENCE, 6 TOWARD SPECIFYING THEATRE TRANSLATION, 7 DANCING WITH FAUST: REFLECTIONS ON AN INTERCULTURAL MISE EN SCÈNE BY EUGENIO BARBA, 8 INTERCULTURALISM IN CONTEMPORARY MISE EN SCÈ NE: THE IMAGE OF INDIA IN THE MAHABHARATA, THE INDIADE, TWELFTH NIGHT AND FAUST, Index