Differencing the Canon

Feminism and the Writing of Art's Histories

AvGriselda Pollock

Häftad, Engelska, 1999

588 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

Fler format och utgåvor

Inbunden

2 202 kr

Beskrivning

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?

Produktinformation

Utgivningsdatum:1999-02-04
Mått:174 x 246 x 33 mm
Vikt:660 g
Format:Häftad
Språk:Engelska
Antal sidor:364
Förlag:Taylor & Francis Ltd
ISBN:9780415067003

Utforska kategorier

Konsthistoria inom Kultur
Konstböcker inom Kultur
Genusvetenskap inom Samhälle och politik

Recensioner i media

'The flow of the book is wondrous, as Pollock buils each new idea onto the next, rounded out with rigorous research.' - Elizabeth Millard, ForeWardo'If you like psychoanalytic feminism accompanied by committed, sensitive writing, then you will enjoy this read.' - Professor Gen Doy, The Art Book

Innehållsförteckning

Preface PART I Firing the canon 1 About canons and culture wars 2 Differencing: feminism's encounter with the canon PART II Reading against the grain: reading for ... 3 The ambivalence of the maternal body: re/drawing Van Gogh 4 Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec PART III Heroines: setting women in the canon 5 The female hero and the making of a feminist canon: Artemisia 6 Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra 7 Revenge: Lubaina Himid and the making of new narratives for new histories PART IV Who is the other? 8 Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the Suffrage Benefit Exhibition, New York 1915 9 A tale of three women: seeing in the dark, seeing double, at least, with Manet