Colonialism and the Object

Tim Barringer is a lecturer in History of Art at the University of Birmingham, following earlier positions at Birbeck College, University of London and the Victoria and Albert Museum, London.Tom Flynn is a freelance art historian and writer. He is currently completing a book on sculpture and the body.

• 1. Introduction Part 1: 2. The South Kensington Museum and the Colonial Project 3. Chinese Material Culture and British Perceptions of China in the Mid-Nineteenth Century 4. China in Britain: The Imperial Collections 5. Colonial Architecture, International Exhibitions and Official Patronage of the Indian Artisan: The Case of a Gateway from Gwalior in the Victoria and Albert Museum 6. Stylistic Hybridity and Colonial Art and Design Education: A Wooden Carved Screen by Ram Singh 7. Race, Authenticity and Colonialism: A 'Mustice' Silversmith in Philadelphia and St. Croix, 1783-1850 8. Domesticating Uzbeks: Central Asians in Soviet Decorative Arts of the Twenties and Thirties 9. Keys to the Magic Kingdom: The Gallery of Transcultural Arts in Bradford Part 2: 10. Perspectives on Hinemihi - A Maori Meeting House 11. Maori Vision and the Imperialist Gaze 12. Gathering Souls and Objects: Missionary Collections 13. Photography at the Heart of Darkness: Herbert Lang's Congo Photographs (1909-15) 14. Taming the Tusk: Belgian Decorative Arts and the Promotion of Ivory as a Colonial Commodity at the 1897 Brussels International Exhibition Bibliography Index